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Cultural mistrust and false accusations doom a friendship in British colonial India between an Indian doctor, an Englishwoman engaged to marry a city magistrate, and an English educator.

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Cast

Cast overview, first billed only:
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Antonia Pemberton ...
Michael Culver ...
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Ali
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Ann Firbank ...
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Sandra Hotz ...
Stella
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Storyline

Circa 1920, during the Indian British rule, Dr. Aziz H. Ahmed was born and brought up in India. He is proficient in English, and wears Western style clothing. He meets an old lady, Mrs. Moore, at a mosque, who asks him to accompany her and her companion, Adela Quested, for sight-seeing around some caves. Thereafter the organized life of Aziz is turned upside down when Adela accuses him of molesting her in a cave. Aziz is arrested and brought before the courts, where he learns that the entire British administration is against him, and would like to see him found guilty and punished severely, to teach all native Indians what it means to molest a British citizen. Aziz is all set to witness the "fairness" of the British system, whose unofficial motto is "guilty until proved innocent." Written by rAjOo (gunwanti@hotmail.com)

Plot Summary | Plot Synopsis

Taglines:

David Lean, the Director of "Doctor Zhivago", "Lawrence of Arabia" and "The Bridge on the River Kwai", invites you on . . .[A Passage to India]


Certificate:

PG | See all certifications »

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Details

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Release Date:

1 February 1985 (USA)  »

Also Known As:

Pasaje a la India  »

Box Office

Budget:

$16,000,000 (estimated)

Gross:

$26,400,000 (USA)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The character of Mr. Hadley as filmed was a nice little cameo but in editing most of his scenes were deleted and all of his lines were cut as well (source Adam Blackwood). See more »

Goofs

When Adela climbs up the hill and goes into the cave, she is wearing white shoes. When she runs down the hill, she is wearing black shoes. See more »

Quotes

Mrs. Moore: God has put us on earth to love and help our fellow men.
Ronny: Yes, mother.
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Soundtracks

Punjaub March
(uncredited)
Written by Charles Payne and Charles LeThière
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Frequently Asked Questions

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User Reviews

 
As an Indian i believe i may help you to understand

In 1885 Lord Macaulay in very planned way introduced English as an official language of India, a plan equally dangerous like thousand years of third Reich in Europe. Macaulay himself explained during a speech in Kolkata in 1885 that "I have travelled across the length and breadth of India and I have not seen one person who is a beggar, who is a thief. He added "with such a high moral, spiritual cultural heritage and ancient Aryan education system (Language Sanskrit) I do not think we would ever conquer this country, unless we break the very backbone of education system of this nation.

However Macaulay's language experiment resulted very strange. It not only fractured the complex Indian society but divided the schools of thought into fraction. In movie Dr.Aziz symbolically represents the agonised face of so called modern educated Indians.

The director of this movie is very talented person who exactly know this problem. Now what exactly happening in the movie is a British young woman fascinated with ideas of elephants, snakes, tropical forests and mysteries is travelling across India. Moreover she is young, beautiful and obvious deep inside she is contemplating the true meaning of love. While in India she meets Dr. Aziz who on other hand is a product of Macaulay's language experiment. Dr Aziz is an educated person who has nothing to with Indian national movement (background is of decade of 20's) or in other words he is a simple nice Muslim man who do his job, earn comparatively better than other poor Indians and has a good social status in the local community. However he remains depressed with the surrounding atmosphere which is full of dirt, poor people etc. Symbolically he is a face of new crop who thinks and if given a chance, act like English people. Unfortunately since he is just an average person and not an intellectual, he can not see that a British who is a foreigner in his country do not see any difference between him and other poor. He works hard and do not miss any opportunity to poof that their is a difference and it exist.

Movie reaches to the height of climax when Dr. Aziz gets an opportunity to take Ms Quested to an excursion to Malabar caves. And then comes the most beautiful, suspenseful and artistic scene of the movie. For few moment in that silent lazy afternoon, Ms Quested learn during an exceptional personal interaction (An interaction which was not supposed to be happened between an Indian and a English) about Dr. Aziz's love for his wife who died few years back. Already hypnotized, happy, sad, excited, frustrated, sometimes in pain and sometimes surprised with the Indian culture she gets locked with a strange feeling when she learn that Dr, Aziz never saw his wife before getting married. Back to her life she never imagined if being in love/marriage with someone whom you have never seen was possible. Afterall due to her basic human tendency, she for a fraction of moment imagined Dr. Aziz as a perfect man or who knows a perfect husband. Her extreme imagination takes her to indefinite trauma and suddenly everything looks ugly, horrible, dark and hopeless. Now gushed with guilt feeling she can not justify her imaginations in a real world.

In case of Dr. Aziz he is again in a gloomy world because Ms Quested without giving any notice is now out of his reach. An innocent human to human interaction becomes a case of racial dominance & national extremism.

Fanatic Indians have coloured it with a Indian national moment whereas British are convinced that Indians doesn't matter educated or uneducated are on same line. Irioncally Dr. Aziz who is surprised, frustrated due to silence of Miss Quested is no longer an old simple man. He too now believes that English are corrupting his country. Ms. Quested, Dr. Aziz, British/Indian community, nobody knows the internal truth.


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