A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
A group of professional bank robbers start to feel the heat from police when they unknowingly leave a clue at their latest heist, while both sides attempt to find balance between their personal and their professional lives.
A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action, while attempting to liberate a twelve-year-old prostitute.
Robert De Niro,
According to Sergio Donati, from 1967 to 1977, all Sergio Leone had for the film was an opening scene: the corpse of an old gangster falls into the Hudson River and sinks to the bottom, where an underwater neighborhood of bodies is revealed. Leone devised this scene with Screenwriter Robert Dillon, who then pilfered it for 99 and 44/100% Dead (1974). See more »
Darlanne Fluegel's last name is misspelled in the opening credits. See more »
[In 1933, two goons rudely question a young woman]
Where is he? Where's he hiding?
I don't know... I've been looking for him since yesterday.
[second goon slaps her harshly; she falls onto the bed]
I'm gonna ask you for the last time: Where is he?
I don't know... What are you gonna do to him?
[Two shots are heard]
[to his partner]
Stay here in case that rat shows up...
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My only merits for this film are for the principles of camera work, general acting and basic cinematics, besides that, this is almost 4 hours of my life I won't get back, this film drags on so much that by the first hour I felt like I'd spent a full day watching it and on top of that I still had very little connection to the characters and their story hadn't even started. Second hour hit, still nothing, I was almost asleep. Third hour, I might as well have been asleep, the story was still stagnant. As a cinematic story, yes, this is amazing. But as a film, it's like watching paint dry, it just doesn't get going. If you have the time to spare and have nothing better to do or watch then by all means, watch this film, but if you have something better do with your time then please, avoid this film. The length of the film doesn't justify the lack of story or the cinematic prowess, this could very easily have been an hour and a half film.
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