Threatened with recapture after a prison escape, Martin Stechert grabs a 12-year-old as hostage. He proves to be named Martin, too - a quiet "good little boy" always obeying the rules, whom... See full summary »

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Cast

Cast overview, first billed only:
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Paul Mennen (as R.H. Thompson)
Dwayne McLean ...
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Hugh Webster ...
J. Winston Carroll ...
Train Driver (as J.W. Carroll)
Bob Windsor ...
Jeff Braunstein ...
Dini Petty ...
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Storyline

Threatened with recapture after a prison escape, Martin Stechert grabs a 12-year-old as hostage. He proves to be named Martin, too - a quiet "good little boy" always obeying the rules, whom life has given only dismal loneliness and frustration in return. Soon he begins to admire "Stech" for his cheeky pranks against society and his desperate mission to make dreams come true. In a climactic moment, he chooses to stay with the man even though he could run away. Via hijacks and hijinx, they flee to the idyllic peace of the older Martin's childhood home, a cabin on a lake. But the police are close behind, impatient and trigger-happy. Written by Paul Emmons <pemmons@wcupa.edu>

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Genres:

Drama

Certificate:

PG | See all certifications »

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Release Date:

22 February 1985 (USA)  »

Also Known As:

A két Martin  »

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Did You Know?

Trivia

Young Martin says his birthday is May 25th, which is actor Justin Henry actual date of birth. See more »

Quotes

[first lines]
Martin Steckert: The cabin was just home. Just me, my father. And he died, and it was just me.
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Connections

Referenced in A Perfect World (1993) See more »

Soundtracks

Sweet Southern Comfort
(uncredited)
Written by George Fenton and Irene Davies
Bruton Music Ltd
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User Reviews

 
LIBERTY IS WHERE IT CAN BE FOUND BY ODDLY MATCHED SOULMATES.
25 November 2004 | by (Mountain Mesa, California) – See all my reviews

A well-made and imaginative production, refreshingly free from cliché, this somewhat picaresque affair recounts a tale of a close friendship that develops between a man and a boy under less than ideal conditions: the man an escaped convict who has kidnapped the youth for his value as a hostage. Expertly directed by Alan Gibson with a fine sense for balanced narrative movement, the film provides freshness in nearly every scene, as felon Martin Steckert (Richard Harris), believing that his rejection for parole was particularly undeserved, contrives a convoluted but ultimately successful escape plan, following which his spontaneous nature comes to the fore as he flees to the lakeside residence of his childhood. Often bursting into song or dancing a few steps, the capricious Steckert gradually gains the trust and affection of his captive and, as police close in for an inevitable showdown, the tethered pair are seen to be a great deal alike in their responses to forms of rejection, as discerned by a psychiatrist (Lindsay Wagner) assigned to aid a zealous police lieutenant (James Coburn) who is in charge of the manhunt for Steckert and his "prisoner". This is an engrossing story, worth telling, a quickly-paced and novel adventure that profits from a capital performance by Harris, fine turns from Wagner, Coburn, and Karen Black, along with Justin Henry as the snatched lad, with an appropriately whimsical score contributed by Wilfred Josephs, and top-notch cinematography by Frank Watts, with all footage shot in a beautiful autumnal Ontario province.


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