On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The Borg go back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
Following Kirk's encounter with Khan that left the Enterprise severely damaged and Spock dead, they return to Starfleet so that Enterprise could be repaired. Kirk's hoping to go back to the newly-created Genesis planet where he laid Spock to rest. But upon arriving, he is told that the Enterprise will not be repaired and that Genesis has become a delicate matter and until it is resolved, no one is allowed to go there or talk about it. McCoy is also acting strangely and is later detained when he starts talking about Genesis. Kirk is visited by Spock's father Sarek, who tells him that he betrayed Spock because being placed on Genesis was not what he would have wanted. He tells Kirk he is supposed to bring Spock's body along with his soul or katra as the Vulcans call it which he passes onto someone, and bring it to Vulcan for the final rites. Sarek assumes Kirk would have it but he does not. Kirk then thinks that Spock may have passed it someone else and realizes McCoy is the one who has... Written by
It was director/star Leonard Nimoy who conceived the distinctive design of the Klingons' Bird-of-Prey. At a preproduction meeting with Industrial Light & Magic (ILM), Nimoy posed his arms and hands to demonstrate the vessel's wings as they ultimately would appear in the final film. The DVD documentary "Space Docks and Birds-of-Prey" revealed that the physique of a bodybuilder in the "crab" pose, emphasizing the trapezius muscles, was also the basis for the ship's aggressive stance. Finally, the script, at the time when it was received by ILM, established that the Bird-of-Prey was definitely a Romulan vessel, commandeered by Kruge. With that back story in mind, the feather-like pattern on the ship's underside was a direct tribute the original Bird-of-Prey as it first appeared in Star Trek: Balance of Terror (1966). Though the final version of Star Trek III (and subsequent Star Trek films and television episodes) refer to the ship as purely of the Klingon fleet, the Romulan plumage-detail was never lost. See more »
Sarek has great influence with the Federation. It would have been a great help to Kirk and McCoy if he had explained to Federation what was wrong with the doctor. He would probably have no trouble asking Federation Command to have Grissom recover Spock's body and take it to Volcan. Then Sarek, Kirk and McCoy could have flown to Volcan from Earth and performed the ceremony without incident. See more »
[Spock's dying words, repeated from the previous film]
Don't grieve, Admiral. It is logical. The needs of the many outweigh...
...the needs of the few.
Or the one. I have been and always shall be your friend. Live long and prosper.
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End title: "And the adventure continues..." See more »
This movie is not the amazing sequel to The Wrath of Khan that I'd hoped for. In fact, it's really not that good at all. The acting in this movie seemed much more monotonous and boring as compared to the two previous films. This made several important scenes seem trivial and pointless. The main plot of this film is to find Spock and take him to Vulcan. I wholeheartedly disagree with this choice. The subplot with the Klingons should have been the main plot with the whole Spock thing being the subplot. It would have been much more interesting that way. Lastly the special effects were quite awful. Now the previous two films aren't much to look at, but this one just looks flat out fake.
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