Aging Cuban musicians whose talents had been virtually forgotten following Castro's takeover of Cuba, are brought out of retirement by Ry Cooder, who travelled to Havana in order to bring the musicians together, resulting in triumphant performances of extraordinary music, and resurrecting the musicians' careers.
The director Friedrich Monroe has trouble with finishing a silent b&w movie about Lisbon. He calls his friend, the sound engineer Phillip Winter, for help. As Winter arrives Lisbon weeks ... See full summary »
Set in 1999, a woman (Dommartin) has a car accident with some bank robbers, who enlist her help to take the bank money to a drop in Paris. On the way she runs into another fugitive from the... See full summary »
A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along... See full summary »
A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out to locate the mother of the child, who left shortly after the man disappeared. Written by
Ed Sutton <email@example.com>
When Travis shows Walt and Hunter the picture of the vacant lot he bought it Paris, Texas, the photograph shows a desert landscape. Paris, Texas is located near the forests of East Texas, hundreds of miles from any desert. See more »
I... I used to make long speeches to you after you left. I used to talk to you all the time, even though I was alone. I walked around for months talking to you. Now I don't know what to say. It was easier when I just imagined you. I even imagined you talking back to me. We'd have long conversations, the two of us. It was almost like you were there. I could hear you, I could see you, smell you. I could hear your voice. Sometimes your voice would wake me up. It would wake me up in the middle of ...
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I felt so tired of all those comments saying how beautiful the photography is or, for those who havent enjoyed the film, how the photography isnt enough to sustain the whole silentness of the first 2/3 of the movie.
It just sounds like a hollow praise for a hollow minded cute, blonde and gorgeous girl. In fact, it is an offense.
For a director that first was inspired by images and then looked for stories to fill them and give them reasons to be released as films (he says this in a book). Wenders achieves his high technical and vision point concerning his way of thinking, not just film but life in this masterpiece.
He had before discussed the production of images and how this affects our way of seeing and perceiving life. But in Paris, Texas the image, the landscapes really becomes a character, not just to give a good photography and make those 2 1/2 hours that the movie lasts oh!!, so beatiful to watch!!, or to make us get in its atmosphere... The landscapes are so important as the words, or actions, between the characters are, it really touches people surrounded by it, it influences some how their personalities. I mean, each photograme tries to bring this relation.
It is beautiful how Wenders can build his caracters personalities, not by the way they think or act, but what impresses them, what visually interests them - like when Travis is watching not the airplane, but its shadow on the ground while it takes off.
After all that, i can just say that the rest of the whole story is made by really beautiful, touching and delicate situations of a man's life trying to reorder the lost pieces from a puzzle.
And, yes, the conversation between Travis and his ex-wife by the last half hour to the end is one of the most touching moments seen on the screen.
41 of 59 people found this review helpful.
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