A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
The director was originally going to film Harry Grey's autobiographical novel 'The Hoods' in a normal linear narrative manner, but in the 1970s he began to expand the story into an epic semi-surreal tale with a succession of screenwriters including, Norman Mailer and Stuart Kaminsky. See more »
Early, when the guy is being beaten, the thugs shoot the punching bag next to his head to scare him - the shot is fired with a semiautomatic pistol with a silencer. The thug then puts the silencer in the guy's mouth and cocks the hammer of the pistol - since it is a semiautomatic, the hammer should have already been cocked. See more »
[In 1933, two goons rudely question a young woman]
Where is he? Where's he hiding?
I don't know... I've been looking for him since yesterday.
[second goon slaps her harshly; she falls onto the bed]
I'm gonna ask you for the last time: Where is he?
I don't know... What are you gonna do to him?
[Two shots are heard]
[to his partner]
Stay here in case that rat shows up...
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Leone's beautiful vision met with an epic story to create one of the most beautiful movies of all time. Four hours long but time melts away as you are transported into New York. In a movie where the importance of time is stressed, and how it should not be wasted, it is pleasing that this considerably long movie does not waste, rather enhance your time. Instead of regretting lost time we are instead left exhilarated and wondering. Performances all-round are fantastic right from the child performances, 'Noodles, I slipped' to the aged De Niro with a look in his eye that he has seen it all before. His weariness is astonishingly realistic and applause should be directed at De Niro and his method. A true masterpiece.
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