Three Italian-American brothers, living in the slums of 1940's New York, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.
Johnny Kovak joins the Teamsters trade-union in a local chapter in the 1930s and works his way up in the organization. As he climbs higher and higher his methods become more ruthless and ... See full summary »
Lincoln Hawk (Stallone) is a struggling trucker who arm wrestles on the side to make extra cash while trying to rebuild his life. After the death of his wife, he tries to make amends with ... See full summary »
A woman (Madeleine Stowe) who has just discovered she is the daughter of a murdered Mafia chieftain (Anthony Quinn) seeks revenge, with the aide of her Father's faithful bodyguard (Sylvester Stallone).
Angelo "Snaps" Provolone made his dying father a promise on his deathbed: he would leave the world of crime and become an honest businessman. Despite having no experience in making money in... See full summary »
Frank Leone is nearing the end of his prison term for a relatively minor crime. Just before he is paroled, however, Warden Drumgoole takes charge. Drumgoole was assigned to a hell-hole ... See full summary »
The story of the rise and fall of the infamous Chicago gangster Al Capone and the control he exhibited over the city during the prohibition years. Unusually, briefly covering the years ... See full summary »
Jake an aspiring singer from Tennessee comes to New York and finds herself working in club owned by a sleazy guy named Freddy. It seems Jake is under contract and Freddy doesn't want to let her go. So Jake makes a bet; that she can train anyone to sing and if she does, he lets her out of her contract. And the guy she has to train is cabbie named Nick. They go to her home in Tennessee and Jake tries to teach him but it's very tough. Written by
Some movie posters for this film featured a long blurb that said: "She's bet everything, and we mean everything, that she can turn this New York cabbie into an overnight sensation. He has other things in mind. But he's never had a trainer like this one!". See more »
During the opening credits, the camera is reflected in the window of the helicopter they used to film the night-time scenery. See more »
Freddie, there are two kinds of people in this world. And you ain't one of 'em!
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I remember RHINESTONE's extremely short tenure in theaters when I was a teenager but never saw the film until it turned up unexpectedly on Country Music Television (CMT) earlier this week. I sat down expecting to laugh AT the movie, not WITH it, because on paper, the idea of Sylvester Stallone learning to become a country singer so that Dolly Parton can win a bet with her sleazy manager sounds like a train wreck of Biblical proportions. But y'know what? In spite of myself I found myself chuckling at the screwball humor in RHINESTONE. Stallone is not exactly known for his comedic stylings, but I have to give him credit, he gave it the old college try in his role as a mumble-mouthed NYC cabbie who tries hard to discover his inner redneck. Dolly Parton, well, she's Dolly Parton. She made quite a few movies in the late 70s and early 80s and though she may not be considered a great actress, she's light, funny, and easy on the eyes as well. Some of the priceless moments include Sly's fringed, sparkly stage wear (which wouldn't have looked out of place in the Blue Oyster Bar of "Police Academy" fame), Dolly punching out Tim Thomerson (Jack Deth would be horrified at how easily she took him out!), and Sly's race through the mean streets of 1984 Times Square on horseback to rescue Dolly from her manager's clutches. On the musical side, well, let's just say I doubt that the soundtrack album to RHINESTONE burned up the charts back in '84. Dolly can sing anything and make it sound good, so Sly should be grateful that she joins him on stage in the big finale to salvage his "performance" (and I use that term loosely). I doubt Sly Stallone looks back on this movie with much fondness, but considering that I was expecting a total cheese fest I was pleasantly surprised by this fluffy '80s comedy. They really don't make'em like this anymore.
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