| Maja Komorowska | ... | Emilia | |
| Scott Wilson | ... | Norman | |
| Hanna Skarzanka | ... | Emilia's Mother | |
| Ewa Dalkowska | ... | Stella | |
| Vadim Glowna | ... | Herman | |
| Danny Webb | ... | David (as Daniel Webb) | |
| Zbigniew Zapasiewicz | ... | Szary | |
| Tadeusz Bradecki | ... | Interpreter | |
| Jerzy Nowak | ... | English Doctor | |
| Jerzy Stuhr | ... | Adzio | |
| Halina Slonicka | ... | Singer | |
| Wieslaw Michnikowski | ... | Priest | |
| Miroslaw Gaweda | |||
| Halina Labonarska | ... | Nun | |
| Zofia Rysiówna | ... | Interpreter | |
| Gustaw Lutkiewicz | ... | Bakery Owner | |
| Daria Trafankowska | ... | Girl serving food | |
| Janusz Gajos | ... | Moonlighter | |
| Marek Kondrat | ... | Malutki | |
| Marcin Tronski | ... | Pchelka | |
| Andrzej Zarnecki | ... | Officer | |
| Wojciech Szostak | |||
| Pawel Unrug | |||
| Piotr Bikont | |||
| Richard Boulez | |||
| Lee Michael Walczuk | (as Michal Walczuk) | ||
| Piotr Kozlowski | |||
| Marzena Tomaszewska-Glinska | |||
| Zofia Melechówna | |||
| Alina Rostkowska | |||
| Ewa Aleksiejczuk | |||
| Marek Bargielowski | ... | Doctor | |
| Maciej Robakiewicz | |||
| Wlodzimierz Musial | |||
| Jerzy Moes | |||
| rest of cast listed alphabetically: | |||
| Henryk Bista | ... | (uncredited) | |
Directed by | |||
| Krzysztof Zanussi | |||
Writing credits | ||
| Krzysztof Zanussi | (written by) | |
Produced by | |||
| Michael Böhme | .... | executive producer: Germany (as Michael Boehme) | |
| Hartwig Schmidt | .... | producer | |
| Michal Szczerbic | .... | executive producer: Poland | |
| Regina Ziegler | .... | producer | |
Original Music by | |||
| Wojciech Kilar | |||
Cinematography by | |||
| Slawomir Idziak | (director of photography) | ||
Film Editing by | |||
| Marek Denys | |||
Production Design by | |||
| Janusz Sosnowski | |||
Costume Design by | |||
| Magdalena Biedrzycka | |||
Makeup Department | |||
| Katarzyna Banaszewska | .... | assistant makeup artist | |
| Liliana Galazka | .... | makeup artist | |
| Elzbieta Malka | .... | assistant makeup artist (as Elzbieta Malka-Hen) | |
| Waldemar Pokromski | .... | makeup artist | |
Production Management | |||
| Zbigniew Dobrowolski | .... | unit manager | |
| Michal Szczerbic | .... | production manager | |
Art Department | |||
| Wieslawa Chojkowska | .... | set designer | |
| Borzyslawa Chomnicka | .... | assistant art director (as Boryslawa Chomnicka) | |
| Wladyslaw Kubiak | .... | assistant set designer | |
| Miroslaw Mentcel | .... | graphic designer | |
| Wojciech Pawlak | .... | assistant to assistant art director | |
| Grzegorz Rzepecki | .... | assistant set designer | |
| Wojciech Saloni-Marczewski | .... | assistant art director (as Wojciech Saloni-Malczewski) | |
| Józef Wachowicz | .... | assistant to assistant art director (as Jósef Wachowicz) | |
| Jan Warszakowski | .... | assistant set designer (as Jan Wrszakowski) | |
| Wojciech Wolniak | .... | assistant to assistant art director (as Wojciech Woniak) | |
Stunts | |||
| Ryszard Janikowski | .... | stunts | |
| Zbigniew Modej | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Andrzej Drzewiecki | .... | assistant costume designer | |
| Czeslawa Gorzkowska-Krauze | .... | assistant costume designer | |
| Slawa Kwintkiewicz | .... | assistant costume designer (as Slawomira Kwintkiewicz) | |
Editorial Department | |||
| Zbigniew Nicinski | .... | assistant editor | |
| Katarzyna Palka | .... | assistant editor | |
Music Department | |||
| Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach | .... | orchestra (as Polish Symphony Orchestra Kattowitz) | |
| Antoni Wit | .... | conductor (as Antoniego Wita) | |
Other crew | |||
| Lidia Durajczyk | .... | assistant production assistant | |
| Teresa Kargowska | .... | assistant production assistant | |
| Barbara Kenig | .... | assistant production assistant | |
| Grazyna Kozlowska | .... | assistant production assistant | |
| Waldemar Król | .... | production assistant | |
| George Shrul Jr. | .... | organization: of shooting U.S.A. | |
| Maciej Skalski | .... | production assistant | |
| Maria Telenkiewicz | .... | production secretary | |
| Iwona Ziulkowska-Okapiec | .... | production assistant (as Iwona Ziulkowska) | |
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| Dark Blue World | The Truce | The Best of Youth | Europa Europa | Miracle at St. Anna |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Poland section |
Krzysztof Zanussi's "A Year of the Quiet Sun" (1984) is a wonderful and unforgettable film. Zanussi's name does not come up often on these boards but he is one of the finest Polish and European directors who inspired the whole new generation of Polish filmmakers, including Krzysztof Kieslowski and Agnieszka Holland. This film is a lost treasure - I never heard of it; there is only one user's comment about it on IMDb. I saw couple of earlier Zanussi's films (The Structure of Crystal and The Constant Factor) but they could not prepare me for this one, another Landscape After Battle, the simple and quiet story of love during the time of suffering. The year is 1946, the place - a small war- ravaged town that used to be a part of Germany but now is a part of Poland. The Polish widow, Emilia (Maya Komarowskaya in a performance so powerful, intense, subtle, and shining - she reminds me of Liv Ullmann in her best roles) meets an American soldier, Norman (Scott Wilson of "In Cold Blood") who involved in war-crimes investigation. Both their lives have been cruelly disrupted by the worst War of the 20th Century. Norman has seen so much suffering and death (he was a prisoner of war) - it is not easy for him to return home but he feels that the woman he met by chance and with whom he has no common language and can only communicate by gestures or rely on interpreters, could be his partner and friend for life. Emilia, who has lost her husband after only a few months of marriage and struggles to survive while taking care of her ailing mother, questions herself if it is even "right" for a human being to look for love and happiness. Slowly, these two begin to realize that no matter what you lived and you've been through, no matter how unbearable the past was and how uncertain the present is, love is possible.
I found myself so involved in the story that Zanussi and his actors told; I wished so much for the characters to find peace and happiness together but I knew that it was not an optimistic Hollywood romance I was watching. I knew that it was one of the best romance films I was watching. The camera work by Slawomir Idziak (Black Hawk Down (2001), Trois couleurs: Bleu (1993),La Double vie de Véronique(1991), and The Decalogue (1989) is above any praise as well as the original music by Wojciech Kilar (The Pianist (2002), Dracula (1992)).
The film ends with a fantasy scene that takes place in Monument Valley, where John Ford shot his "Stagecoach", the only American film that Emilia and her mother saw and they mentioned it to Norman. Scott Wilson remembers that Zanussi and the Andrei Tarkovsky visited Monument Valley on their way to the Telluride Film Festival in 1983.
From Roger Ebert's review: "Both directors vowed to film there someday. Tarkovsky died before he could. Zanussi traveled to the valley with only his cameraman, his two stars, and Wilson's wife Heavenly as crew, and they filmed the ending, which is poetic in the way it visualizes the hope of the two lovers while reflecting the poignancy of their fates."
9.5/10