Aging Cuban musicians whose talents had been virtually forgotten following Castro's takeover of Cuba, are brought out of retirement by Ry Cooder, who travelled to Havana in order to bring the musicians together, resulting in triumphant performances of extraordinary music, and resurrecting the musicians' careers.
A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along... See full summary »
Two innocent people are arrested. An interesting third person, with broken English, joins them in their cell. On his idea, they decide to escape from the prison. Their journey is the rest of the movie.
A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out to locate the mother of the child, who left shortly after the man disappeared. Written by
Ed Sutton <firstname.lastname@example.org>
Travis and Hunter make a phone call from a Texaco gas station in San Bernardino. In the background we see the road-side dinosaurs, which are in Cabazon California, closer to Palm Springs. Not a big mistake, but a distance of some 40 miles. See more »
[crashing in a fleabag motel/laundromat seating area with his son]
This is not a place to bring a fancy woman. Wouldn't you say? If you had a fancy woman, would you bring her in a place like this?
What's a fancy woman?
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I felt so tired of all those comments saying how beautiful the photography is or, for those who havent enjoyed the film, how the photography isnt enough to sustain the whole silentness of the first 2/3 of the movie.
It just sounds like a hollow praise for a hollow minded cute, blonde and gorgeous girl. In fact, it is an offense.
For a director that first was inspired by images and then looked for stories to fill them and give them reasons to be released as films (he says this in a book). Wenders achieves his high technical and vision point concerning his way of thinking, not just film but life in this masterpiece.
He had before discussed the production of images and how this affects our way of seeing and perceiving life. But in Paris, Texas the image, the landscapes really becomes a character, not just to give a good photography and make those 2 1/2 hours that the movie lasts oh!!, so beatiful to watch!!, or to make us get in its atmosphere... The landscapes are so important as the words, or actions, between the characters are, it really touches people surrounded by it, it influences some how their personalities. I mean, each photograme tries to bring this relation.
It is beautiful how Wenders can build his caracters personalities, not by the way they think or act, but what impresses them, what visually interests them - like when Travis is watching not the airplane, but its shadow on the ground while it takes off.
After all that, i can just say that the rest of the whole story is made by really beautiful, touching and delicate situations of a man's life trying to reorder the lost pieces from a puzzle.
And, yes, the conversation between Travis and his ex-wife by the last half hour to the end is one of the most touching moments seen on the screen.
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