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Directed by | |||
| Jeff Kanew | |||
Writing credits(in alphabetical order) | ||
| Jeff Buhai | writer | |
| Tim Metcalfe | story | |
| Miguel Tejada-Flores | writer | |
| Steve Zacharias | writer | |
Produced by | |||
| Ted Field | .... | producer | |
| Peter Macgregor-Scott | .... | co-producer | |
| Peter Samuelson | .... | producer | |
Original Music by | |||
| Thomas Newman | |||
Cinematography by | |||
| King Baggot | |||
Casting by | |||
| Susan Arnold | |||
| Paula Herold | |||
Production Design by | |||
| James L. Schoppe | |||
Set Decoration by | |||
| Frank Lombardo | |||
Makeup Department | |||
| Frank Griffin | .... | makeup artist | |
| Yolanda Toussieng | .... | hair stylist | |
| Mark Wittenberg | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Henry Kline | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Terence A. Donnelly | .... | first assistant director (as Terry Donnelly) | |
| James M. Freitag | .... | second assistant director | |
| Gary Law | .... | additional second assistant director | |
| Byron MacDonald | .... | assistant director intern | |
Art Department | |||
| Craig B. Ayers Sr. | .... | greens foreman | |
| Jo Brown | .... | painter | |
| Michael Casey | .... | set dresser | |
| William 'W' Gilpin | .... | construction foreman | |
| Art Lipschultz | .... | property master | |
| Lance Lombardo | .... | lead man | |
| Everett Olson | .... | construction coordinator | |
| Michael Friedman | .... | assistant art director (uncredited) | |
Sound Department | |||
| Mike O. Corrigan | .... | supervising sound editor | |
| Bob Daniels | .... | adr editor | |
| Pieter Hubbard | .... | sound editor | |
| William Jacobs | .... | sound editor | |
| John Paul Jones | .... | sound editor | |
| Ed Osborne | .... | sound editor (as Edward Osborne) | |
| Al Overton Jr. | .... | sound mixer | |
| Richard Overton | .... | sound re-recording mixer | |
| Theodore Soderberg | .... | sound re-recording mixer | |
| Paul Wells | .... | sound re-recording mixer | |
Special Effects by | |||
| Joseph A. Unsinn | .... | special effects coordinator | |
Stunts | |||
| Edward Adams | .... | stunts | |
| Steve Blalock | .... | stunts (as Stephen Andrew Blalock) | |
| Bing Blenman | .... | stunts | |
| John Cade | .... | stunts | |
| Corey Michael Eubanks | .... | stunts (as Corey Eubanks) | |
| Joe Gilbride | .... | stunts (as Joseph C. Gilbride) | |
| Terry James | .... | stunt coordinator | |
| Terry James | .... | stunts | |
| Danny Rogers | .... | stunts | |
Casting Department | |||
| Susan Johnson | .... | casting intern | |
Costume and Wardrobe Department | |||
| Deborah Hopper | .... | costumer: women | |
| Eddie Marks | .... | costume supervisor | |
| Radford Polinsky | .... | costumer: men | |
Editorial Department | |||
| Amy E. Duddleston | .... | post-production assistant | |
| Nancy Forner | .... | assistant editor | |
Music Department | |||
| John R. Harris | .... | music editor | |
| Martin Schwartz | .... | music supervisor | |
| Armin Steiner | .... | score mixer | |
Transportation Department | |||
| Michael Connolly | .... | transportation coordinator (as Mike Connolly) | |
Other crew | |||
| Brad Dechter | .... | source arrangements | |
| Pete Emmet | .... | unit publicist | |
| Dorain Grusman | .... | choreographer | |
| Kisuna Jacobsen | .... | script supervisor | |
| Robert Maharis | .... | location manager | |
| Giedra Rackauskas | .... | auditor | |
| Pinki Ragan | .... | production coordinator | |
| Jay Roberts | .... | assistant accountant | |
| Lydia Telo | .... | assistant auditor | |
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| Porky's | Animal House | Straw Dogs | Going Greek | Dazed and Confused |
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Although it may be all a bit silly and quite clichéd, this is nevertheless a good film of its type, with main characters that are appealing and a great title song, scored by Thomas Newman, who would later compose the scores of movies such as 'American Beauty'. The film does not really go anywhere much at all, the jokes work only about half the time, and it is all a bit short on its content, but despite all of this, the film has a pleasant and rather enjoyable nature not common to the average college comedy, and this makes it a rather uniquely likable film overall. It may not be a great piece of cinema, but it is quite good entertainment.