This movie interlaces the stories of several characters in a small town united by their use of CB (citizen's band) radio. Paul LeMat is the local CB coordinator who has time for little else... See full summary »
Rock-music lover and feature-film director Jonathan Demme takes on eccentric British singer-songwriter, Robyn Hitchcock, in an ambitious concert film. Setting up a stage in a New York ... See full summary »
Europe on the verge of social and economic change. A close up into the shaken vision of four couples, daily struggles, fights, kids, sex and passion. A movie about the politics of love. Le cinéma politique fait l'amour.
PULP find fame on the world stage in the 1990's with anthems including 'Common People' and 'Disco 2000'. 25 years (and 10 million album sales) later, they return to Sheffield for their last... See full summary »
David Byrne walks onto the stage and does a solo "Psycho Killer." Jerry Harrison, Tina Weymouth and Chris Frantz join him for two more songs. The crew is busy, still setting up. Then, three more musicians and two back-up singers join the band. Everybody sings, plays, harmonizes, dances, and runs. They change instruments and clothes. Bryne appears in the Big Suit. The backdrop is often black, but sometimes it displays words, images, or children's drawings. The band cooks for 18 songs, the lyrics are clear, the house rocks. In this concert film, the Talking Heads hardly talk, don't stop, and always make sense. Written by
Picked by Entertainment Weekly magazine as one of the "50 Greatest Independent Films" in a special supplement devoted to independent films that was only distributed to subscribers in October 1997. See more »
You can hear the bass of Tina Weymouth doing several slides in the last part of "Genius of Love" meanwhile she is showed dancing and not sliding. See more »
All concert films should be as innovative, energetic and just plain fun as Stop Making Sense. With Jonathan Demme as director, the concert has a weird and wonderful theatrical look, with David Byrne arriving onstage at the beginning, armed with an acoustic guitar. Gradually, the other members of the band join him and the stage sets become highly unusual. For visuals, nothing matches the odd behavior of Byrne and quirky but (for the most part) great songs of the Talking Heads better than Demme's approach to filming. The movie has such a terrific build up (at one point Byrne actually runs around the stage repeatedly) that you cannot help but move with it. I can't believe concert films that followed did not even attempt to match this film's innovativeness. A great movie, even if you've never heard of the Talking Heads.
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