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Paris, Texas (1984)

8.1
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Ratings: 8.1/10 from 36,804 users  
Reviews: 154 user | 83 critic

A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out ... See full summary »

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Title: Paris, Texas (1984)

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Nominated for 1 Golden Globe. Another 16 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Sam Berry ...
Gas Station Attendant
Bernhard Wicki ...
Doctor Ulmer
...
...
Anne Henderson (as Aurore Clement)
Claresie Mobley ...
Car Rental Clerk
Hunter Carson ...
Hunter Henderson
...
Woman on TV (as Viva Auder)
Socorro Valdez ...
Carmelita
Edward Fayton ...
Hunter's Friend
Justin Hogg ...
Hunter - Age 3
...
...
Screaming Man
...
'Slater'
Jeni Vici ...
'Stretch'
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Storyline

A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out to locate the mother of the child, who left shortly after the man disappeared. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Taglines:

It brings magic back to the cinema... See more »

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

| | |

Language:

Release Date:

19 September 1984 (France)  »

Also Known As:

La búsqueda  »

Box Office

Budget:

£1,162,000 (estimated)

Gross:

SEK 4,810,795 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

During the scene in the Texas airport, Dean Stockwell's character is on the phone with his wife. The PA announcer can be heard saying "A message for Joy Stockwell, Joy Stockwell. Austin will arrive at any minute." Joy was Dean's wife and Austin, his son, was born during production of this film. See more »

Goofs

When Hunter calls Walt and Anne from a payphone in San Bernadino, he is supposed to be calling collect (Travis is shown instructing him briefly on how to do it). However, when we cut to Walt answering the telephone at home, he is immediately on the line with Hunter and is never asked if he would care to accept the charges for a collect call. See more »

Quotes

Travis: He thought if she never got jealous of him that she didn't really care about him. Jealousy was a sign of her love for him, and then one night, one night she told him that she was pregnant, she was about three or four months pregnant and he didn't even know and then suddenly everything changed, he stopped drinking, he got a steady job, he was convinced that she loved him now that she was carrying his child and he was going to dedicate himself to making a home for her. But a funny thing started ...
See more »

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User Reviews

A tale of redemption
26 February 2005 | by (Iowa) – See all my reviews

Paris Texas is a slow, moody, and delicate study about a man who once ran away from everything and now is coming to terms with himself and learning to forgive himself, by finally facing he people he turned his back on. The Wim Wenders directed movie still today rests in a fairly under recognized status, which doesn't stretch the term "cult classic" when applied to it. Paris, Texas is about redemption, the road, family, and the bleakness of the American Southwest. It contains one of the most memorable and unusual openings ever. We hear Ry Cooder's lonely single note twangy guitar on the soundtrack with cinematographer Robby Müller (Barfly, To Live and Die in L.A. , Dead Man) capturing the majestic vistas, rock formations, and the open desert in his camera. Actor Harry Dean Stanton walks out of the dry and desolate landscape, wearing a wornout black sports jacket and dusty red baseball cap. It's a beautifully staged opening sequence. A perfect start to a perfect movie. This man is lost and in need of being found. It's his brother played by actor Dean Stockwell ("Quantum Leap", Blue Velvet) who gets word of Stanton's whereabouts and goes after him, which begins the journey of redemption. Nastassja Kinski plays Stanton's young x-wife and the true love of his life. Kinski, the daughter of legendary German actor Klaus Kinski, doesn't make her entrance into the film until the later reels, but her lingering presence is felt throughout. It's almost the same type of thing that Coppola did by not having Brando appear in Apocalypse Now until the conclusion. The scenes that Kinski does have in the end with Stanton are some of the best moments ever captured on film. They're highly emotional and will cause even the most hard-hearted to shed a tear. Both Stanton and Kinski are very subtle and understated in their acting. It's true to their characters. Eight year old Hunter Carson plays Stanton's biological son, who was raised by his uncle (Stockwell). Carson certainly deserves mention in any conversation about great child performances on film. Paris, Texas is a masterpiece. There's no way around it. It's a movie that slowly reveals itself putting the audience right in the shoes of Stanton, who also is trying to remember his past and face it. The story was penned by playwright and actor Sam Shepard, though he doesn't appear in the film. Shepard, a very good playwright, has outdone himself with Paris, Texas surpassing his perhaps more well known, True West. Paris, Texas is a film that must not only be seen, but experienced. Sure the pacing is extremely slow, but as an audience member, use that to your advantage to suck in the picturesque orange southwest desert against the deep blue skys, and the poignant acting, and haunting soundtrack. There's no reason not to treat yourself to this uniquely American masterpiece meditation. It would make a great nightcap for a triple feature with two other simular themed American films, The Searchers and Taxi Driver.


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