In the 17th century a Jesuit priest and a young companion are escorted through the wilderness of Quebec by Algonquin Indians to find a distant mission in the dead of winter. The Jesuit ... See full summary »
The Bounty leaves Portsmouth in 1787. Its destination: to sail to Tahiti and load bread-fruit. Captain Bligh will do anything to get there as fast as possible, using any means to keep up a ... See full summary »
Tensions between Indians and the colonial British come to a boil when a white female tourist accuses a young Indian doctor of rape during a visit to some caverns. A study of colonial relations and the nature of memory. Based on E. M. Forster's novel. Written by
Keith Loh <firstname.lastname@example.org>
David Lean's first (and last) film after a 14-year hiatus from the industry. He was so devastated by the negative reviews of Ryan's Daughter, he dropped out of the filmmaking scene. See more »
When Aziz goes to the party after his trial, Fielding stands on or near the verandah and sees him off. In a later shot of Fielding, protest signs appear each side of Aziz's door that were not there earlier. See more »
Indian crowd member #1:
[pointing at Mr. Fielding and Adela leaving in the carriage]
That was Mr. Fielding!
Indian crowd member #2:
And Mrs. Moore!
Entire Indian crowd:
Mrs. Moore! Mrs. Moore! Mrs. Moore!...
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My interest in caves led me to watch this film. A small, but pivotal, part of the film's plot centers on what happens at the Marabar Caves. While the cave segment was a disappointment to me, I was pleasantly surprised by the film as a whole. It was not the grandiose, pretentious cinematic epic I had feared.
"A Passage To India" tells the story of a young British woman and her elderly traveling companion who journey from England to India, at a time when the British still ruled that country. The film's theme centers on British attitudes toward the people of India. Those attitudes can be summarized as: condescending, snobbish, and racist. It was the English vision of cultural superiority over the Indian people that E.M Forster wrote about in his 1924 novel, upon which the screenplay is based. That cultural vision represents a bygone, imperial era that today seems quaint.
The cinematography here is excellent, though perhaps not quite as sweeping or majestic as in some of Director Lean's previous films. What comes through in the visuals is India's spectacular scenery. The film's acting is competent. And I liked the film's original score.
My main complaint is the film's length. It's a two-hour story stretched to fill almost three hours. I would have cut out most, or all, of the crowd and mob scenes because they are not needed, and because they infuse the film with a "cast of thousands" aura that moves the film implicitly in the direction of epic status. Even as is, the film is sufficiently low-key and personal to be enjoyable.
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