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Stranger Than Paradise (1984)

7.6
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Ratings: 7.6/10 from 20,533 users  
Reviews: 91 user | 62 critic

A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along... See full summary »

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Title: Stranger Than Paradise (1984)

Stranger Than Paradise (1984) on IMDb 7.6/10

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7 wins & 2 nominations. See more awards »

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Cast

Complete credited cast:
...
Willie
...
Eva
...
Eddie
Cecillia Stark ...
Aunt Lotte
Danny Rosen ...
Billy
Rammellzee ...
Man With Money
...
Airline Agent
Richard Boes ...
Factory Worker
Rockets Redglare ...
Poker player
Harvey Perr ...
Poker player
Brian J. Burchill ...
Poker player
...
Girl with Hat
Paul Sloane ...
Motel Owner
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Storyline

A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along with a friend, they eventually end up visiting their aunt in the wastelands of Cleveland and then proceed to Florida where they lose all their money gambling before unwittingly gaining a fortune. Written by J.Arnold Free <arnold@mayahtt.ca> and Brian McInnis

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

9 November 1984 (West Germany)  »

Also Known As:

Extraños en el paraíso  »

Filming Locations:

 »

Box Office

Budget:

$90,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

In the scene where Willie and Eddie pick up Eva from the Hot Dog stand, director Jim Jarmusch can be seen eating a hot dog while wearing a beanie in the background. See more »

Goofs

When Eddie and Willie are driving to Cleveland, the camera and camera operator can be seen in the reflection of the rear view mirror. See more »

Quotes

[first lines]
Willie: Yeah.
Aunt Lotte: [speaks indistinctly in Hungarian]
Willie: Oh, hello, Aunt Lotte.
Aunt Lotte: [replies indistinctly in Hungarian throughout conversation]
Willie: Don't speak to me in Hungarian, please. No, I haven't heard from him, not for ten years. Yeah, I got your letter. Speak English, please! Yeah, my little cousin Eva. Yeah, I know, she's come - coming here and she's gonna stay overnight, when's she coming? Today? Straight from Budapest today? Ah, no. No, I never agreed to that. I can't possibly babysit for her for...
[...]
See more »

Connections

Referenced in She's Gotta Have It (1986) See more »

Soundtracks

I Put a Spell on You
Written by Screamin' Jay Hawkins (as Jay Hawkins)
Used by permission of CBS Unart Catalog, Inc.
All Rights Reserved.
Performed by Screamin' Jay Hawkins
Courtesy of CBS Records
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User Reviews

 
Still good after all these years
3 December 2005 | by (Sydney, Australia) – See all my reviews

I just finished watching Stranger Than Paradise on DVD - the first time I'd seen it since its year of release. I'd always recalled the film with fondness, although I could never remember why I liked it. Several years after seeing the movie I came across the John Lurie soundtrack and bought it without stopping to listen, and been slightly taken aback by it. The haunting pieces were more emotionally esoteric than I expected, and it took some time for the album to grow on me.

Seeing the movie again, I understand why. The only piece of popular music in the film is Screamin' Jay Hawkin's "I Put a Spell on You" and, although I had forgotten that it was there, I guess that I had expected the soundtrack to be more like those of mainstream movies and have songs and such-like. I think that Lurie's music is perfect in situ and, as I've said, the soundtrack has also grown on me as standalone pieces.

The movie itself is a masterpiece. The black and white images present a starkness and a clarity that heightens the alienation of self in a land that was supposed to be the new hope for immigrants from a decaying old world. Instead we see Eva walking through a deserted ghost world of New York where the graffiti says "Yankee go home". America is only a dream, a collective vision of a better world; paradise somewhere on earth.

As Willie and Eddie journey west after winning some money, we see that the supposedly beautiful city of Cleveland is cold and desolate with a frozen lake. The further trip to Florida ends in the middle of nowhere next to a bleak and windswept ocean. Paradise is still somewhere out of reach. I think that's why the movie appeals to me. It shows that the America of popular mythology - the home of the brave, land of the free, protector of the downtrodden, guardian of democracy in the free world - is merely a construct. Too many people these days believe in the child's fantasy of America being some paradise that Iraq and Afghanistan should emulate. Jarmusch reminds us that it is people who give meaning to a symbol, not the other way around. He allows for the ability of people to make their own meanings and evolve beyond the stagnation of popular culture.

At a time I originally saw this movie I had recently left home and got my first job, moving from the country to the city, and maybe to some extent I identified with Eva - moving from Budapest to America. It was also my first taste of grownup film, if I recall correctly, and confirmed me with a lifelong fascination with the cinema. I have a lot to thank Jim Jarmusch for.


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