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Once Upon a Time in America (1984)

R  |   |  Crime, Drama  |  28 September 1984 (Italy)
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Ratings: 8.4/10 from 203,214 users  
Reviews: 487 user | 109 critic

A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.



(novel), (screenplay), 7 more credits »
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Top Rated Movies #72 | Nominated for 2 Golden Globes. Another 11 wins & 7 nominations. See more awards »



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Cast overview, first billed only:
Richard Bright ...
James Hayden ...
Eve (as Darlanne Fleugel)
Larry Rapp ...
Richard Foronjy ...
Officer 'Fartface' Whitey (as Richard Foronji)


Epic tale of a group of Jewish gangsters in New York, from childhood, through their glory years during prohibition, and their meeting again 35 years later. Written by Andrew Welsh <andreww@bnr.ca>

Plot Summary | Plot Synopsis


Sergio Leone's three-hour, forty-minute epic masterpiece starring Robert de Niro. [Australia Theatrical] See more »


Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong violence, sexual content, language and some drug use | See all certifications »

Parents Guide:



Official Sites:




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Release Date:

28 September 1984 (Italy)  »

Also Known As:

Érase una vez en América  »

Box Office


$30,000,000 (estimated)


$5,300,000 (USA)

Company Credits

Show detailed on  »

Technical Specs


| (re-cut) | (extended director's cut)

Sound Mix:


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


Clint Eastwood reportedly turned down the role of Jimmy O'Donnell. See more »


During the Famous scene where the young boys are crossing the street with the Manhattan bridge in the background, the building on the right has a visible window air conditioner, something that was not available until 1932. See more »


[first lines]
[In 1933, two goons rudely question a young woman]
Beefy: Where is he? Where's he hiding?
Eve: I don't know... I've been looking for him since yesterday.
[second goon slaps her harshly; she falls onto the bed]
Beefy: I'm gonna ask you for the last time: Where is he?
Eve: I don't know... What are you gonna do to him?
[Two shots are heard]
Beefy: [to his partner] Stay here in case that rat shows up...
See more »

Crazy Credits

Joey Faye is credited as the "adorable old man." See more »


Featured in Bellissimo: Immagini del cinema italiano (1985) See more »


St. James Infirmary Blues
Written by Irving Mills
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

An operatic epic
6 January 2002 | by (Los Angeles) – See all my reviews

Once Upon a Time in America, which bookends Once Upon a Time in the West as director Sergio Leone's best work, is a powerhouse of a movie. A gangster epic told in a very different style than the standard of the genre, The Godfather, it is in some ways (at least to this viewer) even more emotionally compelling. Although the movie was sabotaged upon release by an edited studio version eliminating about 40% of its original length, the version now available for rental is thankfully the nearly 4 hour version intended by Leone. The story is at essence a basic one about friendship among thieves, telling the story of a group of Jewish kids in New York near the turn of the century who grow up to become powerful and ruthless mobsters, while maintaining (or trying to) their bond with one another. As was most famously done in the taxi scene between Rod Steiger and Marlon Brando in On The Waterfront, the movie again makes the point that bad people can have good aspects to them, such as loyalty, devotion, and even love. I think this movie includes one of Deniro's best roles, and far and away James Woods best film work. The score, by arguably the greatest movie composer of all time, Ennio Morricone, is incredibly haunting in its beauty and sadness (with no fewer than three separate themes that are breathtakingly beautiful). The non-chronological manner in which the story is told results in a wonderfully effective narrative device: the movie begins and ends with the same scene. The first time you see the scene, it is a frantic jumble, without meaning or context, and you do not know why it is so important. When the scene recurs at the end of the film, everything has become clear, and the scene has an incredible poignancy and sadness to it: although it occurs in the middle of events chronologically, you realize that, in a real sense, life stopped at this point for one of the film's main characters. There is no other event that matters anymore to him. This is not a simple movie, and it merits repeated viewings. Indeed, in my view one cannot fully appreciate the greatness of the film until the second viewing, when the full story is known, and the events of the film resonate with knowledge of where they ultimately, and tragically, lead.

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Fear of women liljebla
Wow it's a long film! Worth it???? RandytheRam83
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