Frustrated punk rocker Otto quits his supermarket job after slugging a co-worker, and is later dumped by his girlfriend at a party. Wandering the streets in frustration, he is recruited in the repossession of a car by a repo agent. After discovering his parents have donated his college fund to a televangelist, he joins the repossession agency (Helping Hand Acceptance Corporation) as an apprentice "repo man". During his training, he is introduced into the mercenary and paranoid world of the drivers, befriended by a UFO conspiracy theorist, confronted by rival repo agents, discovers some of his one-time friends have turned to a life of crime, is lectured to near cosmic unconsciousness by the repo agency grounds worker, and finds himself entangled in a web of intrigue concerning a huge repossession bounty on a 1964 Chevy Malibu driven by a lunatic government scientist, with Top Secret cargo in the trunk. Written by
Edge City, the name of this film's production company and the destination on the front of the bus Otto takes to his parents' house, is also the U.S. title of director Alex Cox's first film, Sleep Is for Sissies (1980). Edge City is also the term used by sociologists who specialize in urban studies where a concentration of shopping, entertainment, and business outside traditional urban areas are consolidated into geographic locations, usually former suburbs, ethnic enclaves, or semi-rural communities - the Greater Los Angeles area has over 14 municipalities. See more »
Reflected in the glass above the door before Otto leaves the market for the second time. See more »
Watching "Repo Man", one gets a sense of just how empty our modern world is. The movie has disaffected punk Otto Maddox (Emilio Estevez) becoming a repo man, meaning that he repossesses cars of people who missed payments. Through this, he gets to know the wacky punk world even further. But there's one car that may be harder to repossess: not only do various other people want this car, but there's something in the car...
"Repo Man" may be known as a cult movie, but it deserves more recognition than that. Aside from being a window into the early-'80s punk culture, it shows the disintegration of American society. Alex Cox created a real gem here. Estevez is perfect in his role, as are Harry Dean Stanton as a detective, and Tracey Walter as the strange car's driver.
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