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A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock ... See full summary »
Director:
Gene Kelly
Stars:
Barbra Streisand,
Walter Matthau,
Michael Crawford
A classic Disney fairytale collides with modern-day New York City in a story about a fairytale princess who is sent to our world by an evil queen. Soon after her arrival, Princess Giselle begins to change her views on life and love after meeting a handsome lawyer. Can a storybook view of romance survive in the real world?
In the year before the 1904 St Louis World's Fair, the four Smith daughters learn lessons of life and love, even as they prepare for a reluctant move to New York.
In this sequel to "Father of the Bride", George Banks must accept the reality of what his daughter's ascension from daughter to wife, and now, to mother means when placed into perspective ... See full summary »
C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, ... See full summary »
The Muppets graduate from college and decide to take their senior revue on the road. They hit the streets of Manhattan trying to sell their show to producers, finally finding one young and idealistic enough to take their show. After several mishaps and much confusion, things begin to come together for them. Written by
Jan Bednarczuk <bednarczuk@nwu.edu>
The scene of Miss Piggy singing "Saying Goodbye" with Kermit was filmed at the Lackawanna Rail Terminal in Hoboken, New Jersey. The train Piggy is on is an electric train designed and built by Thomas A. Edison. See more »
Goofs
The gum Miss Piggy inadvertently gets her hand stuck to just before getting her purse snatched was clearly not there when she first came up to the lamppost. See more »
Quotes
Kermit the Frog:
Why don't you try something like: Ocean Breeze Soap will get you clean.
Jill the Frog:
You mean just say what the product does?
Gil the Frog:
No one's ever tried that before.
See more »
Crazy Credits
After the final credits roll, you can hear Animal say "Bye Bye, Bye Bye, Bye Bye...Hasta Luego" See more »
I distinctly remember seeing "Muppets Take Manhattan" in the movie theater when I was 8 years old--following the film, I immediately demanded that my parents purchase the soundtrack LP (yes, on vinyl!). I loved this movie then; I love it still.
Actually, it's my favorite among the first three, classic Muppet films; "Muppet Movie" is great but overlong, while "Great Muppet Caper" is terrific, but seems a bit dated now. "Muppets Take Manhattan," on the other hand, never fails to entertain me, still makes me laugh out loud (the purse-snatching scene; Kermit in his Bert Convy 'fro), and even tugs at my heartstrings.
What's particularly nice about this adventure is that it's an affectionate love letter to Hollywood musicals of yore, without being overly parodying. The musical comedy cliches are presented in a matter-of-fact manner; just as we were expected to suspend our disbelief when Ruby Keeler went out onstage a nobody but "came back a star!", we suspend our disbelief to encompass a group of talking animals putting together a big budget Broadway musical in 2 weeks. These kind of hoary plot devices are presented straight-faced, without any self-conscious "winking" or irony.
The songs are all pretty darn terrific; the show-stopping "Together Again" finale is as good as any contemporary musical number of the last 20 years or so, while "It's Time for Saying Goodbye" always puts a lump in my throat: it's sentimental without being maudlin. The finale, "He/She Makes Me Happy" goes from being sweet to comically over-the-top in less than 3 minutes, and it's a joy.
The expected parade of cameos work well within the structure, without being intrusive. My particular favorites are Liza Minnelli's (the whole Sardi's scene is wonderful), Linda Lavin's (another terrific comedy moment: "YOU are Mr. Enrico Tortellini of Passaic, New Jersey!"), and Joan Rivers' (another gem). The Muppet performers are their usual, endearing selves: lovable, warm, likable. The "love triangle" between Kermit, Piggy and the human Jenny plays surprisingly well, and Piggy's jealous reactions are hysterical.
These days, "family entertainment" usually means disgustingly white-washed pap that anyone over 10 or 11 would find either sedating or inane. (Disney's live action "101 Dalmations" and its sequel spring to mind.) The Muppet movies proved that a G-rated film could be intelligent, witty, funny and entertaining for all ages. It's a formula that has yet to be improved upon, and "The Muppets Take Manhattan" just might be the best example of it.
11 of 12 people found this review helpful.
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I distinctly remember seeing "Muppets Take Manhattan" in the movie theater when I was 8 years old--following the film, I immediately demanded that my parents purchase the soundtrack LP (yes, on vinyl!). I loved this movie then; I love it still.
Actually, it's my favorite among the first three, classic Muppet films; "Muppet Movie" is great but overlong, while "Great Muppet Caper" is terrific, but seems a bit dated now. "Muppets Take Manhattan," on the other hand, never fails to entertain me, still makes me laugh out loud (the purse-snatching scene; Kermit in his Bert Convy 'fro), and even tugs at my heartstrings.
What's particularly nice about this adventure is that it's an affectionate love letter to Hollywood musicals of yore, without being overly parodying. The musical comedy cliches are presented in a matter-of-fact manner; just as we were expected to suspend our disbelief when Ruby Keeler went out onstage a nobody but "came back a star!", we suspend our disbelief to encompass a group of talking animals putting together a big budget Broadway musical in 2 weeks. These kind of hoary plot devices are presented straight-faced, without any self-conscious "winking" or irony.
The songs are all pretty darn terrific; the show-stopping "Together Again" finale is as good as any contemporary musical number of the last 20 years or so, while "It's Time for Saying Goodbye" always puts a lump in my throat: it's sentimental without being maudlin. The finale, "He/She Makes Me Happy" goes from being sweet to comically over-the-top in less than 3 minutes, and it's a joy.
The expected parade of cameos work well within the structure, without being intrusive. My particular favorites are Liza Minnelli's (the whole Sardi's scene is wonderful), Linda Lavin's (another terrific comedy moment: "YOU are Mr. Enrico Tortellini of Passaic, New Jersey!"), and Joan Rivers' (another gem). The Muppet performers are their usual, endearing selves: lovable, warm, likable. The "love triangle" between Kermit, Piggy and the human Jenny plays surprisingly well, and Piggy's jealous reactions are hysterical.
These days, "family entertainment" usually means disgustingly white-washed pap that anyone over 10 or 11 would find either sedating or inane. (Disney's live action "101 Dalmations" and its sequel spring to mind.) The Muppet movies proved that a G-rated film could be intelligent, witty, funny and entertaining for all ages. It's a formula that has yet to be improved upon, and "The Muppets Take Manhattan" just might be the best example of it.