Frustrated punk rocker Otto quits his supermarket job after slugging a co-worker, and is later dumped by his girlfriend at a party. Wandering the streets in frustration, he is recruited in the repossession of a car by a repo agent. After discovering his parents have donated his college fund to a televangelist, he joins the repossession agency (Helping Hand Acceptance Corporation) as an apprentice "repo man". During his training, he is introduced into the mercenary and paranoid world of the drivers, befriended by a UFO conspiracy theorist, confronted by rival repo agents, discovers some of his one-time friends have turned to a life of crime, is lectured to near cosmic unconsciousness by the repo agency grounds worker, and finds himself entangled in a web of intrigue concerning a huge repossession bounty on a 1964 Chevy Malibu driven by a lunatic government scientist, with Top Secret cargo in the trunk. Written by
Agent Rogersz is supposed to have a cybernetic, metallic arm. Due to the low budget of the film, the producers were unable to come up with a convincing prop arm. Her arm in the film appears to be nothing more than a glove made out of metallic-threaded cloth. The cheap effect confused numerous viewers as to why other characters in the film were so fascinated by her "glove". See more »
At the end when the car takes off from the ground, the license plate is backwards. See more »
Goddamn-dipshit-Rodriguez-gypsy-dildo-punks. I'll get your ass.
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The plot is impossible to describe but, basically, it's about a 20 something named Otto (Estevez) who works as a repo man. That's about it...the movie chronicles all his bizarre adventures and strange people he meets.
I saw this when I was in college in 1984--it totally blew me away. I went back to see it 4 more times! It had a huge following on college campuses back then. Sadly, it seems to have disappeared. That's a shame because I think this is perfect for high school, college kids and people with open minds. It is a true cult film.
There are many great lines--too many to get in one viewing--this film demands multiple viewings. The actors deal well with the offbeat dialogue and situations--especially Estevez and Stanton. As for what it means---who cares? Every time I saw it I saw something different in it.
A classic. Do not miss!
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