5.4/10
133
3 user 1 critic

Not for Publication (1984)

Tabloid reporter Lois Thornedyke and her photographer Barry Denver stumble upon evidence of a sex scandal, blackmail, and political conspiracy that may involve her love interest Franklyn, the saintly Mayor of New York City.

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Cast

Cast overview, first billed only:
...
Don Peoples ...
Catherine Schultz ...
Maureen
Richard Blackburn ...
Jim
...
Angelique
...
Odo
...
Troppogrosso
Warrington Winters ...
Doorman
Jeanne Evans ...
Lois' Mother
J. David Moeller ...
Sean Duffy
Desmond Dhooge ...
Elevator Man
...
Bernie
Leslie Lyon ...
Receptionist
...
Randy Moore ...
Mayor's PR Man
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Storyline

Lois Thornedyke, the daughter of a Pulitzer prize-winning journalist, writes a scandal column for a New York city tabloid. She gets a chance to upgrade her career when she uncovers a conspiracy reaching into city government. Lois and her quirky sidekicks pit naivete against evil... Written by <rth@ece.arizona.edu>

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Genres:

Comedy | Crime | Mystery

Certificate:

R | See all certifications »
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Details

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Release Date:

10 October 1985 (Australia)  »

Also Known As:

Geheimsache Schweinebacke  »

Filming Locations:


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Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Quotes

Cy Katz: Hey, what my girls do after the show is their own business.
Lois: Yeah, but I hear you take fifty percent.
Cy Katz: Fair's fair.
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Soundtracks

YOU BRING OUT THE BEAST IN ME
Music by John Meyer
Lyrics by John Meyer and Paul Bartel
Performed by Nancy Allen
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User Reviews

"Bartel light," not THAT bad...
4 April 2004 | by (United States) – See all my reviews

Bought this for $1 at a swap meet, got a couple laughs out of it--it has a good heart if it fails elsewhere (Nancy Allen and David Naughton REALLY couldn't act!). The musical number was dumb but in a sweet way--like "Eating Raoul" you have innocents living in a world of corruption (an orgy party where people dress up as animals in a light comedy...??!!!) and a director who can't seem to decide which world he likes more. I was pleased to see how "Bartel"-esque this actually was, with a decided "gay sensibility" going on underneath everything (note lingering shots of muscle-men in g-strings) and a residue after watching that makes you feel a little un-clean for some reason. Tries awfully hard for the rhythm of "His Girl Friday" and I appreciated the attempt.

This is how the awful "Switching Channels" would have been with Bartel behind the wheel--still bad but at least with original moments.

I'd watch this again before I'd return to the dark and filthy/scary world of Bartel's bleak "Private Parts..."

This is destined to be a forgotten 80's film, a shame...didn't think it was so bad.


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