The two brothers Treat and Philip lived alone since they were kids. Interdependent they dwell in a loft house and live on little thefts, until an aging minor criminal moves in with them and takes over the role of a father.
Alan J. Pakula
Andrew Crocker-Harris is an embittered and disliked teacher of Greek and Latin at a British public school. After nearly 20 years of service, he is being forced to retire on the pretext of ... See full summary »
Against a background of war breaking out in Europe and the Mexican fiesta Day of Death, we are taken through one day in the life of Geoffrey Firmin, a British consul living in alcoholic ... See full summary »
Ginley (Albert Finney) is a nightclub bingo caller eager for a career change. On his thirty-first birthday, he advertises himself as a private eye in the newspaper. He dons a trench coat, ... See full summary »
In an unstable South American country, capable Nostromo, a person of trust and a legend among his shipmates, is ordered to secure a shipment of gold and stop any revolutionaries who might ... See full summary »
When architect Stephen Booker loses his partnership, he finds jobs hard to come by, and with money in short supply, he unwittingly becomes involved in a daring scheme to rob one of London's biggest bank vaults.
A young woman, Tara Maguire (Robin Wright) scandalizes her provincial Irish village in the 1950s by having a baby out of wedlock, and refusing to name the father. She has a rare beauty and ... See full summary »
Jon Voight was originally offered the part of John Paul II in this TV film that came out in 1984 which was directed by Herbert Wise, but refused, giving Albert Finney the role instead. 21 years later, Voight finally accepted the role in 2005 in a remake for TV directed by John 'Kent Harrison' (8 months after the Pope's death) for which he received an Emmy nomination. See more »
I saw this film more than 15 years ago, yet it has kept within my memory ever since. Not only for Finney's performance (captivating and chamaleonic as usual), but rather for its portrayal of Karol Wojtyla as a strong, committed and cheerful man who finds joy, purpose and projection in his calling into priesthood. The Wojtyla pictured here is far from the intriguing cardinals ("The Body", "Stigmata") or frivolous and manipulative clerics ("Priest", "The third miracle") of recent "religious" films. It's rather more in the great tradition of Father Flanagan (Spencer Tracy in "Boys Town"), Father Barry (Karl Malden in "On the waterfront"), and a clear predecessor of Father Gabriel (Jeremy Irons in "The Mission") and slained-in-reality Bishop Romero (Raul Julia in "Romero). We can see a man willing to love his people and ready to fight for them, not merely for political reasons but for evangelic and apostolic purposes. A man who sports and camps, and cares for others, and prays. A man who confronts his feelings under the guidance of wisdom, reason and faith, and a man who finally accepts tough challenges and responsibilities with humility and trust. Fortunately for us, since those descriptions are quite close to the real Wojtyla, and the film does a very good job in portraying them to make us realize the real man John Paul II is.
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