On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
In the wake of Spock's ultimate deed of sacrifice, Admiral Kirk and the Enterprise crew return to Earth for some essential repairs to their ship. When they arrive at Spacedock, they are shocked to discover that the Enterprise is to be decommissioned. Even worse, Dr. McCoy begins acting strangely and Scotty has been reassigned to another ship. Kirk is forced to steal back the Enterprise and head across space to the Genesis Planet to save Spock and bring him to Vulcan. Unknown to them, the Klingons are planning to steal the secrets of the Genesis Device for their own deadly purpose. Written by
Colin Tinto <firstname.lastname@example.org>
Obvious stunt doubles during the fight between Kirk and Kruge on the Genesis planet. See more »
[Spock's dying words, repeated from the previous film]
Don't grieve, Admiral. It is logical. The needs of the many outweigh...
...the needs of the few.
Or the one. I have been and always shall be your friend. Live long and prosper.
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End title: "And the adventure continues..." See more »
This film is the third of the franchise and addresses the theme of death and resurrection of Spock, something that I honestly could not understand immediately but, being an alien, did not make any knot in my head when I've got it. The script is not bad but it gets even better from the moment the Klingons, a welcome element of action, are added to the story. However, being a film that continues the story of "The Wrath of Khan," it is natural that both are similar at several points. On a technical level, they're almost identical, the sets and costumes are the same and the special effects are still what we could expect at this period. And as for the actors, this film is almost entirely of Leonard Nimoy and DeForest Kelley, actors that the script privileged and that they had the capacity to shine. In the end, we get a film that honors its predecessor without, however, being able to match it.
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