A young tomboy, Watts, finds her feelings for her best friend, Keith, run deeper than just friendship when he gets a date with the most popular girl in school. Unfortunately, the girl's old... See full summary »
Mary Stuart Masterson,
Jake and Kristy Briggs are newlyweds. Being young, they are perhaps a bit unprepared for the full reality of marriage and all that it (and their parents) expect from them. Do they want ... See full summary »
Samantha's life is going downhill fast. The sixteen-year-old has a crush on the most popular boy in school, and the geekiest boy in school has a crush on her. Her sister's getting married, and with all the excitement the rest of her family forgets her birthday! Add all this to a pair of horrendously embarrassing grandparents, a foreign exchange student named Long Duk Dong, and we have the makings of a hilarious journey into young womanhood. Written by
Rick Munoz <firstname.lastname@example.org>
This movie has gotten a great deal of criticism from some of its Asian American viewers for its racial insensitivity and its negative impact on their upbringings. In a 2008 NPR piece titled "Long Duk Dong: Last of the Hollywood Stereotypes?," reporter Alison MacAdam interviewed Eric Nakamura, a co-founder of Giant Robot Magazine, which covers Asian and Asian American pop culture. Nakamura said, "Every single Asian dude who went to high school or junior high during the era of John Hughes's movies was called 'Donger.' I mean, if you're being called 'Long Duk Dong,' you're comic relief amongst a sea of people unlike you. And you're also being portrayed as a non-[American] person. You're being portrayed as a guy who just came off a boat and who's out of control. It's like every bad stereotype possible loaded into one character. Just the gong that, you know, appears behind them magically every time he's on the screen, gong, you know, that's awful. I mean, I feel bad for [actor Gedde Watanabe] in the end because he's had to live with the fact that all these Asian American men hate him." Watanabe was also interviewed for the piece, and he recounted numerous incidents in which people have publicly expressed their anger at him for playing a role that so widely disseminated negative stereotypes of Asian men. See more »
When Caroline and Jake are slow dancing at the school dance, Caroline's hair changes between shots. See more »
I want a serious girlfriend. Somebody I can love, that's gonna love me back. Is that psycho?
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These are the immortal words spoken by SIXTEEN CANDLES heroine Samantha Baker (Molly Ringwald) in the ultimate 80's teen comedy. This movie has become a classic to those born in the 70's, like myself, and I now consider it a "guilty pleasure". Its a movie we all grew up with. Didn't we all know a person like 'Farmer Ted', or a hot queenie like the blonde he hilariously gets. It was every young freshman's fantasy. This funny flick is also a relic of the 80's that is not all that dated.
The jokes still work (as long as you see it uncut) and it is neat seeing things of the not so distant past be on display. Floppy disks, headgears, leotards, etc... Time has not been so good to the featured stars. Ringwald and Anthony-Michael Hall, who was born to play this role, and this one only, have all but disappeared. The biggest stars now are blips on the screen here: Joan (in a headgear) and John (a geek) Cusack. The film is like a toy you can't put away.
Some situations are beat, but at least Paul Dooley adds an extra dimension to the father. Too many of John Hughes' teen-angst comedies of the era feature tissue-thin parental figures. This was the first and best of the so-called "brat pack" movies, and will always hold a place in 1980's filmmaking history. Girls learned never to lend their underwear to a geek and we all learned that high school is just a phase, easily forgotten as time goes on.
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