A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out ... See full summary »
Aging Cuban musicians whose talents had been virtually forgotten following Castro's takeover of Cuba, are brought out of retirement by Ry Cooder, who travelled to Havana in order to bring the musicians together, resulting in triumphant performances of extraordinary music, and resurrecting the musicians' careers.
A young woman, Karin, has recently returned to the family island after spending some time in a mental hospital. On the island with her is her lonely brother and kind, but increasingly ... See full summary »
Max von Sydow
A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along... See full summary »
Set in 1999, a woman (Dommartin) has a car accident with some bank robbers, who enlist her help to take the bank money to a drop in Paris. On the way she runs into another fugitive from the... See full summary »
On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's _Day the World Ended, The (1956)_. The producer is nowhere to be found and director ... See full summary »
A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out to locate the mother of the child, who left shortly after the man disappeared. Written by
Ed Sutton <email@example.com>
During the scene in the Texas airport, Dean Stockwell's character is on the phone with his wife. The PA announcer can be heard saying "A message for Joy Stockwell, Joy Stockwell. Austin will arrive at any minute." Joy was Dean's wife and Austin, his son, was born during production of this film. See more »
Since Travis and Hunter are driving from L.A. to Houston, they would take I-10 going from west to east. When they arrive in Houston, the view of downtown is from I-45, which runs north/south from Dallas to Galveston. See more »
I... I used to make long speeches to you after you left. I used to talk to you all the time, even though I was alone. I walked around for months talking to you. Now I don't know what to say. It was easier when I just imagined you. I even imagined you talking back to me. We'd have long conversations, the two of us. It was almost like you were there. I could hear you, I could see you, smell you. I could hear your voice. Sometimes your voice would wake me up. It would wake me up in the middle of ...
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I would say that Paris, Texas is not for everyone, but, truly, that can be said about every movie. But I will say this: fans of methodically paced, beautifully shot, existentially rooted, and purely experiential cinema will not be disappointed.
Paris, Texas is virtually my favorite movie, and a movie that, whether you like it or not, will leave some impact on you. It is a journey, an experience, an odyssey.
Yes, it is long. Yes, it is slow. Defined plot points? Please.
But what this movie does do is place into the mind of it's lead character. Travis Henderson, an older man, gruff and worn out with age, wanders out of the Texas desert after missing from his family for four years. He is mute, and apparently unaware of who he is. His brother Walt finds him, and tries to rehabilitate him back into sanity. The film then covers Travis's journey to reconnect with a past which he has long since forgotten. He reunites with his son, his sister in-law, and eventually, in a scene which I tear up just thinking about, his wife.
But that is all I will divulge about his wife. That is a scene which you really have to see to believe.
While this film really doesn't rely on plot, it does have structure and tone. And what carries us through this mystical story is the unbelievably beautiful photography. We see the world as it should be seen: a starkly beautiful, but uncompromising, place. The use of color and motifs really makes this film a marvel to look at.
And then we get to performances. Everyone's great, so I will focus on our two truly main characters. Harry Dean Stanton plays Travis, a gentle, kind man, that, despite having personal demons, is a great fatherly figure (fine, maybe he isn't the best father...but there's no denying he left an impact on his son's life). And seeing Stanton bring this character to life in the most subtle and somber way possible is amazing. And then we have Natassja Kinski, who plays Jane, his wife. She doesn't show up until the third act, and 95% percent of her performance takes place in one room. But Kinski's portrayal of emotion...and her quiet, yet powerful demeanor...and the way she talks...god, it's unbelievable. Stanton and Kinski have some of the best chemistry ever, which is even more impressive considering they're never in the same room (see the movie...you'll understand). In the end, these two carry the movie on their backs, and do an amazing job doing it.
You may not cry, but you will think about crying. You will think about all the sad moments in your life. And it will all be washed out of you by movie's end. Believe me, I know this from personal experience. This movie is almost therapeutic in the way. Because the story is healing our own souls at the same time as it is healing Travis's.
So. What's more to say about Paris, Texas? It's a beautiful movie, one that relies on photography and performances to tell it's story, and a movie that portrays emotions on a master class level. And what do I mean by 'Anti-Romance'? It's not worth explaining here. See the movie, you'll understand.
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