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Directed by | |||
| Sergio Leone | |||
Writing credits | ||
| Harry Grey | (novel "The Hoods") | |
| Leonardo Benvenuti | & | |
| Piero De Bernardi | & | |
| Enrico Medioli | & | |
| Franco Arcalli | & | |
| Franco Ferrini | & | |
| Sergio Leone | ||
| Stuart Kaminsky | (additional dialogue) | |
| Ernesto Gastaldi | uncredited | |
Produced by | |||
| Claudio Mancini | .... | executive producer | |
| Arnon Milchan | .... | producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Tonino Delli Colli | |||
Film Editing by | |||
| Nino Baragli | |||
Casting by | |||
| Cis Corman | |||
| Joy Todd | |||
Art Direction by | |||
| Carlo Simi | |||
Costume Design by | |||
| Gabriella Pescucci | |||
Makeup Department | |||
| Vincenzo Cardella | .... | hair stylist (as Enzo Cardella) | |
| Randy Coronato | .... | hair stylist: New York | |
| Randy Coronato | .... | makeup artist: New York | |
| Maria Teresa Corridoni | .... | hair stylist | |
| Henry R. Dwork | .... | dental makeup artist: New York | |
| Nilo Jacoponi | .... | makeup artist | |
| Renata Magnanti | .... | hair stylist | |
| Manlio Rocchetti | .... | makeup artist | |
| Gino Zamprioli | .... | makeup artist | |
| Giancarlo De Leonardis | .... | hair stylist: James Wood and Tuesday Weld (uncredited) | |
Production Management | |||
| Fred C. Caruso | .... | executive in charge of production (as Fred Caruso) | |
| Mario Cotone | .... | production supervisor | |
| Ginette Hardy | .... | production manager: Montreal | |
| Walter Massi | .... | unit manager | |
Art Department | |||
| Bruno Cesari | .... | set dresser | |
| Osvaldo Desideri | .... | set dresser | |
| Ronald Fauteux | .... | prop man: Montreal | |
| Gianni Fiumi | .... | property master | |
| Alain Giguère | .... | scenic painter: Montreal | |
| Nello Giorgetti | .... | swing gang | |
| Otto Jacoby | .... | set builder: New York | |
| Steven Kirshoff | .... | prop man: New York | |
| Walter Klymkiw | .... | chief carpenter: Montreal | |
| Joey Litto | .... | construction coordinator: New York | |
| Tullio Lullo | .... | construction coordinator | |
| Domenico Mancino | .... | blacksmith | |
| George Messaris | .... | set builder: New York | |
| Elouise Meyer | .... | scenic chargeperson: New York | |
| Giovanni Natalucci | .... | set designer | |
| Gretchen Rau | .... | set decorator: New York | |
| Claude Simard | .... | chief carpenter: Montreal | |
| James T. Singelis | .... | art director: New York (as James Singelis) | |
| Rejean Brochu | .... | construction supervisor (uncredited) | |
| Martin Cats | .... | musical instrument props (uncredited) | |
| Clément Hurel | .... | poster artist (uncredited) | |
| Tom Jung | .... | poster artist (uncredited) | |
| Dan Mahoney | .... | construction grip (uncredited) | |
| Kathy Wolf | .... | head painter (uncredited) | |
Sound Department | |||
| Fabio Ancillai | .... | second assistant boom operator | |
| Fausto Ancillai | .... | sound recording mixer | |
| Bruno Charier | .... | boom operator | |
| Daniele Quadroli | .... | sound effects editor | |
| Robert Rietty | .... | dubbing editor | |
| Jean-Pierre Ruh | .... | sound engineer (as Jean Pierre Ruhu) | |
| Paul J. Zydel | .... | adr sound: New York (as Paul Zydel) | |
| Chris David | .... | stereo sound consultant: Dolby (uncredited) | |
| Elliot Tyson | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Louis Craig | .... | special effects assistant: Montreal | |
| Gabe Videla | .... | special effects: Montreal | |
| Danilo Bollettini | .... | special effects (uncredited) | |
| Brian Campbell | .... | special effects crew (uncredited) | |
| Giovanni Corridori | .... | special effects (uncredited) | |
| Jacques Godbout | .... | special effects (uncredited) | |
Stunts | |||
| Benito Stefanelli | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Steve Baker | .... | key grip: New York | |
| Sandro Battaglia | .... | assistant camera | |
| Rodney Bauer | .... | grip | |
| Augusto Diamanti | .... | key grip | |
| Amato Gabotti | .... | grip | |
| Normand Guy | .... | key grip: Montreal | |
| Walter Klymkiw | .... | gaffer: Montreal | |
| Romano Mancini | .... | gaffer | |
| John Newby | .... | gaffer: New York | |
| Crescenzo G.P. Notarile | .... | assistant camera: New York (as Crescenzo Notarile) | |
| Angelo Novi | .... | still photographer | |
| Antonio Scaramuzza | .... | assistant camera | |
| Carlo Tafani | .... | camera operator | |
| Carlo Vinciguerra | .... | gaffer | |
| Eraldo Barbona | .... | grip (uncredited) | |
| Edward Cohen | .... | electrician (uncredited) | |
| Jean Courteau | .... | electrician (uncredited) | |
Casting Department | |||
| Sylvie Bourque | .... | extras casting: Montreal | |
| Flo Gallant | .... | extras casting: Montreal | |
Costume and Wardrobe Department | |||
| Richard Bruno | .... | associate costume designer: New York | |
| Helen P. Butler | .... | costumer: New York (as Helen Butler) | |
| Marina Frassine | .... | assistant costume designer | |
| Raffaella Leone | .... | assistant costume designer | |
| Umberto Tirelli | .... | wardrobe costumes | |
Editorial Department | |||
| Gabrio Astori | .... | postint editor | |
| Alessandro Baragli | .... | assistant editor | |
| Patrizia Ceresani | .... | assistant editor (as Patricia Cerasani) | |
| Ornella Chistolini | .... | assistant editor | |
| Maurizio Mancini | .... | editing coordinator | |
| Zach Staenberg | .... | additional editor (re-cut) | |
| Nicholas Stevenson | .... | postint editor | |
| Elvira Tonini | .... | first assistant editor (as Vivi Tonini) | |
| Giorgio Venturoli | .... | assistant editor | |
| J. Kathleen Gibson | .... | first assistant editor (uncredited) | |
| Howard Heard | .... | assistant film editor (uncredited) | |
Music Department | |||
| Edda Dell'Orso | .... | vocal | |
| Sergio Marcotulli | .... | music recording mixer | |
| Ennio Morricone | .... | musical director | |
| Gheorghe Zamfir | .... | musician: pan flute | |
Transportation Department | |||
| James Giblin | .... | transportation captain: New York | |
| Patrick Hogan | .... | transportation captain: second unit (uncredited) | |
| Bobby Marsh | .... | driver (uncredited) | |
Thanks | |||
| Hedy Martinelli | .... | special thanks | |
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| The Godfather: Part II | The Professional: Golgo 13 | City of God | The Departed | Scarface |
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This movie was a masterpiece. It ranks as one of the very best in film history, if not the best. At Cannes people yelled and screamed, couldn't believe just how good it was. The profound atrocity was a combination of two completely brainless acts, the first being Zack Stienberg's hatchet job for US release, supposedly requested by either Warner Bros or The Ladd Company (one blames the other now) and the second was the lack of anyone (and everyone)to post anything in this great film for Academy Award consideration, of which probably as many as 14 nominations and 4 sure- fire Oscars went down the toilet.
These atrocities were perpretrated, I believe, with two reasons in mind, the first to preserve the dim hope of "The Killing Fields" (Daly & Semel's baby) of garnering any awards... and second, to try to boost up the non- foreign chances. Warner Bros knew just how good it was, that goes without saying. The problem was... they already had their share of cash cows and they wanted a real star- studded showpiece to point at. The small minds already had their showpiece but, alas, it was an "eye- tallyan" flick with a producer/director who didn't communicate well. The hatchet job was carefully planned, I believe... the so- called "sneak preview" was done in Canada and not well received, probably due to the fact that the sound system was over- amped and the film 'broke' 3 or 4 times during the showing, what a farce! The awards snub started with the GGs and carried right thru. What a myriad of stupid and utterly pointless decisions! Must have literally tore Leone's heart out when he learned what they had done.
Morricone's score was a sure- thing Oscar, no question about it. DeNiro and maybe even Woods would have fought it out for best actor, Tuesday Weld as supporting actress, any one of 4 or 5 other supporting actors & actresses, most notably William Forsythe, cinematography, film editing, the list goes on & on... (best picture...Amadeus???? give me a break!!) Just what in the hell were they thinking?
Saw it in a theater 20 years ago and then again on TV about 1998 and finally in its correct format(on DVD) about two years ago and again last week at a friend's house. Stirred up all those angry thoughts all over again... sorry about that, getting' old & crotchety.