Captain Picard and his crew pursue the Borg back in time to stop them from preventing Earth's first contact with an alien species. They also make sure that Zefram Cochrane makes his famous maiden flight at warp speed.
5 years after Pitch Black, the wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
Following Kirk's encounter with Khan that left the Enterprise severely damaged and Spock dead, they return to Starfleet so that Enterprise could be repaired. Kirk's hoping to go back to the newly-created Genesis planet where he laid Spock to rest. But upon arriving, he is told that the Enterprise will not be repaired and that Genesis has become a delicate matter and until it is resolved, no one is allowed to go there or talk about it. McCoy is also acting strangely and is later detained when he starts talking about Genesis. Kirk is visited by Spock's father Sarek, who tells him that he betrayed Spock because being placed on Genesis was not what he would have wanted. He tells Kirk he is supposed to bring Spock's body along with his soul or katra as the Vulcans call it which he passes onto someone, and bring it to Vulcan for the final rites. Sarek assumes Kirk would have it but he does not. Kirk then thinks that Spock may have passed it someone else and realizes McCoy is the one who has... Written by
It was director/star Leonard Nimoy who conceived the distinctive design of the Klingons' Bird-of-Prey. At a preproduction meeting with Industrial Light & Magic (ILM), Nimoy posed his arms and hands to demonstrate the vessel's wings as they ultimately would appear in the final film. The DVD documentary "Space Docks and Birds-of-Prey" revealed that the physique of a bodybuilder in the "crab" pose, emphasizing the trapezius muscles, was also the basis for the ship's aggressive stance. Finally, the script, at the time when it was received by ILM, established that the Bird-of-Prey was definitely a Romulan vessel, commandeered by Kruge. With that back story in mind, the feather-like pattern on the ship's underside was a direct tribute the original Bird-of-Prey as it first appeared in Star Trek: Balance of Terror (1966). Though the final version of Star Trek III (and subsequent Star Trek films and television episodes) refer to the ship as purely of the Klingon fleet, the Romulan plumage-detail was never lost. See more »
When the restored Spock recognizes Kirk, he repeats the "I have always been your friend" line that he utters just before dying near the end of Wrath of Khan. But he said that line *after* he transfers his katra to McCoy, so the restored Spock would have no memory of saying it. See more »
[Spock's dying words, repeated from the previous film]
Don't grieve, Admiral. It is logical. The needs of the many outweigh...
...the needs of the few.
Or the one. I have been and always shall be your friend. Live long and prosper.
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Leonard Nimoy is credited as director in the opening credits, but is not included in the cast list. There is a long gap between the name of William Shatner and DeForest Kelley, which lasts for the length of time Nimoy's name would have been displayed. See more »
You'll never watch "Taxi" reruns the same way again!
Christopher Lloyd has to be one of the most brilliant actors in history. When I first saw him, as Reverend Jim Ignatowski, I was very young, and his presence was very "memorable." As with Sean Penn as Jeff Spicoli in Fast Times At Ridgemont High, it takes several different performances to truly grasp his range.
The rest of the cast? If you have to ask....
The plot? If you have to ask...okay, this time the crew goes on a mission to find Spock, whose mind has been placed in Dr. McCoy for safekeeping while his body chilled out at the Genesis spa. Only a vulcan ritual can make everything right, but first the crew has to retrieve Spock's body from Genesis, and in doing so they encounter the evil Klingon commander Kruge (Lloyd).
The special effects on this film were subpar, particularly the fight scenes on the exploding Genesis planet; I've seen better special effects with fire on a soap opera. That's acceptable, however, since when the film came out, we needed Spock to return to the living, though today's audiences wouldn't understand the significance of having killed him off at the end of II.
To those who don't know, when Kruge says "I come all this way for Genesis, and this is what I find," Lloyd is in the character of Reverend Jim from Taxi, and the theater I was in exploded in laughter at the time; this joke would be lost on anyone who hasn't seen that series. All that was missing was Danny DeVito as a space dispatcher or Andy Kaufman as an alien.
Whereas Star Trek I tilted a little too much towards the hardcore fan base, and Star Trek II was perfect for everyone (by far the best of the series), Star Trek III was a decent film that satisfied the intense cravings of Trekkies (not Trekkers, as there was no shame in being a Trekkie back then) for more footage of the famous crew of space pioneers. This was before the internet, before cable and even video stores (almost), and when all we had were the 78/79 episodes that were in reruns and which we had memorized every line to. I left the theater pleased with the film, knowing it could have been better, but it also could have been far worse.
Perhaps the film's greatest achievement is that it was obviously made to cash in on the growing rerun audience from the series, yet it still managed to be superior to most episodes, while stacking up decently against every other Trek film ever made, except for Star Trek II and First Contact.
If you're a hardcore fan, buy the DVD; if not, catch it on cable. Either way, you'll be pleased.
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