A Passage to India (1984)

PG  |   |  Adventure, Drama, History  |  1 February 1985 (USA)
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Cultural mistrust and false accusations doom a friendship in British colonial India between an Indian doctor, an Englishwoman engaged to marry a city magistrate, and an English educator.



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Won 2 Oscars. Another 19 wins & 26 nominations. See more awards »



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Cast overview, first billed only:
Antonia Pemberton ...
Michael Culver ...
Ann Firbank ...
Sandra Hotz ...


Circa 1920, during the Indian British rule, Dr. Aziz H. Ahmed was born and brought up in India. He is proficient in English, and wears Western style clothing. He meets an old lady, Mrs. Moore, at a mosque, who asks him to accompany her and her companion, Adela Quested, for sight-seeing around some caves. Thereafter the organized life of Aziz is turned upside down when Adela accuses him of molesting her in a cave. Aziz is arrested and brought before the courts, where he learns that the entire British administration is against him, and would like to see him found guilty and punished severely, to teach all native Indians what it means to molest a British citizen. Aziz is all set to witness the "fairness" of the British system, whose unofficial motto is "guilty until proved innocent." Written by rAjOo (gunwanti@hotmail.com)

Plot Summary | Plot Synopsis


David Lean, the Director of "Doctor Zhivago", "Lawrence of Arabia" and "The Bridge on the River Kwai", invites you on . . .[A Passage to India]


PG | See all certifications »

Parents Guide:







Release Date:

1 February 1985 (USA)  »

Also Known As:

Pasaje a la India  »

Box Office


$16,000,000 (estimated)


$26,400,000 (USA)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

1.66 : 1
See  »

Did You Know?


Peggy Ashcroft's favorite scene was when she got to ride an elephant. See more »


Exiting the caves, Mrs. Moore sees a full moon overhead in the mid-day sky. This is an astronomical impossibility, but it is shown in the film to highlight the powerful effect that the caves have on the human mind. The caves would also deeply affect Adela a little while later, but with much more serious consequences. See more »


Ronny: [on Aziz] He was dressed in his Sunday best, and his back collar stud was out. And there you have the Indian all over.
See more »


Featured in Casting a Classic (2008) See more »


The Sun, whose Rays are All Ablaze
Music by Arthur Sullivan
Words by William S. Gilbert
Sung by James Fox
See more »

Frequently Asked Questions

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User Reviews

Culture and race and one thing you might not notice.
24 November 2005 | by (United States) – See all my reviews

Sometimes, what you don't see can be of equal importance to what you do see in a film. David Lean's film is no exception ... but more on that later.

A film of epic quality, it follows two travelers on their journey from England to India during the Raj colonial period of the 1920s. For Adela Quested, it's her first time out of England to anywhere. For Mrs. Moore, it's a chance to visit her son, Ronny, who is expected to marry Adela during the visit. But, their visit is not without incident.

What both Adela and Mrs. Moore discover is an India ruled by British bureaucrats (Ronny being one of them, a city magistrate) who exude personal and cultural superiority over Indians. This was a shock to them since they both expected to find Indians and Britons meeting socially and on friendly terms. The only exception to that rule appears to be Fielding, principal of a college.

Through Fielding, Adela is introduced socially to Professor Godbole (a Hindu holy man) and Dr. Aziz (a Muslim physician). Mrs. Moore met Aziz in a previous scene but had not yet met Godbole until that moment. One note on that (a film flaw). During the mosque scene where Mrs. Moore meets Dr. Aziz, Aziz never once mentions his name to her ... yet later, Adela knows his name as mentioned to her by Mrs. Moore. Perhaps his name was mentioned in a brief scene that ended up on the cutting-room floor. But, that omission is trivial and in no way detracts from the enjoyment of the film.

During this social introduction, Aziz invites Mrs. Moore and Adela on a journey to the Marabar caves, a tourist destination. On the trip, and tired from all the activity, Mrs. Moore stays at the encampment near the lower caves and encourages Aziz and Adela to explore the higher caves alone.

Then, something happened ... and I won't tell you what (grin). Suffice it to say that Aziz finds himself in police custody. A court trial ensues that pits culture against culture, race against race, and clearly demonstrates the differences in attitudes between resident British citizens and Indians. But the trial's climax isn't the most moving part of the film. Lean has risen the film's denouement to a higher level ... one that leaves you smiling and crying at the same time. But what Lean does NOT mention in the film is equally interesting.

In today's world, India is beset by inter-sect angst between Hindus, Muslims, Sikhs, and persons of other faiths. In theory, this inter-sect rivalry has been around since before India became a British colony. But, this rivalry was not mentioned once in the film. It is perhaps a testament to the novelist (E.M. Forster) and Lean to realize a potent underlying force in the story ... that British colonial rule held these rivalries in abeyance ... uniting Indians of all faiths into a common bond that eventually forced colonialism to end in India.

The film is a masterpiece on every level and remains one of my favorites of all time.

P.S. Closing comment to those (like me) who own region-free DVD players that render both PAL and NTSC DVDs. For some reason unknown to me, it's over $10 cheaper to buy the DVD from Amazon.co.uk than it is from Amazon.com ... even after overseas shipping is added in. That's where I ordered mine (from the UK).

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