A man who works for 'The Party' (an all powerful empire led by a man known only as 'Big Brother') begins to have thoughts of rebellion and love for a fellow member. Together they look to help bring down the party.
After The Atomic War the world is divided into three states. London is a city in Oceania, ruled by a party who has total control over all its citizens. Winston Smith is one of the bureaucrats, rewriting history in one of the departments. One day he commits the crime of falling in love with Julia. They try to escape Big Brother's listening and viewing devices, but, of course, nobody can really escape... Written by
Director Michael Radford and cinematographer Roger Deakins originally wanted to shoot the film in black and white, but the financial backers of the production, Virgin Films, opposed this idea. Instead Deakins used a film processing technique called bleach bypass to create the distinctive washed-out look of the film's color visuals. The film is a very rare example of the technique being done on every release print, rather than the inter-negative or inter-positive; as the silver is retained in the print and the lab is unable to reclaim the silver, so the cost is higher, but the retained silver gives a "depth" to the projected image. The 2003 DVD release (the only release to restore Dominic Muldowney's full musical score) was mastered from the original negatives (not a release print), and thus inadvertently restored the film's original color saturation. See more »
Winston reads a newspaper article titled "INSOC IN RELATION TO CHESS BROTHER WINS." The party name should be spelled "INGSOC." See more »
This is our land. A land of peace and of plenty. A land of harmony and hope. This is our land. Oceania. These are our people. The workers, the strivers, the builders. These are our people. The builders of our world, struggling, fighting, bleeding, dying. On the streets of our cities and on the far-flung battlefields. Fighting against the mutilation of our hopes and dreams. Who are they?
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The movie begins with the title "Who controls the past controls the future. Who controls the present controls the past." See more »
Oceania,'Tis For Thee
Music by Dominic Muldowney
Lyrics by Jonathan Gems
Sung by the London Voices, directed by Terry Edwards
Soprano soloist: Sally Mates
Contralto soloist: Linda Hirst
Conducted by Dominic Muldowney See more »
I really have only one thing to comment on. Most of the other reviewers have stated just about everything about this wonderfully gritty, dark, foreboding movie that still remains an eerie parallel to our lives today, especially in the last 2 years...
But I'm confused by the number of people who have commented that claim to be put off by "the gratuitous nudity" by the two characters of Winston and Julia. Given the fact that everything in this society--waking up, food, habits, desires, work, workers, even the underwear and overalls--is so uniform, has it occurred to viewers that being nude was the only link to identity that these characters had? Everything in their world depends, thrives on sameness. Without clothes, everyone is unique. The two lovers were already in dire conditions by committing the sin of feeling for another human being, let alone carnally but in the heart. And they had to deceive and pretend and go through the motions of the dutiful cogs in the Big Brother wheel. But their only shared peace and comfort was their sacred time alone, and in love. They had finally found their own identities through loving each other. Their nudity was merely symbolic of that. In that sense, their union and expressions of that union only becomes more fragile, beautiful and honest, in such a heartless, cold, indifferent world.
May that be truly said of us, and all of us...
OK, that out of the way...one of the most gritty, realistic, honest translations ever to grace the screen. Wouldn't have changed a thing. Highly, highly recommended, along with the original 1955 version of "Animal Farm". Perfect double-feature for a somber, thoughtful evening's viewing.
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