The sisters come back to Delores's show to get her back as Sister Mary Clarence to teach music to a group of students in their parochial school which is doomed for closure. One of the girls... See full summary »
Jake an aspiring singer from Tennessee comes to New York and finds herself working in club owned by a sleazy guy named Freddy. It seems Jake is under contract and Freddy doesn't want to let her go. So Jake makes a bet; that she can train anyone to sing and if she does, he lets her out of her contract. And the guy she has to train is cabbie named Nick. They go to her home in Tennessee and Jake tries to teach him but it's very tough. Written by
During the opening credits, the camera is reflected in the window of the helicopter they used to film the night-time scenery. See more »
Do you play an instrument?
Yeah, I can sorta play a couple of chords on this organ I have at home. Hey, I'll tell you what, why don't you come to my house and teach me a new song?
Go to your house, huh? I suppose that's so you can show me your organ, right?
Why do you think I'm conning you? I tell you I really do have this big organ!
See more »
I remember RHINESTONE's extremely short tenure in theaters when I was a teenager but never saw the film until it turned up unexpectedly on Country Music Television (CMT) earlier this week. I sat down expecting to laugh AT the movie, not WITH it, because on paper, the idea of Sylvester Stallone learning to become a country singer so that Dolly Parton can win a bet with her sleazy manager sounds like a train wreck of Biblical proportions. But y'know what? In spite of myself I found myself chuckling at the screwball humor in RHINESTONE. Stallone is not exactly known for his comedic stylings, but I have to give him credit, he gave it the old college try in his role as a mumble-mouthed NYC cabbie who tries hard to discover his inner redneck. Dolly Parton, well, she's Dolly Parton. She made quite a few movies in the late 70s and early 80s and though she may not be considered a great actress, she's light, funny, and easy on the eyes as well. Some of the priceless moments include Sly's fringed, sparkly stage wear (which wouldn't have looked out of place in the Blue Oyster Bar of "Police Academy" fame), Dolly punching out Tim Thomerson (Jack Deth would be horrified at how easily she took him out!), and Sly's race through the mean streets of 1984 Times Square on horseback to rescue Dolly from her manager's clutches. On the musical side, well, let's just say I doubt that the soundtrack album to RHINESTONE burned up the charts back in '84. Dolly can sing anything and make it sound good, so Sly should be grateful that she joins him on stage in the big finale to salvage his "performance" (and I use that term loosely). I doubt Sly Stallone looks back on this movie with much fondness, but considering that I was expecting a total cheese fest I was pleasantly surprised by this fluffy '80s comedy. They really don't make'em like this anymore.
7 of 8 people found this review helpful.
Was this review helpful to you?