Once Upon a Time in America (1984)

Director:

Sergio Leone

Writers:

Harry Grey (novel)
Leonardo Benvenuti (writer) ...

Release Date:

1 June 1984 (USA)

Genre:

Crime | Drama

Tagline:

Crime, passion and lust for power - Sergio Leone's explosive saga of gangland America. [Australia Theatrical]

Plot:

A former Prohibition-era Jewish gangster returns to Brooklyn over 30 years later, where he once again must confront the ghosts and regrets of his old life.

Plot Keywords:

New York | Gangster | Jewish | Prohibition | Friend

Awards:

Nominated for 2 Golden Globes. Another 11 wins & 3 nominations

Cast

Robert De Niro	...	David 'Noodles' Aaronson
James Woods	...	Maximilian 'Max' Bercovicz
Elizabeth McGovern	...	Deborah Gelly
Joe Pesci	...	Frankie Manoldi
Burt Young	...	Joe
Tuesday Weld	...	Carol
Treat Williams	...	James Conway O'Donnell
Danny Aiello	...	Police Chief Vincent Aiello
Richard Bright	...	Chicken Joe
James Hayden	...	Patrick 'Patsy' Goldberg
William Forsythe	...	Philip 'Cockeye' Stein
Darlanne Fluegel	...	Eve (as Darlanne Fleugel)
Larry Rapp	...	'Fat' Moe Gelly
Richard Foronjy	...	Officer 'Fartface' Whitey (as Richard Foronji)
Robert Harper	...	Sharkey

Also Known As:

C'era una volta in America (Italy)

MPAA:

Rated R for strong violence, sexual content, language and some drug use. (edited version)

Runtime:

229 min | USA:139 min (re-cut)

Country:

Italy | USA

Language:

English | Italian | French

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Finland:K-16 (1990) | Finland:K-18 (1984) | Canada:13+ (Quebec) | Canada:18A | Iceland:16 | UK:18 (cut) | Brazil:14 | Germany:16 (f) (re-rating) (2003) | West Germany:18 (f) (original rating) (1984-2003) | Portugal:M/16 | Australia:R | France:U (Original rating) | Hong Kong:III | Ireland:18 | Italy:VM14 | Japan:R-15 | Netherlands:12 (original rating) | Netherlands:16 (re-rating) | New Zealand:R16 | Norway:18 | Singapore:M18 | South Korea:18 | Spain:18 | Sweden:15 | USA:R

Filming Locations:

Brooklyn, New York City, New York, USA

Company:

Embassy International Pictures

Trivia:

The bar in which the five young members of the gang debate whether to take the dollar the bartender offers them for burning the newsstand or roll the drunk, is McSorley's Alehouse on 15 E. 7th St. near St. Mark's Square. It opened in 1854 and is the oldest continually operating bar in the United States. The building the boys exit from is not, however, the exterior of McSorley's.

Goofs:

Errors in geography: The scenes at the Miami hotel show the sun setting over the water. Miami is on the Atlantic coast, so the sun should set over land. The scene was shot at St. Petersburg beach, on the Gulf coast.

Quotes:

[first lines]
[In 1933, two goons rudely question a young woman]
Beefy: Where is he? Where's he hiding?
Eve: I don't know... I've been looking for him since yesterday.
[second goon slaps her harshly; she falls onto the bed]
Beefy: I'm gonna ask you for the last time: Where is he?
Eve: I don't know... What are you gonna do to him?
[Two shots are head]
Beefy: [to his partner] Stay here in case that rat shows up...

Movie Connections:

Referenced in Shark Tale (2004)

Soundtrack:

LA GAZZA LADRA (from LP 894 103 ROSSINI OVERTURE)

A masterpiece and an atrocity!

This movie was a masterpiece. It ranks as one of the very best in film history, if not the best. At Cannes people yelled and screamed, couldn't believe just how good it was. The profound atrocity was a combination of two completely brainless acts, the first being Zack Stienberg's hatchet job for US release, supposedly requested by either Warner Bros or The Ladd Company (one blames the other now) and the second was the lack of anyone (and everyone)to post anything in this great film for Academy Award consideration, of which probably as many as 14 nominations and 4 sure- fire Oscars went down the toilet.

These atrocities were perpretrated, I believe, with two reasons in mind, the first to preserve the dim hope of "The Killing Fields" (Daly & Semel's baby) of garnering any awards... and second, to try to boost up the non- foreign chances. Warner Bros knew just how good it was, that goes without saying. The problem was... they already had their share of cash cows and they wanted a real star- studded showpiece to point at. The small minds already had their showpiece but, alas, it was an "eye- tallyan" flick with a producer/director who didn't communicate well. The hatchet job was carefully planned, I believe... the so- called "sneak preview" was done in Canada and not well received, probably due to the fact that the sound system was over- amped and the film 'broke' 3 or 4 times during the showing, what a farce! The awards snub started with the GGs and carried right thru. What a myriad of stupid and utterly pointless decisions! Must have literally tore Leone's heart out when he learned what they had done.

Morricone's score was a sure- thing Oscar, no question about it. DeNiro and maybe even Woods would have fought it out for best actor, Tuesday Weld as supporting actress, any one of 4 or 5 other supporting actors & actresses, most notably William Forsythe, cinematography, film editing, the list goes on & on... (best picture...Amadeus???? give me a break!!) Just what in the hell were they thinking?

Saw it in a theater 20 years ago and then again on TV about 1998 and finally in its correct format(on DVD) about two years ago and again last week at a friend's house. Stirred up all those angry thoughts all over again... sorry about that, getting' old & crotchety.