Dow is an ex-soldier searching the wasteland for his wife who was taken from him by the Warlord. With only a disembodied, wisecracking head and a renegade woman named Danny as his ... See full summary »
The mighty warrior, Kain, crosses the barren wastelands of the planet Ura, where two arch enemies, Zeg and the evil degenerate Balcaz, fight incessantly for control of the village's only ... See full summary »
Jeff, a young delinquent, is enrolled by his father in a kenpo school, in the hopes of teaching the boy some self-discipline. Years later, Jeff's mentor, Kim, is being threatened by one of ... See full summary »
New York police are bemused by a spate of reports of a giant flying lizard that has been spotted around the rooftops of New York, which they assume to be bogus until the lizard starts to ... See full summary »
Rural Texas, 1960 -- An age of good times and innocence, when growing up was supposed to be easy. Six high school seniors know the terrible secret that will make the difference in the ... See full summary »
A baby sitter is stuck watching over a young brat on Halloween night who keeps playing vicious pranks on her. To add to her trouble the boy's deranged father has escaped from an asylum and is planning on making a visit.
I saw this on video in the early 90s as "On the Line." It appeared to be in undubbed English. In the version I saw the two (or maybe three) story lines are not well integrated. One is the long standing rivalry between David Carradine, as a successful smuggler of illegal Mexican immigrants, and Scott Wilson, as an overzealous Border Patrol Agent. Another plot involves the arrival of two naive young men (related to one of the other characters, maybe Wilson) from the American Midwest, and the subsequent involvement of one of them with a Mexican prostitute played by Victoria Abril, who is quite good in the role. This portion of the film also examines the lives of a few of the other prostitutes who inhabit the brothel where Abril works. And it leads to an amusing cameo by Sam Jaffe as a somewhat senile crime lord. Perhaps the US video distributor had this film cut awkwardly to make it appear more of an action flick. For instance, David Carradine is top billed, but his screen time is not substantial--he pretty much disappears in the second half of the film. The film is well directed and photographed. It's evident that the writer/director had something beyond an exploitation flick in mind here. I would like to see the uncut Spanish version.
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