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Partir, revenir (1985)

 -  Drama  -  27 March 1985 (France)
6.4
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Ratings: 6.4/10 from 152 users  
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Salomé Lerner just finished writing an autobiograpy. She goes to a TV show called "Apostrophes", hosted by French TV showman Bernard Pivot. Pivot then imagines a film that could be created ... See full summary »

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Title: Partir, revenir (1985)

Partir, revenir (1985) on IMDb 6.4/10

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Cast

Cast overview, first billed only:
...
Hélène Rivière
...
Roland Rivière
Françoise Fabian ...
Sarah Lerner
Erik Berchot ...
Salomon Lerner
...
Simon Lerner
Evelyne Bouix ...
Salomé Lerner
...
Vincent Rivière
Charles Gérard ...
Tenardon
Jean Bouise ...
Le curé
Monique Lange ...
Salomé en 1985
Marie-Sophie L. ...
Angéla (as Marie-Sophie Pochat)
Ginette Garcin ...
La domestique du curé
Isabelle Sadoyan ...
Anna, la gouvernante des Rivière
Bernard Pivot ...
Himself / En personne
Henri Amouroux ...
Himself / En personne
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Storyline

Salomé Lerner just finished writing an autobiograpy. She goes to a TV show called "Apostrophes", hosted by French TV showman Bernard Pivot. Pivot then imagines a film that could be created from her gripping story. A film entirely made of music because after seeing the young pianist Erik Berchot, Salomé believes seeing her long lost brother, who was a musician as well. A brother she had lost along with her parents in 1943. However, the Lerners did in fact escape the gestapo and might have based themselves in Paris... Written by <hitchcock1@videotron.ca>

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train

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Drama

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27 March 1985 (France)  »

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Partir, revenir  »

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User Reviews

Lelouch the recidivist

The TFO network has been showing Lelouch's work of the 70's and 80's over the last 10 weeks. It's been a miserable time since this man's career is a study in schlock-making. There is no dumb story he will not tell; no actor he will not use solely for their star-value; no attempt to respect the intelligence of his audience (that they keep coming back for his messes is a telling comment on French culture today).

He's a recidivist because he keeps returning to the scene of his crimes against sense, dramatic values, pacing. Partir, revenir looks much like any of his films of this period; the same actors keep turning up--Piccoli, Anconina, Bouix. I can't take this holocaust drama seriously because it's shot like a Spielberg comedy: the terror element is completely missing, all you get are thuggish-looking German troops and very elegant Jewish victims. I look back with fondness to The Garden of the Finzi-Continis for a portrait of doomed people that engages my mind and spirit.


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