Three Italian-American brothers, living in the slums of 1940's New York, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.
Johnny Kovak joins the Teamsters trade-union in a local chapter in the 1930s and works his way up in the organization. As he climbs higher and higher his methods become more ruthless and ... See full summary »
Lincoln Hawk (Stallone) is a struggling trucker who arm wrestles on the side to make extra cash while trying to rebuild his life. After the death of his wife, he tries to make amends with ... See full summary »
Angelo "Snaps" Provolone made his dying father a promise on his deathbed: he would leave the world of crime and become an honest businessman. Despite having no experience in making money in... See full summary »
Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm... See full summary »
Rachael Leigh Cook,
The story of the rise and fall of the infamous Chicago gangster Al Capone and the control he exhibited over the city during the prohibition years. Unusually, briefly covering the years ... See full summary »
A woman (Madeleine Stowe) who has just discovered she is the daughter of a murdered Mafia chieftain (Anthony Quinn) seeks revenge, with the aide of her Father's faithful bodyguard (Sylvester Stallone).
Stallone plays a cop who comes undone after witnessing a brutal scene on the job. He checks into a rehab clinic that specializes in treating law enforcement officials. Soon, he finds that his fellow patients are being murdered one by one.
Charles S. Dutton,
Jake an aspiring singer from Tennessee comes to New York and finds herself working in club owned by a sleazy guy named Freddy. It seems Jake is under contract and Freddy doesn't want to let her go. So Jake makes a bet; that she can train anyone to sing and if she does, he lets her out of her contract. And the guy she has to train is cabbie named Nick. They go to her home in Tennessee and Jake tries to teach him but it's very tough. Written by
Some movie posters for this film featured a long blurb that said: "She's bet everything, and we mean everything, that she can turn this New York cabbie into an overnight sensation. He has other things in mind. But he's never had a trainer like this one!". See more »
During the opening credits, the camera is reflected in the window of the helicopter they used to film the night-time scenery. See more »
Budweiser you created a monster / and they call him Drinkenstein / And the tavern down the street is the labba-tor-eye-ee / where he makes the transformation all the time / And a stein of Dr. Buuuud is a pint of monster blood / and it does effect me different every time / Budweiser you created a monster / and they call me Drinkenstein / And they call me Drinkenstein / I'm Drinkenstein! / I'm Drinkenstein!
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While a box office flop - a hilarious detour for Stallone
I love this movie. Not because it is a particularly good movie but it definitely leaves a memorable impression. In what other film can you see Sylvester Stallone adorned in a fringed jacket, western shirt, tight pants, chaps, and high heeled cowboy boots? I mean please, who could ask for more? Stallone attempts to sing as well. I have heard worse. Also, the dialog is hilarious. Being from the South, it resonates with the sounds of my youth. Of course, Rhinestone is filled with the obvious stereotypical portrayals of rural residents. However, it is not rude or mean spirited to the populace located below the Mason Dixon line. In a fashion, the movie rather celebrates and embraces those individuals. Believe me, there are some memorable moments to this cinematic adventure. Just give it a chance - spend 111 minutes laughing at Stallone and singing with Dolly. If the more urbane members of my clan can appreciate this film even high brow viewers can participate in parody from time to time.
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