He had everything and wanted nothing. He learned that he had nothing and wanted everything. He saved the world and then it shattered. The path to enlightenment is as sharp and narrow as a razor's edge.
An adventuresome young man goes off to find himself and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.
Broad satire and buffoonery presented as a series of movie trailers. Among the titles and subjects are: "The Howard Huge Story", "Skate-boarders from Hell", "The Invasion of the Penis ... See full summary »
Royce D. Applegate,
Larry Darrell returns from the battlefields of World War I to America a different person. His fiance (Isabel) resigns herself to a delay in the wedding plans when Larry heads off to Paris. There he finds he prefers a simpler existence and begins to read. One book inspires him to visit India and on to Nepal where he finds spiritual help from a lama. On returning to Paris he finds Isabel and some old friends. Everyone has changed. Written by
Byrum and Murray wrote the screenplay over the course of 18 months while driving around the United States. See more »
[after Sophie's murder]
When Piedmont died, I had to pay him back for my life. I found out there's another debt to pay - for the privilege of being alive. I thought Sophie was my reward for trying to live a good life. Uh uh. There is no payoff - not now.
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I was prepared to hate this movie, when I first rented it. It was a 'curiosity pick': I liked the title, I didn't have anything else in mind, and my thought was, of course, "Bill Murray!?"
It turned out to be one of my all-time favorite movies in the 'character-transformation' genre.
It's a compelling story of choices in life and how those choices affect or disaffect perceptions of that life. Murray is perfection in this role, because we seem him change from something we recognize to something quite different. It is a palpable and comprehensible transformation - the movie draws us in, it allows us to change with him.
The rest of the characters are well cast and provide definitive counterpoint to the protagonist - the bon-vivant aristocratic uncle Elliot who simply lives his life appreciatively, the unthinking and manipulative Isabel concerned only with her own comforts and social standing, the uncertain Sophie that allows her uncertainty to trap and destroy her, the practical yet contemplative Raaz who challenges Darrell's notion of things, constructively, and leads him to further his quest. Good character development, all around.
Finally, I was impressed with the faithfulness to the book. It's difficult for a movie to be that, and still be an watchable movie.
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