Tabloid reporter Lois Thornedyke and her photographer Barry Denver stumble upon evidence of a sex scandal, blackmail, and political conspiracy that may involve her love interest Franklyn, the saintly Mayor of New York City.
Young Cheryl moves into her estranged aunt Martha's rundown King Edward Hotel. One of its offbeat residents, disturbed photographer George, takes special interest in her. Cheryl begins suspecting that a resident was murdered.
This is another story of the secret Coast to Coast auto race across America The only rule is, the first to finish is the winner. Naturally, anyone driving 55 isn't going to win. They'll ... See full summary »
A young architect finds himself in a situation that he never had to deal with before--now that he is successful (and married), sexy young women are throwing themselves at him. He and his wife take separate vacations to follow their urges.
Sisters Bonnie and Debbie visit San Diego on Debbie's sixteenth birthday. After telling a sleazy pickup artist to take a hike, he follows them to the zoo and has Debbie kidnapped on behalf ... See full summary »
In 1963, a paranoid middle-class couple locks themselves and their small kids in their nuclear fallout shelter. 30 years later, their oblivious son and two daughters still survive there playing absurd games. A play-based dark comedy.
Lois Thornedyke, the daughter of a Pulitzer prize-winning journalist, writes a scandal column for a New York city tabloid. She gets a chance to upgrade her career when she uncovers a conspiracy reaching into city government. Lois and her quirky sidekicks pit naivete against evil... Written by
Bought this for $1 at a swap meet, got a couple laughs out of it--it has a good heart if it fails elsewhere (Nancy Allen and David Naughton REALLY couldn't act!). The musical number was dumb but in a sweet way--like "Eating Raoul" you have innocents living in a world of corruption (an orgy party where people dress up as animals in a light comedy...??!!!) and a director who can't seem to decide which world he likes more. I was pleased to see how "Bartel"-esque this actually was, with a decided "gay sensibility" going on underneath everything (note lingering shots of muscle-men in g-strings) and a residue after watching that makes you feel a little un-clean for some reason. Tries awfully hard for the rhythm of "His Girl Friday" and I appreciated the attempt.
This is how the awful "Switching Channels" would have been with Bartel behind the wheel--still bad but at least with original moments.
I'd watch this again before I'd return to the dark and filthy/scary world of Bartel's bleak "Private Parts..."
This is destined to be a forgotten 80's film, a shame...didn't think it was so bad.
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