Murder-Rock: Dancing Death (1984)
"Murderock - Uccide a passo di danza" (original title)

The owner of a prestigious New York ballet school teams up with a male model to solve a series of bizarre murders of a few of the students.

Director:

Lucio Fulci

Writers:

Gianfranco Clerici (screenplay), Gianfranco Clerici (story),

Stars:

Olga Karlatos, Ray Lovelock, Claudio Cassinelli

1 win.

Cast

Cast overview:
Olga Karlatos	...	Candice Norman
Ray Lovelock	...	George Webb
Claudio Cassinelli	...	Dick Gibson
Cosimo Cinieri	...	Lt. Borges
Giuseppe Mannajuolo	...	Prof. Davis
Berna Maria do Carmo	...	Joan
Belinda Busato	...	Gloria Weston
Maria Vittoria Tolazzi	...	Jill
Geretta Geretta	...	Margie (as Geretta Marie Fields)
Christian Borromeo	...	Willy Stark (as Cristian Borromeo)
Robert Gligorov	...	Bert
Carlo Caldera	...	Bob
Riccardo Parisio Perrotti	...	Steiner
Giovanni De Nava	...	Hotel Receptionist

Storyline

A series of murders rock a dance academy in New York in which the mysterous directress, Candice, sets out to find the kiler, with a little assistance from a shady male model, named George, who has a hidden agenda for her as does she for him.

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Plot Keywords:

new york | murder | dance | dream | nipples | 

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Taglines:

Save the last dance . . . for hell!

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Genres:

Mystery | Thriller

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Certificate:

R

Details

Country:

Italy

Language:

Italian

Release Date:

April 1990 (USA)

Also Known As:

The Demon Is Loose

Filming Locations:

Incir De Paolis Studios, Rome, Lazio, Italy

Company Credits

Production Co:

Scena Film

Technical Specs

Runtime:

93 min

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Lucio Fulci:  The talent agent who speaks to Candice over the telephone about a background check he made on George.

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Connections

Referenced in Fulci Talks: The Movies (2007)

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Soundtracks

"You Are Not Alone Tonight"
Lyrics and Music by Keith Emerson
Performed by Doreen Chanter

User Reviews

Flashdancing Death

Lucio Fulci's Murder Rock is often lambasted by both Fulci and Giallo fans; and although I can certainly see why, I've got to say that this film satisfied me personally and I won't hesitate to label it a successful attempt at blending the tacky eighties styling's of dance phenomenon's the likes of 'Flashdance' with the familiar styling's of the popular Italian Giallo. I'm sure Fulci thought he was on to a definite winner back in 1984 with all these popular elements in one film; and even though I'm not sure how they would have been received at the time, nowadays it stands up as an amusing slice of kitsch nostalgia. I think the director cared more about making a quick buck on this film than providing the mass with a piece of art, and this shines through in the convoluted, but not well put together plot line. As you might expect, the film centres on a dance academy. After one of the girls is found dead, the cops place everyone at the academy under suspicion and when the murders continue; the police are given more leads to eventually track down the perpetrator.

The main reason why this film isn't liked by many of my fellow Fulci fanatics is due to the fact that it's relatively bloodless in comparison to his other works. The likes of The New York Ripper and The Beyond show the director at his gritty, blood-dripping best...whereas the kill scenes in this movie hardly feature any of the red stuff. That being said, they are still rather sadistic, as the killer knocks his victim out with chloroform before puncturing their heart with, of all things, a hat pin. Still, it has nothing on the eyeball violence of Zombie Flesh-Eaters. The musical numbers are atrocious in true eighties pop style, while the dance scenes are rather boring and not what I tuned in for. Fulci does find time to implement some gorgeous visuals, and the blue tint that accompanies most scenes gives the film a certain sense of art. Even though many of the film's elements are not brilliant, I still rate this film as an overall success as it's entertaining and fun to watch, and even though there are too many filler scenes; the plot plays out nicely. It's not a major highlight either for the genre or for the director, but Murder Rock is still worth seeing.