A vicious wild boar terrorizes the Australian outback. The first victim is a small child who is killed. The child's granddad is brought to trial for killing the child but acquitted. The ... See full summary »
Call my name, and I'll be there. Dr. Duran Duran escapes the punishment of the Matmos at the height of British rock group Duran Duran's 1980s popularity. Mistaking the cries of teenage ... See full summary »
Russell Mulcahy (of "Highlander" fame) films British comedy luminaries Peter Cook and Dudley Moore recording their last comedy album featuring two of their most beloved characters, lavatory... See full summary »
In the Australian outback, a park ranger and two local guides set out to track down a giant crocodile that has been killing and eating the local populace. During the hunt, one of the guides... See full summary »
Chicago homicide detectives John Prudhome and Andrew "Andy" Hollingsworth are assigned to investigate a gruesome murder, and both become entangled in the plot of a serial killer whose goal is to recreate the body of Christ.
Centuries ago, under the sands of ancient Egypt, a prince was buried and his tomb eternally curses so that no man would ever again suffer from his evil ways. But hundreds of years later on ... See full summary »
Jason Scott Lee,
A young woman running a wildlife sanctuary in the Australian outback is in for trouble when she is confronted by three kangaroo hunters. Bored with killing kangaroos, they decide to kill ... See full summary »
A vicious wild boar terrorizes the Australian outback. The first victim is a small child who is killed. The child's granddad is brought to trial for killing the child but acquitted. The next victim is an American TV-journalist. Her husband Carl gets there and starts to search for the truth. The local inhabitants won't really help him, but he is joined by a hunter and a female farmer to find the beast. Written by
According to the Resident Evil: Extinction (2007) audio commentary, Russell Mulcahy said that the producer of Razorback offered him the chance to direct it after seeing the Duran Duran music video "Hungry Like The Wolf," also directed by Mulcahy. See more »
Come on, off to bed. There, there, Scotty. Now, now, now, boy, it's alright.
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Razorback marks one of Australia's only successful forays into the horror genre, but it's certainly not without it's critics. It's negative reaction isn't unfounded, as Razorback is badly acted, has a trite script, utilises any number of clichés and has an overall 'deja vu' sort of feeling; but in spite of this, it still succeeds in being a fine piece of entertainment. A wild boar isn't the first animal you would think of to star in it's very own creature feature; but the idea actually works quite well, and it makes a nice change from the usual barrage of sharks, crocodiles and whatnot. This feature is also notable for it's special effects, which certainly aren't groundbreaking - but it ain't half bad either. In films such as this, it's usually shabby effects that end up letting it down; but the creature in this movie is surprisingly realistic! The plot is a familiar one, and it basically follows a gigantic wild boar that's on the loose somewhere in Australia. It's not exactly intelligent stuff, but it's a lovely premise for a fun ride.
The film is directed by Russell Mulcahy, and it was made a year before he would have his big hit with Highlander. His direction is solid enough, and it's notable for the way that he captures the locations within the Australian outback. Some of the shots are truly breathtaking, especially the atmosphere ones that are filled with smoke. One thing you will notice about the plotting of this movie is the way that it swaps through different characters for it's main protagonist on numerous occasions. This is both a help and a hindrance to the movie as, on one hand, it ensures that the film stays lively and exciting; it also restricts the viewer from placing their confidence in the character as we don't get to spend a lot of time with them, which hinders it when it comes to the tension building sequences. This also makes the plotting of the movie inconsistent, which certainly isn't a good thing. One thing I love about Australian cinema is the way that it captures the accents and dialect, and this film is no exception to that trend. It's a lovely tongue to listen to, and that helps to make this movie more of a pleasure. On the whole, this film won't win any awards; but there's worse ways to spend ninety minutes of your life.
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