3 items from 2016
Imagine Entertainment, the production powerhouse led by longtime partners Brian Grazer and Ron Howard, is poised for a significant expansion, powered by a $100 million-plus investment from the Raine Group under a new partnership agreement, according to multiple sources familiar with the impending deal.
The arrangement anticipates building Imagine into a major media player with other investors as part of the transaction, said two individuals familiar with the pact. The deal has yet to be signed but is just days away from being finalized.
Raine, the 6-year-old New York merchant bank, has ready access to capital and myriad potential partners. While the new allies have no current acquisition targets, they will scout out other media assets for acquisition on an opportunistic basis. In the near term, the $100 million infusion will help Imagine generate new film and television projects.
The new partnership will leave producer Grazer, 64, and director Howard, 61, atop the company they founded 30 years ago, »
- James Rainey
So, we’ve arrived at the top 20, slowly creeping toward those films that are exactly what a romantic comedy should be. We’ve seen films that fall into the category, but lean more toward other genres. We’ve seen romantic films that are funny enough to be comedies, but don’t entirely represent the spirit of the rom-com, despite being brilliant films. Now, we form a clearer picture of what a romantic comedy is. Not all of the films in this section are necessarily “good,” but they’re all iconic, definitive romantic comedies (hence their inclusion). Memorability does not necessarily come partnered with quality. It means right place, right time.
courtesy of totalfilm.com 20. Sleepless in Seattle (1993)
- Joshua Gaul
Welcome back to the Definitive List, where for the inaugural top 50, we’re counting down the best romantic comedies. The majority of numbers 50 through 41 weren’t so traditional. A secret-admirer movie, a period piece, a “These two don’t make sense together” movie, and a French fantasy among them, but we still managed to squeak in a Wes Anderson movie and a surrealist masterpiece. It doesn’t get any more traditional from here, as numbers 40 through 31 jumps around just as much, from sub-genre to sub-genre. Regardless, these films have made their mark on the industry and still hold a place in the pantheon of the rom-com hall of fame.
#40. Groundhog Day (1993)
Bill Murray was nominated for an Oscar after his dramatic turn in Sofia Coppola’s Lost in Translation. He has shown great promise in Wes Anderson’s films. But his best performance to date came in this Harold Ramis »
- Joshua Gaul
3 items from 2016
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