Lawrence is a rich kid with a bad accent and a large debt. After his father refuses to help him out, Lawrence escapes his angry debtors by jumping on a Peace Corp flight to Southeast Asia, ... See full summary »
Allen Bauer is rescued from drowning as a young boy off Cape Cod by a young mermaid. Years later, he returns to the same location, and once again manages to fall into the sea, and is rescued once more by the mermaid (Allen isn't sure what he has seen and what he has imagined). Using maps from a sunken ship, the mermaid decides to search for Allen in New York City, sprouting legs when her tail dries. On finding Allen, they fall in love, but she has a secret, which will no longer be a secret if she gets her legs wet. Written by
After Allen and Kornbluth scuffle in the dentist's office and Kornbluth sits in the chair, the paper bib around his neck has been torn off. The bib is back in the next shot, then gone again as they leave the office. See more »
[catches Freddie looking up women's skirts]
I dropped something.
Ralph, talk to him.
[Ralph smacks Freddie upside the head]
Listen to your father. Come on, from over there we can see Cape Cod.
We were just on Cape Cod. We could have stayed there, I would have saved twelve dollars.
Allen, sweetheart, don't you want to see Cape Cod?
[Allen shakes his head]
All right, darling, you know where we are if you change your mind.
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Tom Hanks and Daryl Hannah swimming and coming to an underwater city. See more »
Well-made comedy with a disturbing undertone of pessimism
Splash is a really well-made Hollywood fantasy comedy, with early Tom Hanks already developing into the charismatic everyman and Darryl Hannah and John Candy at their best. But under the comedy and sweetness I have always thought there was a disturbing undertone of extreme pessimism--just what kind of ugly and cruel society do we live in, in which the mermaid Madison's only prospect is that she will be tortured, from which Hanks' character ultimately has to flee, never to see his beloved brother again? (The same dark undertone is even more pronounced, I think, in Ron Howard's next big hit Cocoon, where the old folks willingly escape an earth and families that don't seem to offer them anything anymore.)
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