7.0/10
127
2 user 4 critic

My First Wife (1984)

PG | | Drama | 13 September 1984 (USA)
The film follows the dissolution of John and Helen's marriage and the aftermath.

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Writers:

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5 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
John Hargreaves ...
John
...
Helen
Lucy Angwin ...
Lucy
David Cameron ...
Tom
Anna Maria Monticelli ...
Hilary
Betty Lucas ...
Helen's Mother
Lucy Uralov ...
John's Mother
Robin Lovejoy ...
Helen's father
...
Helen's Father
Jon Finlayson ...
Bernard
...
Kirstin
...
Psychiatrist (as Ron Falk)
Xenia Groutas ...
John's Sister
Reg Roddick ...
Priest
Renée Geyer ...
Barmaid
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Storyline

The film follows the dissolution of John and Helen's marriage and the aftermath.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

13 September 1984 (USA)  »

Also Known As:

A Minha Primeira Mulher  »

Filming Locations:

 »

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Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Connections

Featured in A Journey with Paul Cox (1996) See more »

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User Reviews

 
Requiem For a Marriage
21 November 2002 | by (brighton, ma) – See all my reviews

My First Wife is an excruciatingly emotional film about the break-up of a marriage in contemporary Australia. There's not much new in it, and the dialogue isn't especially brilliant, but it's exceeding well done and sharply observant. Director and co-author Paul Cox based the story partly on events in his own life, and it shows. I feel a little cool about the film, as it delves into extremely intimate feelings with a mix of openness and artlessness that I find at times offputting. There are things that we are told about the husband that it might be better not to know, or to have told differently. The cast, led by John Hargreaves and Wendy Hughes, is flawless. Like so many films from Australia and Great Britain over the last twenty years, My First Wife has about it an undercurrent of pessimism that goes beyond its putative subject matter, as if the real subject were the Anglo-Saxon world in general, and its imminent demise, which, as is suggested in this film, richly deserved.


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