A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along...
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Two innocent people are arrested. An interesting third person, with broken English, joins them in their cell. On his idea, they decide to escape from the prison. Their journey is the rest of the movie.
As the extremely withdrawn Don Johnston is dumped by his latest woman, he receives an anonymous letter from a former lover informing him that he has a son who may be looking for him. A freelance sleuth neighbor moves Don to embark on a cross-country search for his old flames in search of answers.
This shortcut repeats the structure of Coffee and Cigarettes. This time, Iggy Pop and Tom Waits meet in a bar. But, again, we don't know why they agreed to do that in the first place, ... See full summary »
In a vignette called "Strange to meet you," Roberto sits at a small table in a coffee bar. Five cups of coffee and two ashtrays are in front of him; he drinks and smokes. Steven joins him. ... See full summary »
A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along with a friend, they eventually end up visiting their aunt in the wastelands of Cleveland and then proceed to Florida where they lose all their money gambling before unwittingly gaining a fortune. Written by
J.Arnold Free <firstname.lastname@example.org> and Brian McInnis
Director Jim Jarmusch was dismayed to discover all the money he paid for the rights to Screamin' Jay Hawkins' "I Put a Spell on You" went to the record company, with nothing going to Hawkins himself. When the film earned a profit, Jarmusch took it upon himself to track down Hawkins (who was living in a trailer park, at the time) and give him some money. It was the beginning of a friendship between the two which lasted until Hawkins' death. According to Jarmusch, Hawkins continuously promised to pay him back, despite Jamursch's insistence that the money was a gift. See more »
During the first shot of the motel room in Florida, a boom mic can be seen in the reflection on a window between the curtains. See more »
[speaks indistinctly in Hungarian]
Oh, hello, Aunt Lotte.
[replies indistinctly in Hungarian throughout conversation]
Don't speak to me in Hungarian, please. No, I haven't heard from him, not for ten years. Yeah, I got your letter. Speak English, please! Yeah, my little cousin Eva. Yeah, I know, she's come - coming here and she's gonna stay overnight, when's she coming? Today? Straight from Budapest today? Ah, no. No, I never agreed to that. I can't possibly babysit for her for...
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Odd and inspiring. This film rings true with rich detail in its depictions of utter loneliness. Smoking many Chesterfields, watching television, playing solitaire, visiting Aunt Lottie, sightseeing at Lake Erie (for God's sake). It alters from tragic to comic from almost moment to moment, and often has a foot in both pools.
Jarmusch is minimalist to the core with this one, and yet manages to pull off a solid story. A small black and white gem that deserves a larger audience.
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