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Storyline
Blanche Dubois goes to visit her pregnant sister and husband Stanley in New Orleans. Stanley doesn't like her, and starts pushing her for information on some property he know was left to the sisters. He discovers she has mortgaged the place and spent all the money, and wants to find out all he can about her. Even more friction develops between the two while they are in the appartment together... Written by
Colin Tinto <cst@imdb.com>
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Did You Know?
Trivia
The original Broadway production of A Streetcar Named Desire opened at the Ethel Barrymore Theater on December 3, 1947 at ran for 855 performances.
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Connections
Version of
A Streetcar Named Desire (1951)
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Soundtracks
"Til the Blues Get Gone"
Written by
Marvin Hamlisch and
Dean Pitchford See more »
Ann-Margaret turned in one of the best performances of her career in the 1984 TV version of A STREETCAR NAMED DESIRE, a well-mounted remake of the Tennessee Williams play that became the 1951 classic film that made a star out of Marlon Brando and won a 2nd Oscar for Vivian Leigh. Ann-Margaret gives an intense and chilling interpretation of Blanche, the mentally fragile southern belle who is brutalized by her boor of a brother-in-law (Treat Williams)when she arrives in New Orleans to visit her sister Stella (Beverly D'Angelo). Ann-Margret has never lost herself in a role the way she lost herself in this one, a performance that lacks the china-doll fragility of Leigh's Blanche but adds an underlying layer of strength that was missing from Leigh's interpretation. Treat Williams lacks the electricity that Brando brought to Stanley but D'Angelo brilliantly conveys the tattered emotions of the conflicted Stella. The other plus of this production is that it restores the original Tennessee Williams ending to the play which was drastically changed in the theatrical film in order for the story to be more acceptable to audiences in 1951; however, it completely dilutes the power of the original piece but it is restored to its original beauty here and packs the emotional punch felt by audience at the 1947 premiere of the play. Coupled with the performances of Ann-Margret and Beverly D'Angelo, this is a remake which can proudly stand up next to the original.