To help his actress girlfriend regain her confidence a Hollywood bigshot bankrolls a small budget film being made by a first-time producer and director pair. Despite the hand-to-mouth way ... See full summary »
A story of love and obsession. A young radio personality who, after her mother dies, discovers she had been having a love affair for 15 years. Now she finds herself recreating her mother's ... See full summary »
Amy Holden Jones
Jamie Lee Curtis,
A timid bank teller anticipates a bank robbery and steals the money himself before the crook arrives. When the sadistic crook realizes he's been fooled, he tracks down the teller and engages him in a cat-and-mouse chase for the cash.
Based on Kubrick's pictorial for Look Magazine (January 18, 1949) entitled "Prizefighter," "Day Of The Fight" tells of a day in the life of a middleweight Irish boxer named Walter Cartier, ... See full summary »
Story follows the divergent agendas of criminals, cops and lawyers as they collide over a shipment of illegal firearms and a double homicide. Earl Pike, a criminal, tries to get his family's illegal gun collection to a safe haven.
To help his actress girlfriend regain her confidence a Hollywood bigshot bankrolls a small budget film being made by a first-time producer and director pair. Despite the hand-to-mouth way it has to be made the film starts to come good, as does the off-set relationship between the actress and her unknown male lead. Written by
Jeremy Perkins <firstname.lastname@example.org>
Interesting quasi-homage to Stanley Kubrick's early career
Its odd why the filmmakers chose, out of all movies, Stanley Kubrick's little known second feature film, "Killer's Kiss", as the basis for this fascinating inside look into the making of a small budget movie, but I'm glad they did, because I'm a big Kubrick admirer, and this is a must for all Kubrick fans.
The movie goes inside the making of the film, but it also features a parallel love story of the lead actors and the lead actress' jealous boyfriend, just like in Kubrick's film.
The ending is a classic one too. In true Kubrick form, the movie ends on a sad, yet interesting note, a total 180 of the film its based on. Also, it ends with the Kubrick-like director character pitching his next movie idea, about a group of people trying to pull off a heist in a casino (as opposed to a racetrack like in Kubrick's classic follow-up, "The Killing").
I loved this movie! Not only was it a fascinating insight into the making of a film, but it was also about what Kubrick was like in his early filmmaking days.
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