Captain Picard and his crew pursue the Borg back in time to stop them from preventing Earth's first contact with an alien species. They also make sure that Zefram Cochrane makes his famous maiden flight at warp speed.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
Following Kirk's encounter with Khan that left the Enterprise severely damaged and Spock dead, they return to Starfleet so that Enterprise could be repaired. Kirk's hoping to go back to the newly-created Genesis planet where he laid Spock to rest. But upon arriving, he is told that the Enterprise will not be repaired and that Genesis has become a delicate matter and until it is resolved, no one is allowed to go there or talk about it. McCoy is also acting strangely and is later detained when he starts talking about Genesis. Kirk is visited by Spock's father Sarek, who tells him that he betrayed Spock because being placed on Genesis was not what he would have wanted. He tells Kirk he is supposed to bring Spock's body along with his soul or katra as the Vulcans call it which he passes onto someone, and bring it to Vulcan for the final rites. Sarek assumes Kirk would have it but he does not. Kirk then thinks that Spock may have passed it someone else and realizes McCoy is the one who has... Written by
As in the previous Star Trek film (Star Trek II: The Wrath of Khan (1982)), the movie includes the famous "Space, the final frontier" monologue, spoken by Spock. As in the previous film, the words have been changed slightly, referring to seeking out "new life forms" instead of just "new life". This was the final use of this modified version of the monologue until Star Trek (2009), where it is also spoken by Spock. See more »
At the beginning of the pon farr sequence, a tree is uprooted next to Saavik. In a brief shot afterward, the tree can be seen to be falling on a Klingon officer, suggesting the shot may have been taken from a later sequence on the Genesis planet. See more »
[Spock's dying words, repeated from the previous film]
Don't grieve, Admiral. It is logical. The needs of the many outweigh...
...the needs of the few.
Or the one. I have been and always shall be your friend. Live long and prosper.
See more »
Leonard Nimoy is credited as director in the opening credits, but is not included in the cast list. There is a long gap between the names of William Shatner and DeForest Kelley, which lasts for the length of time Nimoy's name would have been displayed. See more »
You'll never watch "Taxi" reruns the same way again!
Christopher Lloyd has to be one of the most brilliant actors in history. When I first saw him, as Reverend Jim Ignatowski, I was very young, and his presence was very "memorable." As with Sean Penn as Jeff Spicoli in Fast Times At Ridgemont High, it takes several different performances to truly grasp his range.
The rest of the cast? If you have to ask....
The plot? If you have to ask...okay, this time the crew goes on a mission to find Spock, whose mind has been placed in Dr. McCoy for safekeeping while his body chilled out at the Genesis spa. Only a vulcan ritual can make everything right, but first the crew has to retrieve Spock's body from Genesis, and in doing so they encounter the evil Klingon commander Kruge (Lloyd).
The special effects on this film were subpar, particularly the fight scenes on the exploding Genesis planet; I've seen better special effects with fire on a soap opera. That's acceptable, however, since when the film came out, we needed Spock to return to the living, though today's audiences wouldn't understand the significance of having killed him off at the end of II.
To those who don't know, when Kruge says "I come all this way for Genesis, and this is what I find," Lloyd is in the character of Reverend Jim from Taxi, and the theater I was in exploded in laughter at the time; this joke would be lost on anyone who hasn't seen that series. All that was missing was Danny DeVito as a space dispatcher or Andy Kaufman as an alien.
Whereas Star Trek I tilted a little too much towards the hardcore fan base, and Star Trek II was perfect for everyone (by far the best of the series), Star Trek III was a decent film that satisfied the intense cravings of Trekkies (not Trekkers, as there was no shame in being a Trekkie back then) for more footage of the famous crew of space pioneers. This was before the internet, before cable and even video stores (almost), and when all we had were the 78/79 episodes that were in reruns and which we had memorized every line to. I left the theater pleased with the film, knowing it could have been better, but it also could have been far worse.
Perhaps the film's greatest achievement is that it was obviously made to cash in on the growing rerun audience from the series, yet it still managed to be superior to most episodes, while stacking up decently against every other Trek film ever made, except for Star Trek II and First Contact.
If you're a hardcore fan, buy the DVD; if not, catch it on cable. Either way, you'll be pleased.
19 of 25 people found this review helpful.
Was this review helpful to you?