Two pretty high school girls (one a cheerleader!) don't like their stepmother or her new boyfriend ("Daddy would have gotten us Uzis!"). One morning, they wake up to find that everybody in Los Angeles has been turned to dust by a Comet except them, a guy who looks like Erik Estrada, some zombies and the occupants of a secret underground government installation. Written by
Mark Logan <email@example.com>
At the start of the movie, Regina is upset because the player "DMK" has upset her perfect list of wins on the video game in the theater lobby. The car the almost runs over Samantha at the end of the movie is driven by Danny Mason Keener -- "DMK" is his license plate. See more »
(at around 1h 05 mins) When the helicopter is taking off there is a window cleaning crew clearly working on the skyscraper in the background. See more »
It's, like, the end of the world and I don't have anything to wear!
"Night of the Comet" is a truly fun and engaging little genre effort of the 80's, but surely some of its hardcore fans are slightly overestimating the value and significance of this film. I've encountered reviews stating that "Night of the Comet" is a quintessential gem of 80's horror and that it's easily one of the most intelligent tributes/parodies to older B-movies ever made. Okay, the script is quite clever and writer/director Thom Eberhardt definitely knows a lot about all the post-apocalyptic classics of the 50's and 60's, but I honestly doubt it ever was his intention to direct the ULTIMATE homage. "Night of the Comet" is more like a miniature-tribute! All the obligatory story lines and sub plots to create an end-of-the-world epic are present, but Eberhardt's only disposed of a limited budget and thus the elaboration is only small-scaled and rather cheesy. There are mutated zombies, crazed scientists and hostile groups of survivors on the rampage, but all just in small doses. The movie opens during a bright summer evening, when the entire world is preparing to see a mesmerizing and once-in-a-lifetime ecological phenomenon, namely the passing of a comet. Two high-school teenagers who missed out on the event (sisters, moreover, what are the odds?) wake up the next morning and slowly realize that the comet's radiation killed every human being in L.A, only leaving behind small piles of red dust. They entrench themselves in an abandoned radio station, meet up with another sole (and male) survivor, battle the occasional mutated zombie and of course go shopping without credit cards. Things get slightly more dangerous when a bunch of dying scientists, who predicted the extinction of the human race, try to abduct the survivors to steal their still uncontaminated blood. The tone of "Night of the Comet" is continuously light-headed, still director Ebarhardt manages to maintain a more or less sinister atmosphere which never allow you to forget that the whole of mankind just got wiped out. The girls, although mostly concerned about fashion trends and pop music, understand the seriousness of the situation and deal with it the best way they possibly can. There are still a handful of creepy sequences (the confrontation in the mall) and well-developed Sci-Fi ideas (the diabolical scientists), but the emphasis largely lies on the two girls and their typically 80's pop-culture life-styles. I've never heard this many campy pop-songs in one movie, not even in a musical, and the special & make-up effects are kept to a minimum. The acting performances of Catherine Mary Stewart and Kelli Maroney are more adequate than you'd expect, as it certainly isn't easy for young actresses to portray teenage character that are stereotypical, ignorant, fashionable and yet likable at the same time. "Night of the Comet" certainly isn't brilliant, probably even a bit overrated by its fans, but still worth a peek in case you have a weakness for 80's cinema.
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