A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
A story about a troubled boy growing up in England, set in 1983. He comes across a few skinheads on his way home from school, after a fight. They become his new best friends even like family. Based on experiences of director Shane Meadows.
Container cargo cranes are visible when the boys are waiting to for the crates of booze to float to the surface. Containerized cargo was not used until the middle 1950s. See more »
[In 1933, two goons rudely question a young woman]
Where is he? Where's he hiding?
I don't know... I've been looking for him since yesterday.
[second goon slaps her harshly; she falls onto the bed]
I'm gonna ask you for the last time: Where is he?
I don't know... What are you gonna do to him?
[Two shots are heard]
[to his partner]
Stay here in case that rat shows up...
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For his cameo, Joey Faye is listed in the credits as playing the "adorable old man." See more »
This movie was a masterpiece. It ranks as one of the very best in film history, if not the best. At Cannes people yelled and screamed, couldn't believe just how good it was. The profound atrocity was a combination of two completely brainless acts, the first being Zack Stienberg's hatchet job for US release, supposedly requested by either Warner Bros or The Ladd Company (one blames the other now) and the second was the lack of anyone (and everyone)to post anything in this great film for Academy Award consideration, of which probably as many as 14 nominations and 4 sure- fire Oscars went down the toilet.
These atrocities were perpretrated, I believe, with two reasons in mind, the first to preserve the dim hope of "The Killing Fields" (Daly & Semel's baby) of garnering any awards... and second, to try to boost up the non- foreign chances. Warner Bros knew just how good it was, that goes without saying. The problem was... they already had their share of cash cows and they wanted a real star- studded showpiece to point at. The small minds already had their showpiece but, alas, it was an "eye- tallyan" flick with a producer/director who didn't communicate well. The hatchet job was carefully planned, I believe... the so- called "sneak preview" was done in Canada and not well received, probably due to the fact that the sound system was over- amped and the film 'broke' 3 or 4 times during the showing, what a farce! The awards snub started with the GGs and carried right thru. What a myriad of stupid and utterly pointless decisions! Must have literally tore Leone's heart out when he learned what they had done.
Morricone's score was a sure- thing Oscar, no question about it. DeNiro and maybe even Woods would have fought it out for best actor, Tuesday Weld as supporting actress, any one of 4 or 5 other supporting actors & actresses, most notably William Forsythe, cinematography, film editing, the list goes on & on... (best picture...Amadeus???? give me a break!!) Just what in the hell were they thinking?
Saw it in a theater 20 years ago and then again on TV about 1998 and finally in its correct format(on DVD) about two years ago and again last week at a friend's house. Stirred up all those angry thoughts all over again... sorry about that, getting' old & crotchety.
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