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An unknown middle-aged batter named Roy Hobbs with a mysterious past appears out of nowhere to take a losing 1930s baseball team to the top of the league in this magical sports fantasy. With the aid of a bat cut from a lightning struck tree, Hobbs lives the fame he should have had earlier when, as a rising pitcher, he is inexplicably shot by a young woman. Written by
Keith Loh <firstname.lastname@example.org>
The second film ever released by TriStar Pictures. It was supposed to be the first film ever released by the new TriStar Pictures, but they felt baseball movies don't do well, so instead Where the Boys Are (1984) was released first, in April 1984, with The Natural following in May 1984. This according to a recent interview of director Barry Levinson on Costas at the Movies. See more »
In Roy Hobb's final at bat, the first pitch is called a ball by the umpire, but the play-by-play man on the soundtrack calls it a strike. The Closed Captions have the Umpire calling strike as well as the radio play-by-play man. The Umpire also seems to have his calls mixed up, with no motion for the first "strike", and then a strike motion for the 2nd pitch a ball, which makes it obvious this was re-edited to accommodate the happier ending This would match the original ending, where Roy Hobbs would be striking out to the new Nebraska farm boy John Roades. See more »
Whenever "The Natural" is on TV, I stop what I'm doing and watch it. I don't know why, exactly. I have been a baseball fan since I was a little kid and love the tradition. There is no other sport that has as much history. It's because one can isolate moments in time. Situations develop. Every announcer says things like, "Bottom of the third, men on first and third, Turley on the mound, Simpson is up, he's two for four today. The wind is blowing out to right field, etc." We can make words visual. In this wonderful movie, a man wants a piece of that tradition. He makes a horrible mistake along the way to the big leagues, and now is given one last chance. This is mythical. This is not realistic. To criticize it on the basis of its credibility is unfair. Even to compare it to the book is unfair. They are totally different. What one does with a camera should not be compared to the printed page. Malamud did his thing and now Barry Levinson is doing his. The cinematography is without peer. It is magical all the way through. The lighting as Glenn Close stands up in the stands is mesmerizing. This is more Greek myth than baseball story, but it is a baseball story, with the Ruth like gods and the day-to-day players. Roy Hobbs is like all of us in some ways and we love him for his endurance, patience, and drive. Redford brings him to life with that rugged face moving away from lost youth. It's a fine film.
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