A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
When filming was completed, the footage ran to a total of 8-10 hours. Director Sergio Leone and editor Nino Baragli trimmed the footage to around 6 hours, with the plan of releasing the film as two three-hour movies. The producers refused this idea and Leone had to further cut the film down to 3 hours 49 minutes. See more »
When Deborah's train leaves for Hollywood, a French railroad car (SNCF) is on a track in the background. Above the French car, a sign can be seen saying "Voie 13", which is French for Track 13, indicating this scene was shot at a French railway station. See more »
[In 1933, two goons rudely question a young woman]
Where is he? Where's he hiding?
I don't know... I've been looking for him since yesterday.
[second goon slaps her harshly; she falls onto the bed]
I'm gonna ask you for the last time: Where is he?
I don't know... What are you gonna do to him?
[Two shots are heard]
[to his partner]
Stay here in case that rat shows up...
See more »
Leone's beautiful vision met with an epic story to create one of the most beautiful movies of all time. Four hours long but time melts away as you are transported into New York. In a movie where the importance of time is stressed, and how it should not be wasted, it is pleasing that this considerably long movie does not waste, rather enhance your time. Instead of regretting lost time we are instead left exhilarated and wondering. Performances all-round are fantastic right from the child performances, 'Noodles, I slipped' to the aged De Niro with a look in his eye that he has seen it all before. His weariness is astonishingly realistic and applause should be directed at De Niro and his method. A true masterpiece.
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