Charlie and his troublesome cousin Paulie decide to steal $150000 in order to back a "sure thing" race horse that Paulie has inside information on. The aftermath of the robbery gets them ... See full summary »
Johnny Walker is a cowboy and a boxer. He is very shy and a bit of a fool. He is in love with Ruby, but he cannot tell her. He is also a bit old to keep on boxing, but its the only thing he... See full summary »
Martin Fallon is an IRA bomber who tries to blow up a troop truck but instead kills a bus load of school children. He loses heart and quits the movement and goes to London trying to leave ... See full summary »
Henry Chinaski never cared for the American dream, the thought of needing to become 'something' and fit into the system disgusts him. He believes that life is free and yours to live like ... See full summary »
Frank T. Wells has just been released from prison after serving a term for manslaughter. Frank's a reasonably honest man and a good rodeo rider. When he meets up with Scarlett, a bank ... See full summary »
A psychiatrist moves out west after he is brought up on charges of sexual misconduct, for which his adoring, female attorney eventually gets the charges dropped... with the hope that this ... See full summary »
Anthony Michael Hall
Johnny Handsome is a deformed gangster who plans a successful robbery with a friend of his, Mikey Chalmette, and another couple (Sunny Boid and Rafe Garrett). During the heist, Johnny and ... See full summary »
Charlie and his troublesome cousin Paulie decide to steal $150000 in order to back a "sure thing" race horse that Paulie has inside information on. The aftermath of the robbery gets them into serious trouble with the local Mafia boss and the corrupt New York City police department. Written by
Grant Hamilton <email@example.com>
Rickie Lee Jones had originally written and recorded an instrumental demo as a theme, but it was rejected in favor of Frank Sinatra's "Summer Wind." The demo, which retained the title "Theme for the Pope" (because of the movie), wound up on her 1984 album The Magazine. See more »
Charlie's hairstyle changes between shots while he and Diane argue (leading to the revelation that she is pregnant). See more »
The cop shit his pants! Hey, hey, the cop shit his pants!
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I was impressed by the fierce commitment of some of this movie's fans to not only appreciate the fantastic acting in "Pope", but to memorize its dialogue as well. This is definitely not a "plot" movie, but a film dedicated to its characters. What more could I want? The safe heist is almost an afterthought when compared to the great performances we get from Rourke, Roberts, Burt Young, and Geraldine Page! Page's tubercular monologue is a complete highlight.
Vincent Patrick's novel is truly brought to life without neglecting any of his rich, N.Y.C. dialogue or the detailed idiosyncracies of small-time hoodlum behavior. Alright, maybe Darryl Hannah is gratuitous casting, but Roberts! Regarding the film's two leads, Roberts in this film is taking so many risks, pushing so many different buttons, you've got to admire the guy for going that far out. I can almost disregard the 2,000 straight to video erotic thrillers and action films the guy's been doing since 1987 just based on this performance. Plus, that perm he's got is poetry. Rourke becomes a little repetetive in his household destruction mannerisms, but still gives a thoughtful and taut performance as well. The two of them together, I think, have a chemistry that actually rivals that of DeNiro and Keitel in "Mean Streets".
My only complaint with this movie is who the f*** decided to let Dave Gruisin do the score? Wasn't "Tootsie" warning enough that this guy's music sounds about as appetizing as a platter of burnt corn? Would you honestly want the guy who composed "Tootsie's Theme" to score a gritty, street movie about criminals? I would have rather have heard John Tesh ballads during some of this movie than Gruisin's tinkly, feel-good, yuppie, pre-Kenny G. bum poop that tries to pass for jazz. Now Herbie Hancock, there's the man to do this movie justice. Nonetheless, other than this minor complaint, I couldn't recommend the movie more for its humor and attention to character. One of the best films of the 80s.
"What do you need a fancy suit for, Charlie, you ain't got no job to wear it to."
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