Three Italian-American brothers, living in the slums of 1940's New York City, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.
In New York in the late 60s, a politically motivated group of students plans bombings of company offices who do business with dictators in Middle American countries. But when they contact a... See full summary »
Robert Allen Schnitzer
This is another story of the secret Coast to Coast auto race across America The only rule is, the first to finish is the winner. Naturally, anyone driving 55 isn't going to win. They'll ... See full summary »
Jake an aspiring singer from Tennessee comes to New York and finds herself working in club owned by a sleazy guy named Freddy. It seems Jake is under contract and Freddy doesn't want to let her go. So Jake makes a bet; that she can train anyone to sing and if she does, he lets her out of her contract. And the guy she has to train is cabbie named Nick. They go to her home in Tennessee and Jake tries to teach him but it's very tough. Written by
Original screenwriter Phil Alden Robinson was so upset by Sylvester Stallone's extensive changes to the original screenplay that he briefly considered having his name removed. He was convinced that having his name on a film of this "caliber" would look good on his resume. See more »
During the opening credits, the camera is reflected in the window of the helicopter they used to film the night-time scenery. See more »
While a box office flop - a hilarious detour for Stallone
I love this movie. Not because it is a particularly good movie but it definitely leaves a memorable impression. In what other film can you see Sylvester Stallone adorned in a fringed jacket, western shirt, tight pants, chaps, and high heeled cowboy boots? I mean please, who could ask for more? Stallone attempts to sing as well. I have heard worse. Also, the dialog is hilarious. Being from the South, it resonates with the sounds of my youth. Of course, Rhinestone is filled with the obvious stereotypical portrayals of rural residents. However, it is not rude or mean spirited to the populace located below the Mason Dixon line. In a fashion, the movie rather celebrates and embraces those individuals. Believe me, there are some memorable moments to this cinematic adventure. Just give it a chance - spend 111 minutes laughing at Stallone and singing with Dolly. If the more urbane members of my clan can appreciate this film even high brow viewers can participate in parody from time to time.
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