| Yun-Fat Chow | ... | Fan Liu-Yuan (as Chow Yun Fat) | |
| Cora Miao | ... | Pai Liu-So | |
| rest of cast listed alphabetically: | |||
| Gerry Barnett | |||
| Chiao Chiao | ... | Wife of Liu-So's fourth brother | |
| Chuan Chin | |||
| Tsi-Ang Chin | |||
| Wai Yee Chin | ... | Liu-So's youngest sister | |
| King-fai Chung | ... | Mr. Hsu | |
| Jovy Coudrey | ... | Princess Saheiyini | |
| Gongbi Deng | |||
| Mary Garlick | |||
| Chung Ping Geung | ... | Liu-So's third brother | |
| Michael Harley | |||
| Jack Holloway | |||
| Man Huang | ... | Liu-So's mother | |
| Elaine Jin | ... | Louise | |
| Candy Lacy-Smith | |||
| Yin San Lai | ... | Maid | |
| Mun Ying Lau | |||
| Kar Law | |||
| Wai Pok Lee | |||
| Ga Git Leung | |||
| Ka Chi Leung | |||
| Huaipu Li | |||
| Hung Lu | |||
| Helen Ma | ... | Mrs. Hsu | |
| Andy C. Neilson | |||
| Teresa Norton | |||
| Job Stewart | |||
| Ching Ho Wang | |||
| Esma Wilson | |||
| Ho Yee Wong | |||
| Kwok-siu Wong | |||
| Pui-Ling Yau | |||
| Sin Yee Yih | |||
| Chung-han Yip | |||
| Sai-Kit Yung | ... | Pierre | |
Directed by | |||
| Ann Hui | |||
Writing credits(in alphabetical order) | ||
| Eileen Chang | novel | |
| Fengcho | screenplay | |
Produced by | |||
| Mona Fong | .... | producer | |
| Nicolas Hippisley-Coxe | .... | co-producer | |
| Jessinta Liu | .... | line producer | |
Original Music by | |||
| Man Yee Lam | |||
Cinematography by | |||
| Tony Hope | |||
Film Editing by | |||
| Cheung Kan Chow | |||
Production Design by | |||
| Tony Au | |||
Production Management | |||
| Sau-Fong Kwok | .... | assistant production manager | |
| Jessinta Liu | .... | production supervisor (as Fung-ping Liao) | |
| Ka Hee Wong | .... | production manager | |
Other crew | |||
| Yuk-ming Chan | .... | script supervisor | |
| Virginia Lok | .... | planner | |
| Run Run Shaw | .... | presenter | |
| Po-Nan Wen | .... | production coordinator | |
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| Farewell My Concubine | Qiu yue | Love Is a Many-Splendored Thing | Empire of the Sun | Chungking Express |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb Hong Kong section |
Set in Hong Kong and Shanghai in the early 1940s (1941 to be exact), this 1984 film by Ann Hui is an adaptation of an Eileen Chang novella. Liu-Su, a young divorcée turning thirty, is heavily ostracized by her traditionally-minded Shanghai family who constantly badmouths her in order to get her to move on to another man. Eager to get out of her family, she meets Liu-yuan, a rich Malayan businessman and playboy who follows her back to Shanghai and brings her to Hong Kong during the Japanese invasion of China and Hong Kong.
"Love in a Fallen City", a Shaw Brothers production, is fairly successful but not entirely without its faults. Like what Ann Hui said later in her career, the movie appears too concerned with storytelling and far less with maintaining atmosphere. That the film is extremely talky doesn't help matters. (The scriptwriter appears to be trying to transpose all the dialogue from the novel to the film.) The set production and design leave a lot to be desired - although the film is set in 1941 Shanghai and Hong Kong, the entire film seems to be shot in 1960s Hong Kong. The Shanghai milieu is not convincing, while the Hong Kong side of the production, naturally, looks more realistic simply because the movie was shot in Hong Kong in the 1980s.
Chow Yun-Fatt does well in his sweet-talking playboy role. His constant attention to Cora Miao's Liu-Su marks one of his best romantic performances to date. However Cora Miao appears to be miscast. Her mousy portrayal of Liu-Su leaves us with little empathy for the divorced widow, and oftentimes, Miao appears out of her depth. However, her performance is still not downright disastrous and she does have some chemistry with Chow, so the romantic elements of the film still remains largely watchable.
"Love in a Fallen City" trails off somewhat towards the end. The last 20 minutes concerning the Japanese invasion of Hong Kong is important for narrative accountability, but overall the film feels somewhat vacant by this point. Ann Hui made (probably) a superior Eileen Chang adaptation in "Eighteen Springs", but this 1984 movie still remains watchable if as a sort of dress rehearsal to the later 1997 film.