Captain Picard and his crew pursue the Borg back in time to stop them from preventing Earth's first contact with an alien species. They also make sure that Zefram Cochrane makes his famous maiden flight at warp speed.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
Following Kirk's encounter with Khan that left the Enterprise severely damaged and Spock dead, they return to Starfleet so that Enterprise could be repaired. Kirk's hoping to go back to the newly-created Genesis planet where he laid Spock to rest. But upon arriving, he is told that the Enterprise will not be repaired and that Genesis has become a delicate matter and until it is resolved, no one is allowed to go there or talk about it. McCoy is also acting strangely and is later detained when he starts talking about Genesis. Kirk is visited by Spock's father Sarek, who tells him that he betrayed Spock because being placed on Genesis was not what he would have wanted. He tells Kirk he is supposed to bring Spock's body along with his soul or katra as the Vulcans call it which he passes onto someone, and bring it to Vulcan for the final rites. Sarek assumes Kirk would have it but he does not. Kirk then thinks that Spock may have passed it someone else and realizes McCoy is the one who has... Written by
It was director/star Leonard Nimoy who conceived the distinctive design of the Klingons' Bird-of-Prey. At a preproduction meeting with Industrial Light & Magic (ILM), Nimoy posed his arms and hands to demonstrate the vessel's wings as they ultimately would appear in the final film. The DVD documentary "Space Docks and Birds-of-Prey" revealed that the physique of a bodybuilder in the "crab" pose, emphasizing the trapezius muscles, was also the basis for the ship's aggressive stance. Finally, the script, at the time when it was received by ILM, established that the Bird-of-Prey was definitely a Romulan vessel, commandeered by Kruge. With that back story in mind, the feather-like pattern on the ship's underside was a direct tribute the original Bird-of-Prey as it first appeared in Star Trek: Balance of Terror (1966). Though the final version of Star Trek III (and subsequent Star Trek films and television episodes) refer to the ship as purely of the Klingon fleet, the Romulan plumage-detail was never lost. See more »
Phase of the Earth's Moon when the Enterprise arrives at space dock after the battle with Khan, and when Kirk steals the Enterprise. See more »
[Spock's dying words, repeated from the previous film]
Don't grieve, Admiral. It is logical. The needs of the many outweigh...
...the needs of the few.
Or the one. I have been and always shall be your friend. Live long and prosper.
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End title: "And the adventure continues..." See more »
After the events in the previous film, Kirk (William Shatner) risks his career by stealing the Enterprise to go to a restricted planet in hopes of finding Spock's body who they feel might be alive. Along the way they run into a Klingon leader (Christopher Lloyd) who wants to kill them all. STAR TREK III: THE SEARCH OF SPOCK probably shouldn't have worked since if you've seen the second film then you know what happens to Spock. In order for this "trick" to work the producers and writers really needed to come up with something good and thankfully they did that. I won't ruin what this trick is in "the search for Spock" but I thought it was a rather smart move and it helped make the film a lot more believable. Leonard Nimoy steps into the director's chair here and it's obvious he's very comfortable there as he delivers a good looking film with a good pace and of course the main people back in action. Once again we've got Shatner turning in a good performance as Spock and there's no question that he helps keep the film moving. I don't care what you want to say about the guy but there's no question that he owned this role and could play it in his sleep. Regulars like DeForrest Kelley, James Doohan and George Takei are also good in their roles. It seems a lot of people are split on Lloyd but I thought he was pretty good here. I liked seeing him under all the make-up and thought he did a good job even if the role itself wasn't the greatest. The special effects here are certainly a step up from the previous movie and I'd also say that battle sequences are much better directed. Overall this film doesn't quite reach the levels as the second but it's certainly a worthy sequel.
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