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Mannen från Mallorca (1984)

6.9
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Ratings: 6.9/10 from 749 users  
Reviews: 5 user | 4 critic

In Stockholm, on St. Lucy's feast day, a bandit daringly robs a crowded post office. Within a fortnight, two witnesses are dead. Two cops from vice squad, Johansson and Jarnebring, who were... See full summary »

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Title: Mannen från Mallorca (1984)

Mannen från Mallorca (1984) on IMDb 6.9/10

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Cast

Cast overview, first billed only:
Sven Wollter ...
Tomas von Brömssen ...
Håkan Serner ...
Inspector Andersson
Ernst Günther ...
Thomas Hellberg ...
Ingvar Hirdwall ...
Fors
Niels Jensen ...
Roger 'Rogge' Jansson
Tommy Johnson ...
Inspector Rundberg
Rico Rönnbäck ...
Hans Villius ...
Minister of Justice
Sten Lonnert ...
Olsson, alcoholic
Nina Gunke ...
Eva Zetterberg
Margreth Weivers ...
Alva Wiström
Gun Karlsson ...
Mrs. Forsberg, witness at the post office
Marie Delleskog ...
Janna - Roger's fiancée
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Storyline

In Stockholm, on St. Lucy's feast day, a bandit daringly robs a crowded post office. Within a fortnight, two witnesses are dead. Two cops from vice squad, Johansson and Jarnebring, who were the first to the crime scene, pursue all leads and identify a suspect, an arrogant member of the elite secret police, a man assigned to guard the country's Minister of Justice. Just as the beat cops think they've tightened the noose around the suspect, loose ends appear, witnesses lose their certainty, alibis crop up, and even the cops doubt what they've seen. Who's protecting the suspect and why? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Action | Crime | Thriller

Certificate:

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Details

Country:

|

Language:

Release Date:

12 October 1984 (Sweden)  »

Also Known As:

Mannen från Mallorca  »

Box Office

Gross:

SEK 15,025,552 (Sweden)
 »

Company Credits

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Technical Specs

Runtime:

Color:

(Fujicolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The film is loosely based on the discovery of the real-life Swedish Minister of Justice's liaisons with prostitutes in the 1970s. It was a major scandal where the truth was believed to be largely covered up, and Leif GW Persson, who at the time was the source within the national police authority who blew the whistle to a newspaper, was discharged and found comfort in writing the book that the film is based on. See more »

Goofs

The film shows it to be completely dark outside when Johansson is celebrating Christmas with his son and his ex-wife; however, when he leaves, they are still watching the Disney Christmas Special which airs every Christmas in Sweden at 15.00 CET. There is still daylight in the Stockholm area by then. See more »

Quotes

Dahlgren: That's not my headache. I'm not your boss and for that I am grateful.
Inspector Jarnebring: So are we.
Dahlgren: Good. Than the feeling is mutual.
See more »

Crazy Credits

There are no end credits for this film. All credits are shown at the beginning, and at the end, the film simply fades to black. See more »

Connections

Featured in Stjärnbilder (1995) See more »

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User Reviews

The best political thriller you've never heard of
14 October 2004 | by (Sussex, England) – See all my reviews

Lowly Stockholm vice-squad officers, Jarnebring and Johansson, are first on the scene of a robbery and go on to unearth apparent corruption in high places, but the threads are difficult to pull together and the case is hard to crack.

There are so many pleasures in this film that it's a shame that it is so rarely seen. Quite apart from being a good thriller director Bo Widerberg brings twists and slants to what would otherwise be the sort of film that we've seen a hundred times. Although a buddy-buddy movie, J & J's relationship is constructed back-to-front. Instead of going from 'chalk & cheese' to reconciled dream-team, they begin as good friends, with implicit trust between them as colleagues, but the events of the film put this under strain. As a corollary there is no neat ending.

There are some good moments of humour as American and Swedish culture brush up against each other, but the greatest departure from the standard is the insight into Johansson's personal life. Occupying no more than a few minutes screen time, we see the result of his marriage break-up. The scene where he attempts to recapture his relationship with his son is almost painful and his furtive eye contact with another metro traveler is nicely captured. In fact, these brief interludes convey more about the loneliness of a failed relationship than many an entire film. Overall they add a rare depth to this genre. Add to this a great car-chase and the technique of putting a rear facing road-pointing camera on the front of a car, which brilliantly conveys menace.

There is also a well-developed sense of place with all the action set in a wintry Stockholm and it's environs. While we see the city's underbelly (down-and-outs; winos; criminals; alienated youth) it is still an affectionate portrait.

Twenty years on there are some non-P.C. moments as when a suspect is recognised partly as he is seems to be the only foreign-looking person in Stockholm. The ending can also be criticised for leaving a feeling that the ball is still in the air, but this is largely because we cinema-goers are so used to complete resolution.

This is the sort of film that should be made more often. Widerberg rivaled Peter Weir as a director who could make an entertaining yet meaningful and character-driven film.


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