Lois Thornedyke, the daughter of a Pulitzer prize-winning journalist, writes a scandal column for a New York city tabloid. She gets a chance to upgrade her career when she uncovers a ... See full summary »
Charlie's ex-wife disappears, and he travels to where she grew up--a rural town in the Midwest--to look for her. But, surprisingly, nobody knows about her or any of her many relatives, the ... See full summary »
Keith Gordon is a creative young man who films the oddball doings of his family and peers. "The Maestro" appears frequently to give him pointers on his techniques. It's almost a film about ... See full summary »
A businessman with a compulsive gambling problem which has led to his wife leaving him, travels to Reno, Nevada for some gambling therapy which takes a turn when he picks up a psychotic serial killer posing as a hitchhiker.
John, a gay Illinois small town cop moves to Los Angeles, hoping to fit into a place more welcoming of his sexuality. He soon discovers the "circuit," where he meets an insecure hustler, who draws John into drug abuse and illicit sex.
Brian Lane Green
The young daughter of a tough, female ex-agent is held ransom for the giving over of a top secret information file which outlines the layout of buried nuclear arms being held as garbage ... See full summary »
William H. Molina
At 18, Ariel Brenner leaves Paris and his family to live in Israel. He secretly joins the Mossad, the Isreali secret service. After years of training, his first mission is in Paris to steal... See full summary »
Lois Thornedyke, the daughter of a Pulitzer prize-winning journalist, writes a scandal column for a New York city tabloid. She gets a chance to upgrade her career when she uncovers a conspiracy reaching into city government. Lois and her quirky sidekicks pit naivete against evil... Written by
This jaw-droppingly unfunny, embarrassing "satire" on tabloid publications and political corruption has no pacing, no timing, no humor, no brains, no nothing. Paul Bartel has always been--for the most part, anyway--a good director with a wicked sense of humor, as the black comedy "Eating Raoul" and the hilarious parody "Death Race 2000" have shown, so God only knows what happened here, but this disjointed mess is virtually unwatchable. It makes Sylvester Stallone's hideous so-called comedy "Oscar" look like a sophisticated drawing-room farce by Noel Coward. An embarrassment for all concerned. You'll lose brain cells just reading the video box cover. You've been warned!
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