Aging Cuban musicians whose talents had been virtually forgotten following Castro's takeover of Cuba, are brought out of retirement by Ry Cooder, who travelled to Havana in order to bring the musicians together, resulting in triumphant performances of extraordinary music, and resurrecting the musicians' careers.
Live versions of the songs, filmed in an old Pompeii amphitheater. Songs included are Echoes (split into 2 parts), Careful with that axe, Eugene, A saucerful of secrets, One of those days, ... See full summary »
A documentary crew followed Metallica for the better part of 2001-2003, a time of tension and release for the rock band, as they recorded their album St. Anger, fought bitterly, and sought the counsel of their on-call shrink.
A documentary on the once-promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols, and the friendship/rivalry between their respective founders, Anton Newcombe and Courtney Taylor.
David Byrne walks onto the stage and does a solo "Psycho Killer." Jerry Harrison, Tina Weymouth and Chris Frantz join him for two more songs. The crew is busy, still setting up. Then, three more musicians and two back-up singers join the band. Everybody sings, plays, harmonizes, dances, and runs. They change instruments and clothes. Bryne appears in the Big Suit. The backdrop is often black, but sometimes it displays words, images, or children's drawings. The band cooks for 18 songs, the lyrics are clear, the house rocks. In this concert film, the Talking Heads hardly talk, don't stop, and always make sense. Written by
David Byrne's staggering during the latter part of "Psycho Killer" was directly inspired by Fred Astaire in Royal Wedding during the song "I Left My Hat In Haiti". See more »
At several points throughout the film, the sound and vision do not sync up. This is particularly noticeable during "Found A Job:" early in the song, a cymbal crash is heard, even though Chris Frantz is not seen to hit one. A few bars later, he hits the cymbal, but no sound is heard. See more »
All concert films should be as innovative, energetic and just plain fun as Stop Making Sense. With Jonathan Demme as director, the concert has a weird and wonderful theatrical look, with David Byrne arriving onstage at the beginning, armed with an acoustic guitar. Gradually, the other members of the band join him and the stage sets become highly unusual. For visuals, nothing matches the odd behavior of Byrne and quirky but (for the most part) great songs of the Talking Heads better than Demme's approach to filming. The movie has such a terrific build up (at one point Byrne actually runs around the stage repeatedly) that you cannot help but move with it. I can't believe concert films that followed did not even attempt to match this film's innovativeness. A great movie, even if you've never heard of the Talking Heads.
7 of 8 people found this review helpful.
Was this review helpful to you?