At the turn of the century, Henri Gauthier-Villars, a notorious bachelor, marries the young country girl Gabrielle Colette and introduces her to debauched Parisian life. Gabrielle keeps a ... See full summary »
Klaus Maria Brandauer,
The working class twin sister of a callous wealthy woman impulsively murders her out of revenge and assumes the identity of the dead woman. But impersonating her dead twin is more complicated and risky than she anticipated.
Berlin, the Romantic Era. Young poet Heinrich wishes to conquer the inevitability of death through love, yet is unable to convince his skeptical cousin Marie to join him in a suicide pact. ... See full summary »
Every skier knows what it's like to call a few friends, pack up, and head out for a trip. Rather than spend another winter chasing storms, five of the top pros and their closest pals embark... See full summary »
In this witty comedy from teen director Emily Hagins, young Kate visits a local comic convention and falls for good-hearted vampire Paul, but her friends are worried when she suddenly starts displaying eerie, undead qualities of her own.
Life can change in an instant, and turn your whole world upside down. And that is exactly what happens to firefighter Jeff Elliott and his wife Ruth who are living their dream in the golden... See full summary »
Nerve is a psychological drama that tells the story of Jakob Evans who has suffered an emotional breakdown from the death of his wife in a car accident. Having found his wife in bed with ... See full summary »
On March 13th, 1997 one of the largest UFO sightings ever recorded took place across the southwestern United States. The event became known as the 'Phoenix Lights' and was witnessed by ... See full summary »
This is the final film for John Huston as actor, for he died shortly after its completion, and it is directed by his son Danny, who does a creditable job with putting onto the screen one of Leon Garfield's Dickensian novellas, set in 1767 in a small English town on New Year's Eve, the work starring bewigged Paul Scofield, who certainly looks the part here of a cold-hearted master. A young apothecary's apprentice, Ben Partridge (Mark Farmer), souring from being forced to work late on the eve of the new year by his master Mr. Corbett (Scofield), is so filled with hatred as a result that he wishes for Corbett to be dead, going so far as to gather ingredients with which he hopes to cast a fatal spell upon the older man. A highly imaginative script from Gerry Wilson realizes in cinematic terms the well-constructed and taut original by Garfield, and fosters a strong sense of the dramatic, including several macabre scenes among the town's underworld, a favorite device of the novelist. A rather dark film that echoes Stevenson as well as Dickens, GHOST centers about the displacement of young Partridge as he discovers that the burden of an omnipresent phantom is by way of being intolerable and, to his salvation, the ambiguous aspects of good and evil in their natural duality lead to certain discoveries about his foreign master, resulting in a satisfying conclusion. Scofield, magnificent as always, dominates his scenes, creating his role of the Scroogelike apothecary with interesting physical business, Huston is effective as the Collector of Souls in his final performance, and Burgess Meredith contributes a brief and highly idiomatic performance, with only Farmer being limited in his emotional range (glaring in such company); Andy Summers should be thanked for an attractive and atmospheric score that is mixed well.
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