Live versions of the songs, filmed in an old Pompeii amphitheater. Songs included are Echoes (split into 2 parts), Careful with that axe, Eugene, A saucerful of secrets, One of those days, ... See full summary »
Aging Cuban musicians whose talents had been virtually forgotten following Castro's takeover of Cuba, are brought out of retirement by Ry Cooder, who travelled to Havana in order to bring the musicians together, resulting in triumphant performances of extraordinary music, and resurrecting the musicians' careers.
A documentary on the once-promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols, and the friendship/rivalry between their respective founders, Anton Newcombe and Courtney Taylor.
A documentary crew followed Metallica for the better part of 2001-2003, a time of tension and release for the rock band, as they recorded their album St. Anger, fought bitterly, and sought the counsel of their on-call shrink.
David Byrne walks onto the stage and does a solo "Psycho Killer." Jerry Harrison, Tina Weymouth and Chris Frantz join him for two more songs. The crew is busy, still setting up. Then, three more musicians and two back-up singers join the band. Everybody sings, plays, harmonizes, dances, and runs. They change instruments and clothes. Bryne appears in the Big Suit. The backdrop is often black, but sometimes it displays words, images, or children's drawings. The band cooks for 18 songs, the lyrics are clear, the house rocks. In this concert film, the Talking Heads hardly talk, don't stop, and always make sense. Written by
Picked by Entertainment Weekly magazine as one of the "50 Greatest Independent Films" in a special supplement devoted to independent films that was only distributed to subscribers in October 1997. See more »
Because the footage was edited together from three shows, there are numerous continuity errors. One mentioned on the commentary track of the DVD is the beach ball which is launched from the audience, but never falls. See more »
'Stop Making Sense' is more than simply a concert film. It is pure cinema. It engages all of the senses, it creates a mood, it establishes an atmosphere, it has narrative logic, and it jolts the viewer with electric energy. You can't sit still while watching this. You can't keep your head from bobbing, or your mouth from moving, if you know the words to the songs.
Twenty years later, the sound and image of Talking Heads still feels new, maybe even post-new. It's frightening to look at this film and then consider that all of the Talking Heads are now in their fifties, and David Byrne's hair is as white as Steve Martin's. Byrne's music has mellowed just as people mellow with age, and his fascinating career along with the direction it's taken is emblematic of the excitement that youth brings to an artist's work. To watch 'Stop Making Sense' is to be alive, and for someone who never had and probably never will have the opportunity to see Talking Heads live, and even for those who have, it is a blessing to have a film such as this to preserve the unmatched innovation and energy of this band. Watching David Byrne perform in this film is an awesome sight. Schwarzenegger and Stallone were never this thrilling.
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