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Dennis Dimbleby Bagley is a brilliant young advertising executive who can't come up with a slogan to sell a revolutionary new pimple cream. His obsessive worrying affects not only his ... See full summary »
Richard E. Grant,
Nick and Frank Starkey were both policemen. A scandal forced Nick to leave the force, now a serial killer has driven the police to take him back. A web that includes Frank's wife, bribery, ... See full summary »
Mary Elizabeth Mastrantonio,
An amphibious shark-like monster terrorizes an abandoned secret military base and the people who live on the island it is located on. A marine biologist, as well as several other people, ... See full summary »
George has just been released from prison, and manages to get a job driving a call girl from customer to customer. Initially they don't get on; he doesn't fit in with the high class customers Simone services. Will they ever get on?
Van Damme plays Rudy whose father, Oscar is an archaeologist. His father goes to Israel. When his father disappears, he goes to Israel to find him. The chief of police claims that his ... See full summary »
Jean-Claude Van Damme,
Steve Coogan has been asked by The Observer to tour the country's finest restaurants, but after his girlfriend backs out on him he must take his best friend and source of eternal aggravation, Rob Brydon.
Rock-music lover and feature-film director Jonathan Demme takes on eccentric British singer-songwriter, Robyn Hitchcock, in an ambitious concert film. Setting up a stage in a New York ... See full summary »
David Byrne walks onto the stage and does a solo "Psycho Killer." Jerry Harrison, Tina Weymouth and Chris Frantz join him for two more songs. The crew is busy, still setting up. Then, three more musicians and two back-up singers join the band. Everybody sings, plays, harmonizes, dances, and runs. They change instruments and clothes. Bryne appears in the Big Suit. The backdrop is often black, but sometimes it displays words, images, or children's drawings. The band cooks for 18 songs, the lyrics are clear, the house rocks. In this concert film, the Talking Heads hardly talk, don't stop, and always make sense. Written by
Picked by Entertainment Weekly magazine as one of the "50 Greatest Independent Films" in a special supplement devoted to independent films that was only distributed to subscribers in October 1997. See more »
At several points throughout the film, the sound and vision do not sync up. This is particularly noticeable during "Found A Job:" early in the song, a cymbal crash is heard, even though Chris Frantz is not seen to hit one. A few bars later, he hits the cymbal, but no sound is heard. See more »
This concert/movie is simply a brilliant collaboration of music and film. First off, you have the Talking Heads, perhaps one of the most creative and interesting bands in the history of music who put on a concert that is so imaginative that I still cannot believe it happened. Second, you have veteran Director Johnathan Demme who brings the darkness and creepiness that he used in such films as Silence of the Lambs and Philadelphia, to a concert with sort of a dark and creepy demeanor, i.e. David Byrne in general, the style of music, the dancing. I mean dark and creepy in a good way however. I cannot help to think that this movie is also a comedy. David Byrne's movements, the bass players dancing, the songs and just everything i get a kick out of. I have always been a big fan of the Talking Heads, but after seeing this movie, my love for them skyrockets. They are a unbelievable band with an imagination that rivals that of the likes of Shel Silverstein and the Cohen Brothers. I could literally go on and on about how brilliant this movie is. I think the next time i watch it, i may actually get up and dance. I only wish that I could have been at the actual show. I also cannot figure out what I like better, The Last Waltz or this. Shame on anybody who badmouths this movie or the band in general. See this and then see it again and again and again. 10/10
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