Lois Thornedyke, the daughter of a Pulitzer prize-winning journalist, writes a scandal column for a New York city tabloid. She gets a chance to upgrade her career when she uncovers a ... See full summary »
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Lois Thornedyke, the daughter of a Pulitzer prize-winning journalist, writes a scandal column for a New York city tabloid. She gets a chance to upgrade her career when she uncovers a conspiracy reaching into city government. Lois and her quirky sidekicks pit naivete against evil... Written by
<rth@ece.arizona.edu>
This jaw-droppingly unfunny, embarrassing "satire" on tabloid publications and political corruption has no pacing, no timing, no humor, no brains, no nothing. Paul Bartel has always been--for the most part, anyway--a good director with a wicked sense of humor, as the black comedy "Eating Raoul" and the hilarious parody "Death Race 2000" have shown, so God only knows what happened here, but this disjointed mess is virtually unwatchable. It makes Sylvester Stallone's hideous so-called comedy "Oscar" look like a sophisticated drawing-room farce by Noel Coward. An embarrassment for all concerned. You'll lose brain cells just reading the video box cover. You've been warned!
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This jaw-droppingly unfunny, embarrassing "satire" on tabloid publications and political corruption has no pacing, no timing, no humor, no brains, no nothing. Paul Bartel has always been--for the most part, anyway--a good director with a wicked sense of humor, as the black comedy "Eating Raoul" and the hilarious parody "Death Race 2000" have shown, so God only knows what happened here, but this disjointed mess is virtually unwatchable. It makes Sylvester Stallone's hideous so-called comedy "Oscar" look like a sophisticated drawing-room farce by Noel Coward. An embarrassment for all concerned. You'll lose brain cells just reading the video box cover. You've been warned!