| Photos (See all 27 | slideshow) | Videos (see all 3) |
| Judy Davis | ... | Adela | |
| Victor Banerjee | ... | Aziz | |
| Peggy Ashcroft | ... | Mrs. Moore | |
| James Fox | ... | Fielding | |
| Alec Guinness | ... | Godbole | |
| Nigel Havers | ... | Ronny | |
| Richard Wilson | ... | Turton | |
| Antonia Pemberton | ... | Mrs. Turton | |
| Michael Culver | ... | McBryde | |
| Art Malik | ... | Ali | |
| Saeed Jaffrey | ... | Hamidullah | |
| Clive Swift | ... | Major Callendar | |
| Ann Firbank | ... | Mrs. Callendar | |
| Roshan Seth | ... | Amritrao | |
| Sandra Hotz | ... | Stella Fielding | |
| Rashid Karapiet | ... | Das | |
| H.S. Krishnamurthy | ... | Hassan | |
| Ishaq Bux | ... | Selim | |
| Moti Makan | ... | Guide | |
| Mohammed Ashiq | ... | Haq | |
| Phyllis Bose | ... | Mrs. Leslie | |
| Sally Kinghorn | ... | Ingenue (as Sally Kinghorne) | |
| Paul Anil | ... | Clerk of the Court | |
| Z.H. Khan | ... | Dr. Panna Lal | |
| Ashok Mandanna | ... | Anthony | |
| Dina Pathak | ... | Begum Hamidullah | |
| Adam Blackwood | ... | Mr. Hadley | |
| Mellan Mitchell | ... | Indian Businessman | |
| Peter Hughes | ... | P & O manager | |
| rest of cast listed alphabetically: | |||
| John Michie | ... | Bit Part (uncredited) | |
| Duncan Preston | ... | Club Member (uncredited) | |
Directed by | |||
| David Lean | |||
Writing credits | ||
| E.M. Forster | (by) | |
| E.M. Forster | (based on the novel by) | |
| Santha Rama Rau | (based on the play by) | |
| David Lean | (screenplay) | |
Produced by | |||
| John Brabourne | .... | producer | |
| Richard B. Goodwin | .... | producer (as Richard Goodwin) | |
| John Heyman | .... | executive producer (uncredited) | |
| Edward Sands | .... | executive producer (uncredited) | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| Ernest Day | (director of photography) | ||
Film Editing by | |||
| David Lean | |||
Casting by | |||
| Priscilla John | |||
Production Design by | |||
| John Box | |||
| Herbert Westbrook | (uncredited) | ||
Art Direction by | |||
| Cliff Robinson | (as Clifford Robinson) | ||
| Leslie Tomkins | |||
| Herbert Westbrook | |||
| Ram Yedekar | |||
Set Decoration by | |||
| Hugh Scaife | |||
Costume Design by | |||
| Judy Moorcroft | |||
Makeup Department | |||
| Eric Allwright | .... | makeup artist | |
| Elaine Bowerbank | .... | hairdresser | |
| Jill Carpenter | .... | makeup artist | |
| Vera Mitchell | .... | hairdresser | |
Production Management | |||
| Rashid Abbasi | .... | unit manager: India (as Rashid Abbassi) | |
| Jim Brennan | .... | production manager | |
| Shama Habibullah | .... | production manager | |
| Barrie Melrose | .... | production supervisor | |
| John Downes | .... | production manager (uncredited) | |
Art Department | |||
| Eddie Fowlie | .... | props | |
| Bert Hearn | .... | property master: UK | |
| Mickey Pugh | .... | props | |
| Steve Short | .... | props | |
| Frank Billington-Marks | .... | assistant property master (uncredited) | |
| Albert Blackshaw | .... | construction manager: India (uncredited) | |
| Ron Coleman | .... | construction manager: UK (uncredited) | |
| Agnes Goveas | .... | set dresser (uncredited) | |
| Cleo Nethersole | .... | drapesmaster (uncredited) | |
| Peter Russell | .... | draughtsman (uncredited) | |
| Bill Stallion | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Jeremy Baylis | .... | assistant dialogue editor | |
| Ron Butcher | .... | sound engineer | |
| Michael A. Carter | .... | sound recordist | |
| Peter Dansie | .... | assistant sound editor | |
| Graham V. Hartstone | .... | sound recordist | |
| Jack T. Knight | .... | effects editor | |
| Nicolas Le Messurier | .... | sound recordist | |
| Dick Lewzey | .... | sound recordist (as Richard Lewzey) | |
| Archie Ludski | .... | dialogue editor | |
| John W. Mitchell | .... | sound recordist (as John Mitchell) | |
| Keith Pamplin | .... | boom operator | |
| Winston Ryder | .... | sound editor | |
| Lionel Strutt | .... | sound recordist | |
| Chris David | .... | stereo sound consultant: Dolby (uncredited) | |
Special Effects by | |||
| Robin Browne | .... | effects | |
Stunts | |||
| Richard Graydon | .... | stunt coordinator (uncredited) | |
Camera and Electrical Department | |||
| Robin Browne | .... | second unit photography | |
| Frank Connor | .... | stills | |
| Frank Elliott | .... | focus | |
| John Fletcher | .... | second camera focus | |
| Roy Ford | .... | camera operator | |
| W.C. 'Chunky' Huse | .... | grip (as Chunky Huse) | |
| Martin Kenzie | .... | clapper | |
| Alan Martin | .... | electrician | |
| Bill Pochetty | .... | electrician | |
| Chris Pinnock | .... | camera operator (uncredited) | |
| Nigel Seal | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Rosemary Burrows | .... | wardrobe mistress | |
| Keith Morton | .... | wardrobe master | |
Editorial Department | |||
| Kees T. Hooft | .... | assistant editor (as Kees 'T Hooft) | |
| Ron Lambert | .... | color timing | |
| Eunice Mountjoy | .... | associate editor | |
| Anne Sopel | .... | assistant editor | |
| Alf Wharton | .... | color grading: UK | |
Music Department | |||
| Robin Clarke | .... | music editor | |
| Maurice Jarre | .... | conductor | |
| Christopher Palmer | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Pamela Wells | .... | transport | |
Other crew | |||
| Pamela Allen | .... | contact: London | |
| Mohini Banerji | .... | liaison: Delhi | |
| Charles Cannon | .... | production accountant | |
| Eleanor Chaudhuri | .... | production secretary: India | |
| Eddie Fowlie | .... | locations | |
| Diana Hawkins | .... | publicist | |
| John Heyman | .... | in association with | |
| Christopher Palmer | .... | assistant to: Maurice Jarre | |
| P.N. Parthasarathy | .... | government liaison: India | |
| Pat Pennelegion | .... | production assistant | |
| Brioni Pereira | .... | location secretary | |
| Germinal Rangel | .... | couturier | |
| Rex Saluz | .... | location accountant | |
| Edward Sands | .... | in association with | |
| Maggie Unsworth | .... | continuity | |
| Marcus Wilford | .... | customs liaison | |
| David Cherrill | .... | location manager (uncredited) | |
| Yeti Jindal | .... | location manager (uncredited) | |
| Lee Katz | .... | production consultant (uncredited) | |
| Richard Morrison | .... | title designer (uncredited) | |
| Kevin Phelan | .... | unit projectionist: Mercury Theatres, London (uncredited) | |
| Thomas Thanangadan | .... | production assistant (uncredited) | |
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A Passage Through India tells a story about the radicalization of a native Indian who happens to be a Moslem. This was in the days before the idea of a separate Pakistan took hold in the independence movement.
Victor Bannerjee plays Dr. Aziz Ahmed and as you see by his title he's a professional man. But he's still looked down upon by most of the British who are ruling India. He's befriended by Peggy Ashcroft who is visiting India with her daughter-in-law to be, Judy Davis. Peggy's son is a magistrate. Bannerjee is also friends with James Fox who is an administrator at a local college.
He's warned against fraternizing with the British by his friends and family, but Bannerjee goes on a picnic with Ashcroft and Davis and Davis has a horrifying experience in the historic caves at Marabar. It's only her claustrophobia acting up, but Bannerjee winds up accused of rape. And his trial becomes a cause celebre for the Congress Party. Note that Bannerjee has two defense attorneys, a Moslem and a Hindu.
E.M. Forster who wrote A Passage to India brought two elements of his background to the writing of this novel. He served as a private secretary to a local maharajah so he knew the customs of India as well as the political scene. Most in the United Kingdom wanted to see India free after World War I. A few very powerful folks like Winston Churchill and some influential press lords, most prominently Lord Beaverbrook did not. There opposition kept India a British colony until after another World War.
Secondly Forster was a closeted gay man. His homosexuality was not publicly revealed, he wasn't 'outted' until after he died in 1970. One of his relationships was with a Moslem Indian who died at a young age. He's the model for Dr. Aziz. The India Forster writes about is not Rudyard Kipling's India. A place where the native population is made to feel like outsiders. Forster identified with them in a way Kipling could never conceive.
Peggy Ashcroft won a Best Supporting Actress Award for her role as the kindly Mrs. Moore. I've got a sneaking suspicion that Forster modeled her character on his own mother who lived with him until she died in 1945. Judy Davis got a nomination for Best Actress and A Passage to India was nominated in a whole bunch of technical categories.
A Passage to India is a disturbing look at a bygone era in a place where you can see a lot of the problems we face today being nurtured.