A delicious, mysterious goo that oozes from the earth is marketed as the newest dessert sensation, but the tasty treat rots more than teeth when zombie-like snackers who only want to consume more of the strange substance at any cost begin infesting the world.
A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
A video game expert Alex Rogan finds himself transported to another planet after conquering The Last Starfighter video game only to find out it was just a test.He was recruited to join the team of best starfighters to defend their world from the attack.
It's the first comet to buzz our planet Earth in 65 million years, and everyone seems to be celebrating its imminent arrival. Everyone except Regina Belmont, and her younger sister Samantha, two Valley Girls who care more about fashion trends than celestial phenomena. But upon daybreak, when the girls discover that they are the only residents of Los Angeles whom the comet hasn't vaporized or turned into a zombie, they would do what all Valley Girls do - they go shopping. However, with the help of a friendly truck driver, the girls save Earth and escape from flesh-eating zombies and blood-seeking scientists in hot pursuit. Written by
Like many horror films of the 1970s and 1980s (e.g. Dawn of the Dead), this film has several critiques of consumer culture contained within the plot and dialogue. Perhaps the best example is when the think tank is looking for Samantha and Regina. While pondering on where the girls might be, one member of the think tank says that the shopping arcade and area are "an absolute monument to consumerism." See more »
When Regina is playing Tempest the next morning after the comet has come through, she is on level 7, but right after completing level 7, she is on level 11. See more »
[to the scientist who want her to breathe nitrous oxide]
I don't know, my parents told me never to breathe anything from strangers.
[Regina comes in to rescue the kids with a revolver]
Hey, get your hands up.
[the scientists and kids raise their hands and Regina picks up the toy bunny Sarah dropped]
What are you guys doing?
They said if we breathe this, we can go to the North Pole to see Santa Clause.
That's so sick!
[Samantha appears out of nowhere]
[...] See more »
It's, like, the end of the world and I don't have anything to wear!
"Night of the Comet" is a truly fun and engaging little genre effort of the 80's, but surely some of its hardcore fans are slightly overestimating the value and significance of this film. I've encountered reviews stating that "Night of the Comet" is a quintessential gem of 80's horror and that it's easily one of the most intelligent tributes/parodies to older B-movies ever made. Okay, the script is quite clever and writer/director Thom Eberhardt definitely knows a lot about all the post-apocalyptic classics of the 50's and 60's, but I honestly doubt it ever was his intention to direct the ULTIMATE homage. "Night of the Comet" is more like a miniature-tribute! All the obligatory story lines and sub plots to create an end-of-the-world epic are present, but Eberhardt's only disposed of a limited budget and thus the elaboration is only small-scaled and rather cheesy. There are mutated zombies, crazed scientists and hostile groups of survivors on the rampage, but all just in small doses. The movie opens during a bright summer evening, when the entire world is preparing to see a mesmerizing and once-in-a-lifetime ecological phenomenon, namely the passing of a comet. Two high-school teenagers who missed out on the event (sisters, moreover, what are the odds?) wake up the next morning and slowly realize that the comet's radiation killed every human being in L.A, only leaving behind small piles of red dust. They entrench themselves in an abandoned radio station, meet up with another sole (and male) survivor, battle the occasional mutated zombie and of course go shopping without credit cards. Things get slightly more dangerous when a bunch of dying scientists, who predicted the extinction of the human race, try to abduct the survivors to steal their still uncontaminated blood. The tone of "Night of the Comet" is continuously light-headed, still director Ebarhardt manages to maintain a more or less sinister atmosphere which never allow you to forget that the whole of mankind just got wiped out. The girls, although mostly concerned about fashion trends and pop music, understand the seriousness of the situation and deal with it the best way they possibly can. There are still a handful of creepy sequences (the confrontation in the mall) and well-developed Sci-Fi ideas (the diabolical scientists), but the emphasis largely lies on the two girls and their typically 80's pop-culture life-styles. I've never heard this many campy pop-songs in one movie, not even in a musical, and the special & make-up effects are kept to a minimum. The acting performances of Catherine Mary Stewart and Kelli Maroney are more adequate than you'd expect, as it certainly isn't easy for young actresses to portray teenage character that are stereotypical, ignorant, fashionable and yet likable at the same time. "Night of the Comet" certainly isn't brilliant, probably even a bit overrated by its fans, but still worth a peek in case you have a weakness for 80's cinema.
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