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Paris, Texas (1984)

R | | Drama | 23 August 1984 (UK)
Travis Henderson, an aimless drifter who has been missing for four years, wanders out of the desert and must reconnect with society, himself, his life, and his family.

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(adaptation), | 1 more credit »
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2,964 ( 255)

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Top Rated Movies #245 | Nominated for 1 Golden Globe. Another 16 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Anne Henderson (as Aurore Clement)
...
...
Sam Berry ...
Gas Station Attendant
Claresie Mobley ...
Car Rental Clerk
...
Woman on TV (as Viva Auder)
Edward Fayton ...
Hunter's Friend
Socorro Valdez ...
Carmelita
Justin Hogg ...
Hunter - Age 3
...
Screaming Man
...
'Slater'
Jeni Vici ...
'Stretch'
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Storyline

A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out to locate the mother of the child, who left shortly after the man disappeared. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Taglines:

A place for dreams. A place for heartbreak. A place to pick up the pieces. See more »

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

| | |

Language:

|

Release Date:

23 August 1984 (UK)  »

Also Known As:

Motel Chronicles  »

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Box Office

Budget:

£1,162,000 (estimated)

Opening Weekend USA:

$22,709, 10 November 1984, Limited Release

Gross USA:

$2,181,987
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The main cast includes many actors who appeared in many films directed by Francis Ford Coppola: Aurore Clément appeared in Apocalypse Now (1979); Harry Dean Stanton and Nastassja Kinski previously appeared in One from the Heart (1981); and Dean Stockwell appeared in Gardens of Stone (1987), Tucker: The Man and His Dream (1988) and The Rainmaker (1997). See more »

Goofs

When Travis and Hunter are following the red Chevrolet from a downtown bank, they merge onto US HWY 59 northbound, just south of interstate 45 and north of the HWY 288 interchange with US HWY 59. After a few moments pass the next shot shows them approaching the HWY 59 and HWY 288 interchange (going northbound on HWY 59). This interchange is located about 1/2 mile south of the onramp they took in the previous shot so there is no way they would have been able to approach this interchange going north on HWY 59 had they taken the northbound onramp in the previous shot. See more »

Quotes

Walt: We live in the suburbs, but I've got my business in town
Travis: Oh yeah? What's your business?
Walt: I make billboard signs for advertising.
Travis: Oh yeah? So *you*'re the one who makes those signs, I love those. Some of them are beautiful.
Walt: I'm not the only one who makes them, Trav.
See more »

Connections

Referenced in Gossip Girl: The Ex-Files (2008) See more »

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User Reviews

 
Second American best film of the eighties
5 May 1999 | by See all my reviews

It might seem odd to call this an "American" film, as its director, Wim Wenders is a German film director, who , unlike his predecessors, Lang, Murnau, Pabst, Von Sternberg , and Billy Wilder, has chosen to remain aloof from the Hollywood film industry. But Paris Texas is as much an American film as Tocquevillle's "Democracy in America" is an American book. Sometimes it takes a foreigner ( In Wim Wenders' case, a foriegner who loves American music, American movies and American literature.) to look into the American soul. In this case,it helps that he is working with a great-and misunderstood- American writer, Sam Shephard, and a great-and under appreciated- American actor, Harry Dean Stanton. I can not begin to convey who poetic, how haunting, and how beautiful this film is, and how artfully it probes the American heart. The scene where Stanton confronts his wife, and tells what he did and why he did it, must rank among the supreme scenes, not just of film, but of human life. It echoed the great scenes of our literature, such as Ulysses meeting with Penelope, and the return of the prodigal son. In short, the only film which goes beyond it in the eighties is Raging Bull, and that is largely because of the volcanic power of Scorsese, that most self-crucifying of auteurs. in short, I would go so far as to say that Paris Texas is more than a "ten'...Like Citizen Kane, like 2001, like Andrei Roublev, like Raging Bull , like the Searchers, like Pickpocket, Tokyo Story, Seven Samurai and Ordet,it is an ELEVEN. Sublime AND beautiful.


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