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Directed by | |||
| Robert Benton | |||
Writing credits | ||
| Robert Benton | (written by) | |
Produced by | |||
| Arlene Donovan | .... | producer | |
| Michael Hausman | .... | executive producer | |
Original Music by | |||
| John Kander | |||
Cinematography by | |||
| Néstor Almendros | |||
Film Editing by | |||
| Carol Littleton | |||
Casting by | |||
| Howard Feuer | |||
| Jeremy Ritzer | |||
Production Design by | |||
| Gene Callahan | |||
Art Direction by | |||
| Sydney Z. Litwack | (as Sydney Z. Litwak) | ||
Set Decoration by | |||
| Derek R. Hill | (as Derek Hill) | ||
| Lee Poll | |||
Costume Design by | |||
| Ann Roth | |||
Makeup Department | |||
| Paul LeBlanc | .... | hair stylist | |
| Bob Mills | .... | makeup artist | |
| Yolanda Toussieng | .... | hair stylist | |
Production Management | |||
| Richard Brick | .... | production manager | |
Second Unit Director or Assistant Director | |||
| David Dreyfuss | .... | second assistant director | |
| Joel Tuber | .... | first assistant director | |
Art Department | |||
| Jack Eberhart | .... | property master | |
| Roger Irvin | .... | construction coordinator | |
| Peter McGuire | .... | assistant to property master | |
| Bill Iiams | .... | general foreman (uncredited) | |
Sound Department | |||
| Clint Althouse | .... | boom operator | |
| Louis Cerborino | .... | sound editor (as Lou Cerborino) | |
| Richard P. Cirincione | .... | supervising sound editor (as Richard Cirincione) | |
| Randall Coleman | .... | assistant sound editor | |
| Marko A. Costanzo | .... | foley artist | |
| Jay Dranch | .... | adr editor | |
| Tom Fleischman | .... | sound re-recording mixer | |
| Richard Friedlander | .... | apprentice sound editor | |
| Lindsey Hicks | .... | apprentice sound editor | |
| Michael Jacobi | .... | supervising adr editor | |
| Bruce Kitzmeyer | .... | assistant sound editor | |
| Bitty O'Sullivan-Smith | .... | assistant sound editor | |
| Peter Odabashian | .... | sound editor | |
| James Pilcher | .... | production sound mixer | |
| Fred Rosenberg | .... | assistant sound editor | |
| Maurice Schell | .... | sound editor | |
| Jeffrey Stern | .... | assistant sound editor | |
| Harry Peck Bolles | .... | assistant sound editor (uncredited) | |
Special Effects by | |||
| Calvin Joe Acord | .... | special effects (as Cal Acord) | |
Visual Effects by | |||
| Bran Ferren | .... | special visual effects | |
| Mitch Wilson | .... | optical effects | |
Stunts | |||
| Paul Nuckles | .... | stunt coordinator | |
| Bobby Porter | .... | stunt double | |
| Sharon Schaffer | .... | stunt double | |
Camera and Electrical Department | |||
| Robert Connors | .... | best boy | |
| Bob Hall | .... | second assistant camera | |
| Robert Horne | .... | first assistant camera (as Bob Horne) | |
| Dan Lerner | .... | camera operator | |
| Philip C. Pfeiffer | .... | director of photography: second unit | |
| Robert T. Prate | .... | best boy (as Robert Prate) | |
| Tom Prate | .... | key grip | |
| Richard Quinlan | .... | gaffer | |
| Don Reddy | .... | photographer: second unit | |
| Zade Rosenthal | .... | still photographer | |
| Stephen J. Shiekman | .... | video playback operator | |
| Arthur Krauss | .... | camera operator (uncredited) | |
| Brian H. Reynolds | .... | grip (uncredited) | |
| Kerry Rike | .... | grip (uncredited) | |
Casting Department | |||
| Mary Anna Austin | .... | casting: Texas | |
| Barbara Blanchette | .... | extras casting coordinator | |
| Rody Kent | .... | casting: Texas | |
Costume and Wardrobe Department | |||
| Mary Malin | .... | assistant to costume designer | |
| Silvio Scarano | .... | costumer | |
| Mort Schwartz | .... | costumer | |
Editorial Department | |||
| Norman Buckley | .... | assistant editor | |
| Rachel Cline | .... | post-production coordinator | |
| Bruce Pearson | .... | color timer | |
| Jill Savitt | .... | first assistant editor | |
| Barbara Tulliver | .... | assistant editor | |
Music Department | |||
| Howard Shore | .... | additional music producer | |
Transportation Department | |||
| Al Milligan | .... | transportation captain | |
Other crew | |||
| John Brittain | .... | production assistant | |
| Lynn Covey | .... | location coordinator | |
| Brian Cowden | .... | period car coordinator | |
| Walter Crespo | .... | film layout | |
| Dick Dubuque | .... | production auditor | |
| David Evans-Lombe | .... | production assistant | |
| Rebecca Hilliard | .... | assistant production office coordinator (as Beccie Hillard) | |
| Ingrid Johanson | .... | production office coordinator | |
| Sondra Lee | .... | consultant to Mr. Benton | |
| Lois Lipfield | .... | assistant: Mr. Benton | |
| James R. Maceo | .... | production assistant (as James Maceo) | |
| Lee R. Mayes | .... | location manager (as Lee Mayes) | |
| Roy McBride | .... | wind effects | |
| James Pullen | .... | period car coordinator | |
| Anne Rapp | .... | script supervisor | |
| Ken Rinker | .... | dance coordinator | |
| Mark Schotte | .... | location coordinator | |
| Henry Wolf | .... | title designer | |
| Rebecca Wood | .... | assistant production office coordinator | |
| Mark Buesnel | .... | production assistant (uncredited) | |
| Bundy Chanock | .... | set medic (uncredited) | |
| Kurt Wehrs | .... | location scout (uncredited) | |
| Company credits | Box office and business | Technical specifications |
| Soundtrack listing | Main details |