"The Driver" is a specialist in a rare business: he drives getaway cars in robberies. His exceptional talent prevented him from being caught yet. After another successful flight from the ... See full summary »
In 1979 a charismatic leader summons the street gangs of New York City in a bid to take it over. When he is killed, The Warriors are falsely blamed and now must fight their way home while every other gang is hunting them down to kill them.
Armed with a licence to kill, Secret Agent James Bond sets out on his first mission as 007 and must defeat a weapons dealer in a high stakes game of poker at Casino Royale, but things are not what they seem.
Doc McCoy is put in prison because his partners chickened out and flew off without him after exchanging a prisoner with a lot of money. Doc knows Jack Benyon, a rich "business"-man, is up ... See full summary »
Rock and Roll singer is taken captive by a motorcycle gang in a strange world that seems to be a cross of the 1950's and the present or future. Her ex-boyfriend returns to town and to find her missing and goes to her rescue. Written by
K. Rose <firstname.lastname@example.org>
The title came from a song written and recorded by Bruce Springsteen on his album "Darkness On The Edge Of Town". Original plans were for the song to be featured on the film soudtrack but when Springsteen found out the song would be rerecorded by other vocalists, he withdrew permission for the song to be used. See more »
Police car, after getting on two wheels, is clearly not going to turn over but after angle change does flip on to side. See more »
Stylish underrated Walter Hill / Joel Silver film.....
At the time of STREETS OF FIRE's release, director Walter Hill said in an interview that he wanted to utilise every single known cliche and place it in the context of the gangland arena we see. Well, from my own point of view, the film is actually one of the best Hill has ever done and has a great soundtrack to boot.
Interestingly enough, one of the film's tracks, I CAN DREAM ABOUT YOU by Dan Hartman, made it into the UK Top 30 in 1985, thanks in part to the now-disgraced pop entrepreneur Jonathan King, whose programmes ENTERTAINMENT USA and NO LIMITS introduced a lot of records that wouldn't have made it onto UK radio airplay without them. As it stands though, the film's opening credit sequence, featuring a fight sequence that would pave the way for similar ones in the LETHAL WEAPON saga is as good as the one for THE WARRIORS.
The cast is first-rate, Michael Pare, Diane Lane, Willem DaFoe, Amy Madigan and Rick Moranis (who always reminded me at the time of a pupil in my school who irritated the hell out of everybody!!!) and Ry Cooder provides another competent score.
If you haven't seen this film yet, then watch it in a double bill with any one of the other Joel Silver films such as the LETHAL WEAPON saga and especially THE MATRIX films to make the image and style association with this one.
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