The River
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The River (1984) More at IMDbPro »


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3 items from 2017


John Powell interview: scoring Bourne, Hans Zimmer, Face/Off and more

25 June 2017 9:54 AM, PDT | Den of Geek | See recent Den of Geek news »

Sean Wilson Jul 6, 2017

Composer John Powell chats to us about scoring Jason Bourne, working with John Woo, his upcoming work and more.

Few contemporary film composers have made an impact quite like John Powell. From animation to drama to his immediately influential, propulsive Bourne soundtracks, Powell's energetic, emotional and heartfelt blend of symphony orchestra, electronics and percussion make him a singular voice.

See related  Jurassic World review Looking back at Jurassic Park

Ahead of his BAFTA Screen Talks event at the Royal Albert Hall on 10th July, we were delighted to catch up with John to discuss his remarkable career and the secret to a truly great film score.

So 10 years after I saw The Bourne Ultimatum on the big screen and being electrified by your score I'm sat here talking to you, which is a real privilege. I wondered was there a particular film score that inspired you to become a film composer? »

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The Ultimate Crossroad: The Trouble with "Silence"

28 March 2017 7:15 AM, PDT | MUBI | See recent MUBI news »

She could never be a saint, but she thought she could be a martyr if they killed her quick.—Flannery O’Connor The mist uncovers Japanese soldiers as well as the grim sight of severed heads by the side of the hot springs where Catholic priests are being tortured. A priest kneels down in horror, almost catatonic, unable to bring himself to believe in the evilness of these men, the men of the Inquisitor. Why are these priests, who came to this “swamp of Japan” to spread the Word of the Lord, suffering so immensely on the hands of these soldiers?To the modern, secular audience, the theme of Silence (2016) is of great irony: the all-powerful Catholic Church, the institution that spread terror across Europe for 700 years with her bonfires and witch hunts and enforcing an almost maddening outlook at faith and personal behavior, comes to an unconquerable land where »

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Richard Portman, ‘Star Wars’ Sound Engineer and 11-Time Oscar Nominee, Dies at 82

31 January 2017 11:00 AM, PST | Variety - Film News | See recent Variety - Film News news »

Sound engineer Richard Portman, who received 11 Academy Award nominations and won for his work on Michael Cimino’s “The Deer Hunter,” died on Saturday at his home in Tallahassee, Fla. He was 82.

“He was an icon of his craft of motion picture sound re-recording, recognized with the highest honors of his field,” his daughter Jennifer Portman wrote on her Facebook page. “He was eccentric, irreverent, and real.”

Portman worked on nearly 200 movies and mixed the sound for George Lucas’ “Star Wars.”

Portman received two Oscar sound nominations in 1973 for Francis Ford Coppola’s “The Godfather” and Michael Ritchie’s “The Candidate.” He was also double-nominated in 1974 for Peter Bogdanovich’s “Paper Moon” and Mike Nichols’ “The Day of the Dolphin.”

Portman received his first nom in 1971 for “Kotch,” directed by Jack Lemmon. He was also up for Oscars for Mel Brooks’ “Young Frankenstein,” Herbert Ross’ “Funny Lady,” Michael Apted’s “Coal Miner’s Daughter, »

- Dave McNary

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