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Purple Rain (1984)

 -  Drama | Music | Musical  -  27 July 1984 (USA)
6.3
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Ratings: 6.3/10 from 10,455 users   Metascore: 45/100
Reviews: 87 user | 57 critic | 8 from Metacritic.com

A young man with a talent for music has begun a career with much promise. He meets an aspiring singer, Apollonia, and finds that talent alone isn't all that he needs. A complicated tale of ... See full summary »

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Title: Purple Rain (1984)

Purple Rain (1984) on IMDb 6.3/10

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Won 1 Oscar. Another 4 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Apollonia
Morris Day ...
Olga Karlatos ...
Mother
...
Father
Jerome Benton ...
Jerome
Billy Sparks ...
Billy
Jill Jones ...
Jill
Charles Huntsberry ...
Chick
Dez Dickerson ...
Dez
Brenda Bennett ...
Brenda
Susan Moonsie ...
Susan (as Susan)
Sandra Claire Gershman ...
Beautiful Babe
Kim Upsher ...
Kim
Alan Leeds ...
Stage Hand
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Storyline

A young man with a talent for music has begun a career with much promise. He meets an aspiring singer, Apollonia, and finds that talent alone isn't all that he needs. A complicated tale of his repeating his father's self destructive behavior, losing Apollonia to another singer (Morris Day), and his coming to grips with his own connection to other people ensues. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Add Synopsis


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

27 July 1984 (USA)  »

Also Known As:

Bíboreső  »

Filming Locations:

 »

Box Office

Gross:

SEK 2,121,738 (Sweden)
 »

Company Credits

Production Co:

, ,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

An early, simpler, version of the unpronounceable symbol that Prince changed his name to during his dispute with Warner Bros. Records is painted on the side Prince's motorcycle's gas tank. See more »

Goofs

After The Kid hits Appollonia in the face she is crying and they overdub "Just leave me alone." You can clearly hear her crying at the same time she's supposed to be saying that. See more »

Quotes

[first lines]
First Avenue M.C.: Ladies and gentlemen... The Revolution!
See more »

Crazy Credits

"May u live 2 see the dawn" See more »

Connections

Referenced in Rewind This! (2013) See more »

Soundtracks

Sex Shooter
Words and Music by Apollonia 6 and Prince (as The Starr Company)
Performed by Apollonia Kotero, Brenda Bennett and Susan Moonsie as (Apollonia 6)
© 1984 Controversy Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Much undervalued film
29 October 2005 | by (England) – See all my reviews

A much undervalued film that tells the story of a young musician caught in an ever-declining spiral of domestic violence.

At times difficult to watch, while Morris Day is portrayed as the misogynist, Prince as the knight on (motorcycle) steed, he is still called upon to twice beat a woman as part of the screenplay. That he can do this and still emerge as a flawed but vindicated hero is credit to the writing. Prince is so free of ego in this film that not only does he portray himself as a narcissistic megalomaniac who beats women, but his most famous song is fictionalised as being written by his father and Wendy & Lisa. Even further, two of his compositions - Computer Blue (admittedly the album's weakest track) and Darling Nikki

  • are shown as being songs that kill off an audience. Perhaps the only


concession to the Princely ego is a card that lists the (slightly shorter than Prince) Apollonia as 5'6.

The nearly complete-amateur cast are mainly band members playing themselves (and reviewers who slate the actors on the terms that they've never appeared in other movies are completely missing the point), and do perfectly well under the direction. Morris Day gets most of the plaudits for his likable ham, though Jerome Benton must also get credit for bouncing off him well, particularly their stage act, which is hilarious. Day and Benton even go so far as to make an Abbott and Costello routine funny, which takes some doing.

Lastly, there's Prince. While I admit to bias, I do actually think he's a pretty good actor in terms of being able to portray a low-key version of himself. Acting ISN'T his profession, this was a film made for entertainment, so anyone pointing out that the guy in the lead role isn't Robert DeNiro and thinking they're making a point is sadly deluded. I don't want this review to be a derisory attack of other people's comments, but I've even this film slated as having a low budget and being darkly lit. How would a film about domestic violence be shot, then? With full overhead spotlights and a CGI dinosaur walking into frame?

The film acts almost as a perfect snapshot of the neon light and skinny tie era… until you remember that it was actually made in a world of curly perms and tinny synths, and this isn't some retro-recreation. Prince's best film with Oscar-winning music, it sees him at his zenith, and it's saddening to realise that, even though he would make some fine albums, he would never again capture this high.


25 of 27 people found this review helpful.  Was this review helpful to you?

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