Once Upon a Time in America (1984)

A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.

Director:

Sergio Leone

Writers:

Harry Grey (novel), Leonardo Benvenuti,

Stars:

Robert De Niro, James Woods, Elizabeth McGovern

Top 250 #79 | Nominated for 2 Golden Globes. Another 13 wins & 4 nominations.

Cast

Cast overview, first billed only:
Robert De Niro	...	David 'Noodles' Aaronson
James Woods	...	Maximilian 'Max' Bercovicz
Elizabeth McGovern	...	Deborah Gelly
Joe Pesci	...	Frankie Manoldi
Burt Young	...	Joe
Tuesday Weld	...	Carol
Treat Williams	...	James Conway O'Donnell
Danny Aiello	...	Police Chief Vincent Aiello
Richard Bright	...	Chicken Joe
James Hayden	...	Patrick 'Patsy' Goldberg
William Forsythe	...	Philip 'Cockeye' Stein
Darlanne Fluegel	...	Eve (as Darlanne Fleugel)
Larry Rapp	...	'Fat' Moe Gelly
Richard Foronjy	...	Officer 'Fartface' Whitey (as Richard Foronji)
Robert Harper	...	Sharkey

Storyline

Epic tale of a group of Jewish gangsters in New York, from childhood, through their glory years during prohibition, and their meeting again 35 years later.

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Plot Keywords:

new york | jewish | gangster | prohibition | friend | 

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Taglines:

As boys, they said they would die for each other. As men, they did.

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Genres:

Crime | Drama

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Motion Picture Rating (MPAA)

Rated R for strong violence, sexual content, language and some drug use

Details

Official Sites:

Official site

Country:

Italy USA

Language:

English Italian French

Release Date:

28 September 1984 (Italy)

Also Known As:

Érase una vez en América

Filming Locations:

Brooklyn, New York City, New York, USA

Box Office

Budget:

$30,000,000 (estimated)

Gross:

$5,300,000 (USA)

Company Credits

Production Co:

Ladd Company, The, Embassy International Pictures, PSO International

Technical Specs

Runtime:

229 min 139 min (re-cut) 259 min (2012)

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The director was originally going to film Harry Grey's autobiographical novel 'The Hoods' in a normal linear narrative manner, but in the 1970s he began to expand the story into an epic semi-surreal tale with a succession of screenwriters including, Norman Mailer and Stuart Kaminsky.

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Goofs

Container cargo cranes are visible when the boys are waiting to for the crates of booze to float to the surface. Containerized cargo was not used until the middle 1950s.

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Quotes

[first lines]
[In 1933, two goons rudely question a young woman]
Beefy: Where is he? Where's he hiding?
Eve: I don't know... I've been looking for him since yesterday.
[second goon slaps her harshly; she falls onto the bed]
Beefy: I'm gonna ask you for the last time: Where is he?
Eve: I don't know... What are you gonna do to him?
[Two shots are heard]
Beefy: [to his partner] Stay here in case that rat shows up...

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Crazy Credits

For his cameo, Joey Faye is listed in the credits as playing the "adorable old man."

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Connections

References The Four Horsemen of the Apocalypse (1921)

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Soundtracks

"'Summertime' from 'Porgy and Bess'"
Music by George Gershwin
Lyrics by DuBose Heyward (as Dubose Hayward) and Ira Gershwin
Courtesy of Gershwin Publishing Company/Chappel and Co.

User Reviews

A sprawling, deliberately paced, and generally a superbly crafted piece of work

It's been said that when one watches a "spaghetti" western (one of the "Man with no name" films with Clint Eastwood) filmmaker Sergio Leone's trademark cinema style and flair for clear storytelling is instantly recognizable. This is no truer than in his most ambitious effort, Once Upon a Time in America, in which his usage of close-ups, concise camera movement, sound transitions and syncs, and the sudden change in some scenes from tenderness to violence. And, he pulls it off without making the viewer feel dis-interested. Of course, it's hard to feel that way when watching the cast he has put together; even the child actors (one of which a young Jennifer Connelly as the young Deborah) are believable. Robert De Niro projects his subtitles like a pro, with his occasional outburst in the right place; James Woods gives one of his first great performances as Max; Elizabeth McGovern is the heart of the film; and Joe Pesci should've had more than just a one scene appearance, thought it's still good.

It's a story of life-long friends, in the tradition of the Godfather movies with obvious differences, and the story cuts back and forth to Noodles (De Niro) in his old age returning from exile, looking back on his childhood in Brooklyn, his rise to power with his partners, and the twists come quite unexpectedly. The pace is slow, but not detrimental, and it gives the viewer time to let the emotions sink in. The story is also non-linear, and yet doesn't give away facts to the viewer- this is something that more than likely influenced Tarantino (and many others) in style. By the end, every detail that has mounted up makes the whole experience rather fulfilling, if not perfect. Finally, I'd like to point out the exceptional musical score. Ennio Morricone, as it says on this site, has scored over four hundred films in forty years, including Leone's movies. This would have to be, arguably, one of his ten best works- his score is equally lively, saddened, intense, and perhaps majestic for a gangster epic. Overall, it's filled with the same spirit Leone had in directing the picture, and it corresponds beautifully- there are some scenes in this film that would simply not work without the strings. Grade: A