A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
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The film takes place in 1920, 1932, 1933 and 1968. See more »
During the scene when the young boys set the newspaper stand on fire, they run around the corner and peek through a window in the concrete which has visible spray painted graffiti on the wall, spray paint was not invented until 1949, this scene takes place in the 1920s. See more »
[In 1933, two goons rudely question a young woman]
Where is he? Where's he hiding?
I don't know... I've been looking for him since yesterday.
[second goon slaps her harshly; she falls onto the bed]
I'm gonna ask you for the last time: Where is he?
I don't know... What are you gonna do to him?
[Two shots are heard]
[to his partner]
Stay here in case that rat shows up...
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My only merits for this film are for the principles of camera work, general acting and basic cinematics, besides that, this is almost 4 hours of my life I won't get back, this film drags on so much that by the first hour I felt like I'd spent a full day watching it and on top of that I still had very little connection to the characters and their story hadn't even started. Second hour hit, still nothing, I was almost asleep. Third hour, I might as well have been asleep, the story was still stagnant. As a cinematic story, yes, this is amazing. But as a film, it's like watching paint dry, it just doesn't get going. If you have the time to spare and have nothing better to do or watch then by all means, watch this film, but if you have something better do with your time then please, avoid this film. The length of the film doesn't justify the lack of story or the cinematic prowess, this could very easily have been an hour and a half film.
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